Post Oscars Night Comments and Feasting with the RunPee Family

oscars statue for the awards ceremony
The big one: this year’s Oscar Awards Ceremony

The RunPee Family gathered at our Florida HQ to watch the 2019 Oscars event together, live-tweeting, snarking about presenters, shouting who we wanted to win, then cheering and jeering when movie awards were announced.

It was much fun. And there was much feasting. (Scroll down for food pictures.)

A Few Thoughts From the 2019 Oscars

You can check out our thoughts and comments using the Twitter hashtag #RunPeeattheOscars. So many great films in 2018! It was nice to see some unusual noms get the Oscars. It was shocking to us when Green Book got Best Picture. RunPee Jilly wanted Black Panther, RunPee Mom figured the win would go to A Star Is Born, while everyone else thought it would go to Bohemian Rhapsody. RunPee Sis did the Peetimes for Green Book, and she really loved that movie, so she was happy. Since we divide up the movies every week, there isn’t a lot of overlap. The rest of us have yet to even see Green Book! Personally, I’m looking forward to it.

The clear highlight of the evening was the Lady Gaga/Bradley Cooper duet of Shallow from A Star is Born — which happily won the Oscar category for Best Song. Although Cooper seemed a little shaky with some of his vocals, the steamy onscreen chemistry between the two brought down the house.

We were surprised at all the accolades for Roma , after limited US release that went straight to Netflix. We didn’t even do Peetimes for Roma —  we focus on the wide releases, so this one slipped through the cracks. (Also, we almost never do foreign films. It’s nearly impossible to make Peetimes when you have to read subtitles.)

Overall, we thought the event needed a host. The flow was jarring.  But with all the controversy about the Oscars and hosts this year, it was probably for the best. I wanted to see Kevin Hart host, but understand why it wasn’t acceptable.  After Disney fired James Gunn from Guardians of the Galaxy 3, it’s  past time for celebrities to take a good look at their social media history.

Want to see what the RunPee Family ate? Since the event started late on the East Coast, we went for finger foods. RunPee Sis put together the menu and presentation. Yum!

 

 

 

 

Did you enjoy the Oscars this year? Do you agree with the winners? Let us know in the comments below.

The RunPee Family Chats Pre-Event on the 2019 Oscars

Movie Review – Green Book (It will touch your heart)

Movie Review – Bohemian Rhapsody – Queen Will Rock You

Movie Review – A Star Is Born

Main Song from A Star Is Born – Video and Lyrics from Shallow – by Lady Gaga and Bradley Cooper

Movie Review – Black Panther – One Incredible Party

The RunPee Family Chats Pre-Event on the 2019 Oscars

oscars statue for the awards ceremony
The big one: this year’s Oscar Awards Ceremony

Here’s a list of every Oscar movie nominee for 2019, and the RunPee Family‘s thoughts about who might and should win, and who we think will be snubbed this year. All links go to RunPee’s reviews if we have one, and the (post-Oscar) winners are listed in bold.

Best Picture

Black Panther: RunPee Mom  – Excellent Oscar-worthy movie. RunPee Jilly – I just want to see Black Panther win, because I’m a die hard geek and I don’t think anything has won Best Picture in my genres since The Return of the King. This winning would make me deeply happy.

BlacKkKlansman: Mom –  Haven’t seen this one, but I’ve read excellent reviews. I’m sure it’s Oscar-worthy. Jilly – I remember RunPee Dan really liking this one, but I haven’t seen it.

Bohemian Rhapsody: Mom – Nor have I seen this movie, but according to second-hand information, it’s also Oscar-worthy. Jilly – I know this is the big one, but I found it more sad than I was ready for. It’s not enjoyable to watch people be sad and suffer that much.

The Favourite: Mom –  It would make me happy for Queen Anne of Brittany if a movie made about her won an Oscar. Anne was one of the more colorful monarchs of the past, and should have her own movie.

Green Book:  Mom –  Nope, haven’t seen this one either, but this is my daughter’s number one pick and that’s good enough for me. I’ll see it soon. RunPee Sis – This is the best film ever and you feel really good after seeing it.

Roma: Mom –  Good grief, why oh why, was this nominated for Best movie and Best Foreign Film? One or the other Academy, not both.  Also, this isn’t really a movie I could even finish watching when I downloaded it last night.

A Star is Born: Mom – My favorite, my very, very favorite. This is why I want Roma taken out of the mix. If my movie doesn’t win, then I’m pretty sure my anger, along with millions of other fans, will cause a polar shift. Jilly – Like Bohemian Rhapsody, too sad for me. I prefer pulse-pounding excitement in a fantastical story. Why are Dramas always selected for Best Picture?

Vice: Mom – A great movie, but I question if it’s Oscar-worthy. Granted, Christian Bale did an outstanding job of capturing the essence of Dick Cheney, but I don’t think Dick’s essence made for an outstanding movie.

 

Best Actor in A Leading Role

Christian Bale: Mom –  It was no great stretch for Bale to play Dick Cheney. He doesn’t deserve an Oscar for simply looking like Dick Cheney. That award should go to the makeup department.

Bradley Cooper: Mom – My favorite. Brad went way out of his comfort zone to not only act and sing in this movie, but direct it as well. Jilly – Brad did a great job, but I don’t think it was better than other movies he’s acted in. I’d call his role here ‘regular good’, not “blow-my-mind good.”

Willem Dafoe: Mom – A multi-talented actor for sure, but he’s up against some stiff competition.

Rami Malek: Mom –  He just may walk away with the Oscar, and even though Bradley is my favorite, my money is on Rami for the win. Jilly – Rami became Freddie in my eyes. I think this is the clear winner.

Viggo Mortenson: Mom –  Again, the competition is stiff and I don’t see the Academy recognizing him with an Oscar. Jilly – Viggo has a reputation for becoming the role he’s tasked with.  Green Book really shows off his skills.

 

Best Actress in a Leading Role

Yalitza Aparicio: Mom –  Okay Academy, are you really going to award the Oscar to an actress with only one movie in her filmography, and snub seven-time nominee Glenn Close?

Glenn Close: Mom –  My favorite. This lovely lady has given us some of the best movies we’ve seen, and that’s validated by the fact that she’s been nominated seven times for an Oscar, but never taken one home. The time is now Academy, to right that wrong.

Olivia Colman: Mom –  A superior actress, but I don’t think the Academy will find her performance as great as her fans did.

Lady Gaga: Mom –  I think this amazing woman will take home the gold, and even though I’d like to see Glenn finally become a winner if only for sentimental reasons, Lady Gaga deserves every eight and a half pounds of the Best Actress award. Jilly – I think Gaga and her movie, along with Bohemian Rhapsody, will sweep the awards.  Regardless, the Lady did a truly fine job in her big role debut.

Melissa McCarthy: Mom – The Academy will snub Melissa; it’s just what they do. It doesn’t matter that this funny lady cranked out some great drama for the movie, the Academy will not award her gravitas. Jilly – I’d be shocked if Melissa won this.  She’s not be taken seriously as an actor before, and this film never went to wide release, so the support might not be there for ‘comic’ actor.

Best Actor in a Supporting Role

Mahershala Ali: Mom – I think Ali will walk away a winner.

Adam Driver: Jilly – A promising young actor. He’s worth watching.

Sam Elliot: Mom – Probably won’t take home the gold, but it’s great the Academy gave him a small pat on the back. Jilly – This was a relatively small role in a big film, and his arc wasn’t very satisfying, so this nom surprised me.

Richard E. Grant:  We’ll add something if we think of it. 🙂  No thoughts yet (hereafter to be called NTY).

Sam Rockwell: Mom – Sam did the best job portraying George W Bush than any other actor in Hollywood, however his role was so small it would be hard to screw it up. On the other hand, where the hell is Steve Carell‘s nomination? Jilly – I agree with Mom: this should have gone to Steve Carell.

 

Best Actress in a Supporting Role

Amy Adams: Mom – She played the wife of Dick Cheney; how hard could that be for an actress of her caliber?

Marina de Tavira: Mom – Most likely she’ll take home the gold.

Regina King: NTY

Emma Stone: Jilly – A versatile young actress who gets better every year.

Rachael Weisz: NTY

 

Best Animated Feature Film

Incredibles 2: Jilly – If Into the Spider-Verse hadn’t come out this year, Incredibles 2 would clearly take the win. It was as good, and in some ways better than the first Incredibles film, was funny, completely enjoyable, and a sure crowd-pleaser.  Pixar usually pulls out the win, but in this case I’m going with the Sony Spiderman nominee.

Isle of Dogs: Mom – I loved everything about this movie, but it won’t take home the gold. Jilly – I very much enjoyed this film, but I think it’s a little too quirky, and a bit unrelatable for the Academy. It’s a small film, compared to Incredibles 2, Ralph Breaks the Internet, and the best one: Into the Spider-Verse.

Mirai: Jilly – A small movie, and I’m not sure how this could compete with the others.

Ralph Breaks The Internet: Jilly – I very much enjoyed this film, and I hadn’t even seen the original. Like Incredibles 2, it’s a big crowd-pleaser that still won’t take the win from Into the Spider-Verse.

Spider-Man: Into the Spider-Verse: Mom – Even though my favorite is Isle of Dogs, the Spidey movie is the clear winner. Jilly – The hands-down Oscar win. This is nothing short of an amazing achievement in animated film. The look, the story, the voice acting, the plot, the EVERYTHING. I don’t have enough pluses to give to this A+ film.

Best Cinematography

Cold War:  Not seen.

The Favorite: NTY

Never Look Away:  Not seen.

Roma: NTY

A Star Is Born: Mom – With Bradley Cooper and Lady Gaga in the ‘photograph’, why are we even talking about this? Jilly – Most of the shooting was very straightforward, so I’m not sure why this was nominated.  It’s not a fantasy, it’s not a period piece, and most of the big scenes were two people on a stage. There were so many other interestingly filmed movies this year, so what gives?

Best Costume Design

The Ballad of Buster Scruggs: Mom – This quirky little movie probably won’t take Oscar home, but it was great fun watching it anyway.

Black Panther: Mom – The obvious winner. Jilly – Now we’re talking.  This epic film created an entire futurist nation’s worth of fabulous garments and sparked an entire design movement. I don’t think a lot of films in the history of ever can boast this. (Read more: Dress like a Wakandan from Black Panther.)

The Favourite: Jilly – A period piece with many gorgeous dresses. The Academy likes this kind of thing.

Mary Poppins Returns: Jilly – The costumes were okay, as this is a period piece that seamlessly picks up a generation after the first Mary Poppins leaves off. It looked good. But the costumes weren’t exactly

Mary Queen of Scots: Mom – This is my favorite movie of the category, however, it can’t win against Black Panther. Jilly –  Another great-looking period piece; this is worth having on the list. But Black Panther should leave this category in the dust.

Best Director

BlacKkKansman: Mom – Spike Lee is the obvious choice here. The other five can stay home. Jilly – The Academy likes Spike Lee, and the movie’s a meaty one. This should be the winner.

Cold War:  Not seen.

The Favourite: NTY

Roma: NTY

Vice: NTY

Best Documentary

Free Solo: Jilly – I’m the rock climber in the family, so I should have seen this. However, we don’t tend to cover documentaries, so unfortunately I have no option on Free Solo. I’ve heard good things, though, and look forward to seeing movie snippits  at the Oscars.

Hale County This Morning, This Evening: Not seen.

Minding the Gap: Not seen.

Of Fathers and Sons: Not seen.

RBG: Mom – My choice. Jilly – Agreed.

Documentary (Short Subject)

Black Sheep: Not seen.

End Game: Not seen.

Lifeboat: Not seen. (Jilly – I’d like to see this one.)

A Night at The Garden: Not seen.

Period. End of Sentence: Not seen.

Film Editing

BlacKkKlansman: NTY

Bohemian Rhapsody: Mom –  My choice, this could not have been an easy film to edit.

The Favourite: NTY

Green Book: NTY

Vice: NTY

Foreign Language Film

Capernaum: Not seen (Jilly – we don’t see many foreign films.)

Cold War:  Not seen.

Never Look Away: Not seen.

Roma: Mom – Not my choice, but it’ll win anyway.

Shoplifters: Not seen.

Makeup and Hair Styling

Border: Not seen.

Mary Queen of Scots: Mom – Definitely the clear choice. Jilly – Of the three listed, this one is the shoe-in. Good period work.

Vice: Mom – Turning Christian Bale into Dick Cheney was nothing short of a miracle, but is it enough to take home the gold? Jilly – Yes, Christian was converted into an older, heavier man, but where is Black Panther for this category? One actor in heavy makeup shouldn’t take the gold, no matter how well acted it was. Have you SEEN the amazing hair and makeup in Black Panther?

Music (Original Score)

Black Panther: Mom – The obvious winner. Jilly – There should be no competition  with the fabulousness of this score. It paints a magical picture and carries the view along the story with finesse.

BlacKkKlansman: NTY

If Beale Street Could Talk: NTY

Isle of Dogs: Jilly – Honestly, I really enjoyed this film, but I cannot remember the score. It was a little bombastic, I think. Kind of out there? That kind of thing can be noticed by the academy, but I doubt it will win, compared to Black Panther.

Mary Poppins Returns: Jilly – like the costuming, the music fits on perfectly as a sequel to the original. It’s not my favorite choice, however.

Music (Original Song)

‘All The Stars’ from Black Panther: Jilly – I do enjoy this song, but I don’t think it’s good enough to win, and certainly not against Shallow. I wish this song was going to be playing live during the Oscars, like the others.

‘I’ll Fight’ from RBG:  Jilly – This will be playing during the night of the Oscars, like all the other nominated songs except for Black Panther.

‘The Place Where Lost Things Go’ from Mary Poppins Returns: Jilly – This is a sad and sweet lullaby, but nothing I find outstanding. If I had to pick a song from Mary Poppins Returns it would  be the “Light Fantastic” song with the Lamp Lighters, as a callback to the showstopping Chimney Sweep passage from the original Mary Poppins.

Shallow‘ from A Star Is Born: Mom – I can assure you that if this song doesn’t win, there will be blood. Jilly – The best part of A Star is Born  is this song. It should bring down the house when they perform it live at the Oscars, even though Brad Cooper will not perform it as himself and not his character.

‘When A Cowboy Trades his Spurs For Wings’ from The Ballad of Buster: Scruggs – NTY

Production Design

Black Panther: Mom – Why is anyone else nominated? Jilly – The win, I’m sure.

The Favourite: NTY

First Man: Jilly – Except for the brief moon scene, everything was just set on  1950s and 60s Earth. I see this movie has several noms, but it was so understated and underwhelming that I’m not sure why.

Mary Poppins Returns: Jilly – Nice, but not outstanding. It could have been a stage play for the production quality evident here. I don’t think a single scene looked like it was filmed on location.

Roma: NTY

Short Film (Animated)

Animal Behaviour: Not seen. Jilly – We don’t see a lot of shorts, since they don’t need Peetimes.  😉 

Bao: Jilly – This is the only one I watched, coming as it did before The Incredibles 2.  I found it creepy. I know it means a  lot to some cultures and it’s probably the only one most people have seen. It will probably win.

Late Afternoon: Not seen.

One Small Step: Not seen.

Weekends: Not seen.

Short Film (Live Action)

Detainment: Not seen. Jilly – We don’t see a lot of shorts, since they don’t need Peetimes.  😉 

Fauve: Not seen.

Marguerite: Not seen.

Mother: Not seen.

Skin: Not seen.

Sound Editing

Black Panther: NTY

Bohemian Rhapsody: Mom – A clear winner.

First Man: NTY.

A Quiet Place: Jilly – Although I love this movie, I was struck by the seeming irony of this movie about silence getting nominated for sound. Then I thought about it, and looked a few things about A Quiet Place up, and I’d like to see this take the win. It’s a great lesson in less being more and I can’t wait to see the clips for this during the Oscars.

Roma: NTY.

Sound Mixing

Black Panther: Jilly – If Black Panther doesn’t get the bigger awards, like Best Picture, then I expect it to sweep the smaller Oscars like this one.

Bohemian Rhapsody: Jilly – Great as the Queen songs are in Bohemian Rhapsody, I’m not sure this film has significant sound mixing effects.

First Man:  Jilly – Besides playing period-appropriate golden oldies tunes, I don’t remember much sound in First Man. I suppose the mixing from the experimental jets and rockets is what they have in mind for amazing award-worthy sounds. We will see during the Oscar night clips.

Roma: NTY

A Star Is Born: Mom – My favorite and it better win.

Visual Effects

Avengers: Infinity War: Mom – Oh for god’s (no pun intended) sake, how can you even put more than one film in this category. Jilly – WIN WIN WIN, in my book. I don’t think it gets any better than this.

Christopher Robin: Jilly – Christopher Robin was lovely, but I don’t expect it to win.

First Man: Jilly – I only thought the few moments on the moon looked interesting, but it wasn’t all that and a bag of chips.

Ready Player One: Jilly – This was certainly a visual feast, but the movie underwhelmed and really has no chance to win this.

Solo: A Star Wars Story: Jilly – I enjoyed Solo a lot, and it looked as good as a Star Wars film can but it can’t win against the well-deserved Avengers: Infinity War.

Writing (Adapted Screenplay)

The Ballad of Buster Scruggs: NTY

BlacKkKlansman: Mom – Brilliant writing; should take home the gold.

Can You Ever Forgive Me?: Not seen.

If Beale Street Could Talk: NTY

A Star Is Born: Mom – An incredible story, but not an entirely new story.

Writing (Original Screenplay)

The Favorite: NTY

First Reformed: Not seen.

Green Book: NTY

Roma: Mom – Of course it’ll win.

Vice: Mom – There were some really great lines in this movie, but not enough to skate past Roma.

Black Panther – Does Killmonger Have a Point?

black panther and king T'Challa
If you can help, are you morally obligated to do so?  What is better: peaceful existence with a whiff of moral cowardice, or committing purposeful acts of brutality, to achieve real cultural equality?

[Spoilers ahead for everything Black Panther but not Infinity War]

For Black Panther Week, and before the 2019 Oscars, I’d like to give this gorgeous and exciting film a shoutout. Black Panther is up for no less than SEVEN Academy Awards, so beyond being yet another fantastic Marvel Universe superhero film, the tone struck a cord with audiences everywhere. And the more you dig into the narrative, the more story layers are revealed.

From the website Shadow and Act comes this thoughtful and possibly inflammatory piece (depending on your point of view). Do you believe the ends justifies the means? Can we ethically pursue freedom while co-signing on acts of inhumanity, in order to arrive at a more enlightened state?

Here’s the aforementioned article, which goes into some detail on Killmonger’s anti-heroic, yet not entirely misguided journey:

If you don’t agree with anything here, that’s fine too.  But it’s clear within Black Panther that some of our ostensible heroes are either committing their own foul acts (at worst), or turning a blind eye to them (at best).

(Remember, spoilers ahead if you haven’t seen Black Panther, but you are safe if you haven’t seen Avengers: Infinity War.)

Who’s Right? Who’s Wrong?

It’s really only T’Challa’s (Chadwick Boseman) spy girlfriend Nakia (Lupita Nyong’o )who takes a strong stance on this issue. The entire royal family is otherwise quite comfortable in their position of prestige and luxury in the hidden Utopia of Wakanda.

I would say T’Chaka  — the kingly father of T’Challa — in his seemingly casual decision to abandon young Erik Killmonger (Michael B. Jordan) to the streets of Los Angeles, and by extension, the rest of the children lost from the diaspora, is cowardly and wrong-thinking (especially after killing his brother/Erik’s father!). But even the most noble kings have flaws. The movie takes great pains to point this out. Killmonger is beyond awful in his methods, yet is full of righteous rage, worthy of consideration.

In the above linked article, this line seems to stand out: “Swirling in constant reminders of worthlessness, of the specific anti-Black-American toxicity experienced by Black folk in the U.S.A., Killmonger is angry—not just at white supremacist oppressors or systemic racism, but also the Black Elite who left him behind. And he has every right to want vengeance.”

It’s a little risky to place your eponymous superhero in a morally questionable stance, but the movie and T’Challa himself (eventually) rise to the challenge. After the events of Avengers: Infinity War, we are forced to see how this might play out between Wakanda and the outside world.

All the Stars song and end credit image from black panther
What is the true role of a leader? Are you responsible for a nation, a race, a world, or even (within the MCU) the galaxy?

What Can We Take Away From Killmonger and His End Goal for Wakanda?

I asked our RunPeep Shani Ogilve  (see her previous post on A Black Perspective On Black Panther) for a few words about the Forgotten Children of Wakanda, and how sympathetically we can view Killmonger, his mission, and the central lesson of the Black Panther film:

Ogilve writes: “This is a great piece. To start, #TeamKilmonger with a caveat — there is no other team to be on. Killmonger can be compared to other figures in fiction and history — Malcolm X and Magneto come to mind. Though their methods also are extreme, they are justified. I usually go for the MLK and Professor X route, but in Black Panther’s case T’Challa wasn’t even any type of activist. Maybe Killmonger was the martyr for the diaspora. His hurt brought enlightenment to T’Challa, to hopefully step up and make meaningful changes to other black communities.

“I also would say that the blame doesn’t fall on Wakanda or T’Challa completely. Though Wakandans aren’t completely ignorant of how Black people outside of Wakanda are living, they aren’t all-knowing of the Black experience in America or elsewhere. That is honestly an experience that you must experience yourself to actually understand.

“Additionally, it’s not fair to say that because they are doing better than other Black communities, they should be the ones to help them. I don’t hate Wakanda for not helping, because I don’t actually believe that anything they do will make an impact big enough to change systematic injustices. I believe the only way to fix the injustice in our society — and hopefully prevent future Killmongers —  is for the colonizing bodies of the world to do what they must, to reverse the effects of colonization and slavery. By any means necessary.”

Things Black Panther Still Makes Us Think About

Who is really a true villain in the MCU, and who is better termed an ‘anti-villain’? Would you say you understand and sympathize with Killmonger in some way, or his stance? Are all methods fair — even through deliberate murder, casual brutality, and the possibility of inciting a world war — in the name of the greater good?

And on the other hand, as with T’Challa’s choice, if you CAN help others, are you morally obliged to do so? These aren’t easy questions. Feel free to sound off in the comments below. I won’t rip your heads off for your opinion. 🙂

#BlackPantherWeek #WakandaForever #IHaveADream

More RunPee Posts About Black Panther:

A Black Perspective on Marvel’s Black Panther

All The Stars – End Credits Song from Black Panther – Video and Lyrics

Movie Review – Black Panther – One Incredible Party

The 5 Movies You Need To Watch Before Infinity War

How to Dress Like You’re From Wakanda in Black Panther

New Black Panther Trailer is Fantastic – Watch the Video Show Off Wakanda

Zero Song – Video & Lyrics from Ralph Breaks the Internet

ralph breaks the internet and princess venelope
Wreck-It Ralph himself – proof one can be both zero and hero.

Ralph Breaks the Internet, the lovable sequel to Wreck-It Ralph, plays almost like a Disney princess musical, which it kind of is, as an affectionate parody Disney surprisingly put forth in a very meta manner. (Disney having a sense of humor about themselves floored me in almost every way.)

It’s pretty catchy, but not the worst earworm ever: that award has to go to the aptly-named Catchy Song from The Lego Movie 2: The Second Part.

Here’s the charming 8-bit end credit video and movie lyrics from Zero, by Imagine Dragons:


Zero

(Sung by Imagine Dragons)

I find it hard to say the things I want to say the most
Find a little bit of steady as I get close
Find a balance in the middle of the chaos
Send me low, send me high, send me never demigod
I remember walking in the cold of November
Hoping that I make it to the end of December
27 years and the end of my mind
But holding to the thought of another time
But looking to the ways at the ones before me
Looking for the path of the young and lonely
I don’t want to hear about what to do
I don’t want to do it just to do it for you

Hello, hello
Let me tell you what it’s like to be a zero, zero
Let me show you what it’s like to always feel, feel
Like I’m empty and there’s nothing really real, real
I’m looking for a way out
Hello, hello
Let me tell you what it’s like to be a zero, zero
Let me show you what it’s like to never feel, feel
Like I’m good enough for anything that’s real, real
I’m looking for a way out

I find it hard to tell you how I want to run away
I understand it always makes you feel a certain way
I find a balance in the middle of the chaos
Send me up, send me down, send me never demigod
I remember walkin’ in the heat of the summer
Wide-eyed one with a mind full of wonder
27 years and I’ve nothing to show
Falling from the doves to the dark of the crow
Looking to the ways of the ones before me
Looking for the path of the young and lonely
I don’t want to hear about what to do, no
I don’t want to do it just to do it for you

Hello, hello
Let me tell you what it’s like to be a zero, zero
Let me show you what it’s like to always feel, feel
Like I’m empty and there’s nothing really real, real
I’m looking for a way out
Hello, hello
Let me tell you what it’s like to be a zero, zero
Let me show you what it’s like to never feel, feel
Like I’m good enough for anything that’s real, real
I’m looking for a way out

Let me tell you ’bout it, well let me tell you ’bout it
Maybe you’re the same as me
Let me tell you ’bout it, well let me tell you ’bout it
They say the truth will set you free

Hello, hello
Let me tell you what it’s like to be a zero, zero
Let me show you what it’s like to always feel, feel
Like I’m empty and there’s nothing really real, real
I’m looking for a way out
Hello, hello
Let me tell you what it’s like to be a zero, zero
Let me show you what it’s like to never feel, feel
Like I’m good enough for anything that’s real, real
I’m looking for a way out

(Songwriters: Benjamin Arthur McKee / Daniel Coulter Reynolds / Daniel James Platzman / Daniel Wayne Sermon / John Hill Zero lyrics 2018 © Sony/ATV Music Publishing LLC, Universal Music Publishing Group, Walt Disney Music Company)


By the way, Ralph Breaks the Internet is up for an Oscar for Best Animated Picture for the 2019 Oscars. It’s a very enjoyable romp, even if you never saw the original movie. Also up for consideration: The Incredibles 2, Isle of Dogs, Mirai, and Into The Spider-Verse. My money is on Spider-Verse, because it is that awesome, but each one of these are absolutely worthy.

Related RunPee posts, for your consideration: 

Movie Review – Ralph Breaks the Internet

Movie Review – Wreck-It Ralph

RunPee and the 2019 Oscars – Predictions for the 2018 Movie Awards

Movie Review – Spider-Man: Into the Spider-Verse

All The Stars – End Credits Song from Black Panther – Video and Lyrics

black panther and king T'Challa
All The Stars from Black Panther is one hell of a great song.

Up for Best Original Song at the Oscars this year, All The Stars from Black Panther is looking very good. It’s up against the big contender Shallow from A Star Is Born, but it could certainly bring in a win if the Academy sees fit to go in a different direction from their usual drama-type film awards. All The Stars is a great song — very inspiring — and while I’m biased by being a total science fiction geek, I’d love to see something in my genre of choice actually win this time.

Here’s that gorgeous Black Panther end credits video, and the lyrics from All The Stars, just to get you excited and happy. You’re welcome. 🙂


All The Stars

(Sung by Kendrick Lamar, SZA)

Love, let’s talk about love
Is it anything and everything you hoped for?
Or do the feeling haunt you?
I know the feeling haunt you

This maybe the night that my dreams might let me know
All the stars are closer, all the stars are closer, all the stars are closer
This maybe the night that my dreams might let me know
All the stars are closer, all the stars are closer, all the stars are closer

Tell me what you gon’ do to me
Confrontation ain’t nothin’ new to me
You can bring a bullet, bring a sword
Bring a morgue, but you can’t bring the truth to me
Fuck you and all your expectations
I don’t even want your congratulations
I recognize your false confidence and calculated promises all in your conversation
I hate people that feel entitled
Look at me crazy ’cause I ain’t invite you
Oh, you important?
You the moral to the story, you endorsing?
Motherfucker, I don’t even like you
Corrupt a man’s heart with a gift
That’s how you find out who you dealin’ with
A small percentage, who I’m building with
I want the credit if I’m losing or I’m winning
On my momma that’s the realest shit

Girl, let’s talk about love
Is it anything and everything you hoped for?
Or do the feeling haunt you?
I know the feeling haunt you

This maybe the night that my dreams might let me know
All the stars are closer, all the stars are closer, all the stars are closer
This maybe the night that my dreams might let me know
All the stars are closer, all the stars are closer, all the stars are closer

Skin covered in ego
Get to talkin’, I get involved, like a rebound
No control, no off switch in the way that you bringing me down
It’s a turn on, get it away from me
Know you mean wrong, keep away from me
And it’s all wrong, get it away from me, yeah
I just cry for no reason, I just pray for no reason
I just thank for the life, for the day, for the hours and another life breathin’
I did it all ’cause it feel good
You could live it all if you feel bad
Better live your life
We are running out of time

Love, let’s talk about love
Is it anything and everything you hoped for?
Or do the feeling haunt you?
I know the feeling haunt you

This maybe the night that my dreams might let me know
All the stars are closer, all the stars are closer, all the stars are closer
This maybe the night that my dreams might let me know
All the stars are closer, all the stars are closer, all the stars are closer…

(Songwriters: Alexander William Shuckburgh / Kendrick Lamar / Mark Anthony Spears / Solana I. Rowe / Anothony Tiffith. All The Stars lyrics 2018 © Sony/ATV Music Publishing LLC, Universal Music Publishing Group, Warner/Chappell Music, Inc, Kobalt Music Publishing Ltd.)

…Did you know? Black Panther is the world’s ninth-highest-grossing film of all time. From the wikipedia.org


Movie Review – Black Panther – One Incredible Party

A Black Perspective on Marvel’s Black Panther

How to Dress Like You’re From Wakanda in Black Panther

Main Song from A Star Is Born – Video and Lyrics from Shallow – by Lady Gaga and Bradley Cooper

lady gaga and bradley cooper in a star is born
Not a shallow song.

One of the top movie hits from 2018 is A Star is Born, starring Lady Gaga and Bradley Cooper, and their best film song is Shallow, a duet that slays everyone who hears it. It’s almost a perfect song, and it won the awards to prove it:

  • Golden Globe Award for Best Original Song
  • Grammy Award for Best Song Written for Visual Media
  • Grammy Award for Best Pop Duo/Group Performance
  • Critics’ Choice Movie Award for Best Song
    Shallow also got an Oscar nod for Best Original Song, and the movie itself, A Star is Born, is nominated for seven other different Oscars: Best Picture, Best Actor, Best Actress, Best Supporting Actor, Best Cinematography, Best Adapted Screenplay, and Best Sound Mixing

It was also announced by the Oscars Academy (via Twitter) that Lady Gaga & Bradley Cooper will perform Shallow at the 2019 Oscars. All the news sources say Copper will perform in a tuxedo as himself, and not as his character Jackson Maine. IndieWire says “Cooper doesn’t intend to bring back Jackson’s deep voice either as he said he has fully retired the character.” No matter. Lady Gaga will probably do her big extravagantly costumed persona as herself. Expect the song to bring down the house!

Here’s the movie video of their on-stage duet of Shallow, followed by the lyrics for you to learn, and sing along to in the privacy of your shower:


Shallow

(Sung by  Bradley Cooper and Lady Gaga) 

Tell me somethin’, girl
Are you happy in this modern world?
Or do you need more?
Is there somethin’ else you’re searchin’ for?

I’m falling
In all the good times I find myself
Longin’ for change
And in the bad times I fear myself

Tell me something, boy
Aren’t you tired tryin’ to fill that void?
Or do you need more?
Ain’t it hard keeping it so hardcore?

I’m falling
In all the good times I find myself
Longing for change
And in the bad times I fear myself
I’m off the deep end, watch as I dive in
I’ll never meet the ground
Crash through the surface, where they can’t hurt us
We’re far from the shallow now

In the shallow, shallow
In the shallow, shallow
In the shallow, shallow
We’re far from the shallow now

Oh, oh, oh, oh
Whoah!

I’m off the deep end, watch as I dive in
I’ll never meet the ground
Crash through the surface, where they can’t hurt us
We’re far from the shallow now

In the shallow, shallow
In the shallow, shallow
In the shallow, shallow
We’re far from the shallow now…

(Songwriters: Andrew Wyatt / Anthony Rossomando / Mark Ronson / Stefani Germanotta. Shallow lyrics © 2018 Sony/ATV Music Publishing LLC, Downtown Music Publishing, Universal Music Publishing Group, Concord Music Publishing LLC.)


Movie Review – A Star Is Born

Quiz – The Movie and Musical World of Lady Gaga

Quiz – Bradley Cooper – Actor, Director, Musician

Full List (and comments) for the 2019 76th Annual Golden Globes Nominees & Winners

RunPee and the 2019 Oscars – Predictions for the 2018 Movie Awards

Highlights from the 2019 Sundance Film Festival

This year’s Sundance Film Festival recently concluded.  [pullquote]The celebration of independent cinema has been going strong for 41 years[/pullquote].  Even though the Oscars for 2019 haven’t been handed out yet, the Oscar race for 2020 has officially begun.  Past Oscar nominees and winners Little Miss Sunshine, Manchester By the Sea, and The Big Sick, among others, have premiered at Sundance.  This year, 121 films were screened over ten days in Park City and Salt Lake City, Utah.

Here are some of the highlights from this year’s Sundance Film Festival:  

The festival opened with After the Wedding, director Bart Freundlich’s adaptation of the 2006 foreign film of the same name.  The drama starring Julianne Moore and Michelle Moore got disappointing reviews.

Chinonye Chukwu became the first black woman to win the Grand Jury Prize for her film Clemency.  In the movie, Alfre Woodard plays a prison warden haunted by all the death row executions she’s carried out.    

The Souvenir won the World Cinema Grand Jury Prize.  The movie is about a film student finding her voice, while dealing with a complicated relationship that threatens her future.  Written and directed by Joanna Hogg, the movie stars Tilda Swinton and her daughter Honor Swinton Byrne. A sequel is already planned that will add Twilight star Robert Pattinson.    

One Child Nation, directed by Zhang Lynn and Nanfu Wang, won the U.S. Grand Jury Prize for Documentary.  The movie focuses on China’s one-child policy and the effect it had on generations of families.

Honeyland (not to be confused with the drama Honey Boy) won the World Cinema Grand Jury Prize for Documentary.  It focuses on the last female bee hunter in Europe who must save the bees and restore natural balance when something goes wrong.   The movie was directed by Tamara Kotevska and Ljubomir Stefanov.

Brittany Runs a Marathon won the Audience Award for U.S. Dramatic film.  The inspirational comedy, written and directed by Paul Downs Colaizzo, stars Jillian Bell as a woman trying to take control of her life by running.  

 Queen of Hearts, directed by May el-Toukhy, won the Audience Award for World Cinema Dramatic film.  The movie is a tragedy about a woman who seduces her stepson.

Knock Down the House, directed by Rachel Lears, won the Audience Award for U.S. Documentary.  The movie follows four young women, most notably Alexandria Ocasio-Cortez, who dare to challenge incumbent candidates for their seats in Congress.  Rep. Ocasio-Cortez was not able to attend the screening of Knock Down the House due to complications with the government reopening.  However, she surprised the audience by joining a Q & A after the film, via web conference.  The movie provoked an emotional response from the audience and received a standing ovation. 

 Sea of Shadows, directed by Richard Ladkani,  won the Audience Award for World Documentary. The film is about efforts to save the vaquita, the world’s smallest whale, and end criminal practices that are damaging its habitat.  

The most anticipated film going into the festival was Joe Berlinger’s Extremely Wicked, Shockingly Evil, and Vile, a biopic of serial killer Ted Bundy starring Zac Efron and told from the POV of Bundy’s girlfriend.  Although the movie received mixed reviews, Netflix purchased it for $9 million dollars after the festival.

Blinded by the Light was this year’s most expensive acquisition.  It was sold to New Line for $15 million and set a new festival record for the most money spent on a film.  The movie is about a teenage Pakistani boy in England in the ‘80s who’s obsessed with Bruce Springsteen. The film was directed by Gurinder Chadha, who directed the feel-good hit Bend It Like Beckham.    

Amazon spent the most money, setting a record with $46 million dollars total.  Amazon bought one of the movies with the most buzz going into the festival, The Report, for $14 million.  The Report is about an investigation into the CIA’s torture practices following 9/11. It stars Adam Driver, Jon Hamm, and Annette Bening, and was written and directed by Scott Z. Burns.  

Amazon also bought two of the biggest comedies at the fest: Brittany Runs a Marathon, acquired for $14 million, and Late Night, acquired for $13 million. Late Night, directed by Nisha Ganatra,  stars Emma Thompson as a TV talk show host who clashes with a new writer, played by actual writer-producer of the film, Mindy Kaling.

In addition, Amazon paid around $5 million for the Shia LaBeouf film Honey Boy, directed by Alma Ha’rel.  LaBeouf wrote the autobiographical film, in which he plays his own father, as a way of exorcising his demons.  The movie got a standing ovation at its premiere.

The most controversial film at the festival was the documentary Leaving Neverland, a four-hour two-part documentary about two men who claim to have been sexually abused by the late pop star Michael Jackson, as children.  After death threats and talks of protest, extra security and police presence were added to the screening. There were also counselors available at the screening. The premiere only attracted two protesters.  A premiere in Salt Lake City the next day attracted eight.  In early January, Jackson’s family decried the film as “just another rehash of dated and discredited allegations.”  After the screenings, they released an official statement speaking out against the film.  Leaving Neverland, directed by Dan Reed, will air on HBO this spring.  

The dramedy The Farewell, written and directed by Lulu Wang, was one of the most popular films at the festival.  It was acquired by A24 for an amount rumored to be around six or seven million dollars. The movie stars Awkwafina from Crazy Rich Asians.  It’s about a family that decides to keep a matriarch’s cancer diagnosis from her, to lessen the sting of death. The movie will probably get a theatrical release this summer.

Documentaries did well at the festival, too.  

Ava DuVernay’s company ARRAY acquired the documentary MERATA, about the Maori filmmaker Merata Mita, who was the first indigenous woman to direct her own movie.  Hulu acquired The Untitled Amazing Johnathan Documentary from director Ben Berman. The film focuses on the stand-up comic/magician of the title.

Sony Pictures Classics acquired the documentary “David Crosby: Remember My Name.”  A.J. Eaton is the director. Cameron Crowe, director of Almost Famous and Singles, known for his love of rock and roll, is a producer.  Crosby is best known for his work with the band Crosby, Stills, and Nash.

Hail Satan? was acquired by Magnolia Pictures in November and is planning a spring release in the U.S.  The humorous documentary follows The Satanic Temple as they try to uphold religious pluralism.

Magnolia Pictures is also the distributor for the documentary Ask Dr. Ruth.  Ask Dr. Ruth may not have made as big a splash as expected.  I could not find much reporting on it from the festival.  We will have to wait and see if it becomes as popular as RBG and Won’t You Be My Neighbor? 

Liza Mandelup won a special Jury Award for Emerging Filmmaker for Jawline, a documentary about social media fame.

Mads Brügger won  the Directing Award for World Cinema Documentary for Cold Case Hammarskjöld.  The twisty documentary focuses on the investigation of the death of Dag Hammarskjöld, Secretary-General of the United Nations.

Warning: This trailer is a little bit graphic.

Jacqueline Olive was presented with a U.S. Documentary Special Jury Award for Moral Urgency for her film Always in Season.  The film deals with the subject of lynching.

Warning: disturbing content.

Luke Lorentzen received a U.S. Documentary Special Jury Award for Cinematography for Midnight Family.  The documentary follows a Mexican family who run a private ambulance service, as they struggle to make ends meet in a competitive market.  

Netflix acquired American Factory for $3 million dollars.  The documentary is about a Chinese company that opens a factory in a shuttered General Motors plant.  The movie follows the culture clash of Chinese and American workers working together, as well as the American workers trying to adapt to newer technology.  

Ursula Macfarlane’s documentary Untouchable, which chronicles Harvey Weinstein’s years of alleged sexual abuse of women, also debuted at Sundance.  The festival is where Weinstein picked up many of Miramax’s hits including Clerks, Reservoir Dogs, and Sex, Lies, and Videotape. However, he is now no longer welcome there.    

Todd Douglas Miller’s documentary Apollo 11 got a Special Jury Award for Editing.  The film recreates the space mission, including audio and video the public has never experienced before.  

 

Alexandre O. Phillipe screened his film Memory: The Origin of Alien which examined Ridley Scott’s horror classic.   I couldn’t find any information on whether this film has a distributor or not. However, Phillipe is an established director who made 78/52: Hitchcock’s Shower Scene about Psycho a few years ago.  I predict this movie will be playing on the big or small screen by the end of the year.

Showtime acquired the four-part documentary Wu-Tang: Of Mics and Men ahead of the festival.  

Directed by Sacha Jenkins, the docu-series tells the history of the rap group Wu-Tang Clan.  The first two parts of the series premiered at the fest. The living members of the group were in attendance.  

Warning: adult language.

Netflix premiered The Great Hack as a work-in-progress. The documentary from directors Jehane Noujaim and Karim Amer focuses on the Cambridge Analytica/Facebook data breach.  

Sony Picture Classics acquired the documentary Where Is My Roy Cohn? about the lawyer whose clients included Joseph McCarthy and even Donald Trump.  The movie was directed by Matt Tyrnauer.

Halston, a documentary about the American fashion designer, and sold to the company formerly known as The Orchard Film Group, has yet to be renamed.  The film will get a theatrical release this spring, be broadcast on CNN in the third quarter of the year, and later stream on Amazon.  The movie was directed by Frédéric Tcheng.  

Other notable Sundance films include:

Patrick Brice premiered the horror movie Corporate Animals, starring Demi Moore and Ed Helms. Polygon described it as “The Office, but gory.”  It does not appear to have a distributor yet.

Neon and Topic Films went in together to acquire the film Luce.  Luce was directed by Julius Onah and adapted from JC Lee’s play. The psychological thriller stars Naomi Watts and Tim Roth, as parents whose adopted child’s identity is called into question.  

Netflix premiered the new Dan Gilroy film Velvet Buzzsaw.  Like his critically acclaimed movie Nightcrawler, it stars Jake Gyllenhaal.  It’s a horror movie set in the art world. It got mixed reviews at the festival, but now that it’s available on Netflix, Twitter is having fun with it.  

Warning: graphic images and disturbing content.

Apple bought its first film, writer-director Minhal Baig’s Hala.  It is unclear whether the movie is going straight to iTunes or will have a theatrical release.  The film is a coming of age story about a teenage girl trying to reconcile her Muslim faith with her love of skateboarding, and her crush on the boy next door.  

Harmony Korine’s latest film, the much-anticipated Beach Bum starring Matthew McConaughey as a Florida poet who seems too busy drinking and doing drugs to write, screened at the festival.  It has a cool lineup of a supporting cast, including Snoop Dogg and Jimmy Buffett. I could not find any reviews of the film, however. It entered the festival with a distributor already (Neon), and will hit theaters in March.  That’s when we’ll find out if the McConaissance continues.

Warning: contains language, drug use, and naked McConaughey butt.

Pete Davidson of Saturday Night Live fame got rave reviews for his performance in Big Time Adolescence, written and directed by Jason Orley.  Unfortunately, the film has not been picked up for distribution.

HBO bought the movie Native Son ahead of its premiere at Sundance.  The movie was directed by visual artist Rashid Johnson, and adapted from Richard Wright’s classic novel by playwright Susan Lori-Parks (best known for her Broadway play Topdog/Underdog).  It updates the tragic story of Bigger Thomas to a modern setting.  Native Son will play on HBO sometime later this year.  

A24 premiered Joe Talbot’s film The Last Black Man in San Francisco.  The movie stars Talbot’s friend Jimmie Fails. The two of them wrote the film together, loosely basing it on Fails’ attempt to move back into and restore his childhood home.  The movie deals with the theme of gentrification. It received a standing ovation at its premiere and won the Directing Award for U.S. Dramatic film.

Neon acquired the horror film The Lodge for around $2 million.  It is the English language debut for directors Severin Fiala and Veronika Franz.  The pair previously made the movie Goodnight Mommy (which is creepy as hell and one of the best horror movies I’ve ever seen).  The movie stars Riley Keough from American Honey and will be released later this year.  The movie is about two children trapped in a cabin with their future stepmother, the survivor of a religious cult.  

Neon and Hulu acquired Abe Forsythe’s Little Monsters in a mid-seven-figure deal.  The horror comedy stars Lupita Nyong’o as a kindergarten teacher defending her class against zombies.  

Neon also acquired the U.S. rights for Monos,  a thriller about a group of Latin American rebels and their American hostage.  The movie was directed by Alejandro Landes and stars Julianne Nicholson.  It received a World Cinema Dramatic Special Jury Award.  

HBO acquired Share, for seven figures.  It was written and directed by Pippa Bianco, who received the Waldo Salt Screenwriting Award.  The film is about a cellphone video that appears to show a sexual assault, which gets widely shared.  The movie was also honored with a U.S. Dramatic Special Jury Award for Achievement in Acting.

IFC Films bought the drama Official Secrets, directed by Gavin Hood.  The movie stars Keira Knightley and Ralph Fiennes, and is based on British secret service officer/whistle blower Katherine Gunn, who tried to stop the 2003 invasion of Iraq.  

Babak Anvari premiered his new horror film Wounds, starring Armie Hammer and Dakota Johnson.  It’s about a bartender who starts to suffer from supernatural phenomena once he picks up a stranger’s cellphone.  Some reviewers hate it. Some hate the ending, but like the mood of it. All agree it is deeply weird. So was Hammer’s way of promoting the film: dropping fake dead cockroaches on the floor at parties around the festival.    

Amazon premiered crowd-pleaser Troop Zero starring Viola Davis, Allison Janney, and Jim Gaffigan.  Directed by Bert & Bertie, the movie is an underdog story about a girl who wants to win a national competition to get her voice on NASA’s golden record, and rallies her scout troop to help her.  

Paradise Hills might be the most surreal movie to come out of the festival.  It sounds like pure eye candy.  Vulture called it this year’s “most bonkers” Sundance movie.  It stars Emma Roberts, and features Awkwafina in a dystopian world.  

Which of these films will make it to next year’s Oscars ceremony?  

Check this blog to find out. We’ll have more news and reviews of 2019’s hottest films.  In the meantime, you can check out our coverage of this year’s Golden Globes and see how well I did at predicting the Oscar nominees.  And always remember to use the RunPee app to get Peetimes for the latest movies.

RunPee and the 2019 Oscars – Predictions for the 2018 Movie Awards

Highlights, Comments, and Acceptance Videos for the 76th Annual Golden Globes

Full List (and comments) for the 2019 76th Annual Golden Globes Nominees & Winners

Golden Man’s Top Ten Films List for 2018

Quiz – Willem DaFoe – The Man With the Mispronounced Name

Willem DaFoe has been nominated for a Best Actor twice, and Best Supporting Actor twice, and people still call him ‘William’. Let’s change that right now! Here’s a quiz on this amazing actor and a chance to know him better — so maybe people will start to say his name correctly. Also, this 10-question quiz is just fun:

Quiz – Willem Dafoe

Since I’m now on a campaign to educate the rest of the planet about the correct pronouncement of Willem’s first name, maybe you can help by sharing this quiz with as many friends as you have: we can boost Willem’s self esteem and get him right with the world.

Movie Review – Roma – Alfonso Cuaron and his Netflix Masterpiece

oscars statue for the awards ceremony
The big one: this year’s Oscar Awards Ceremony

I decided to do a movie review of Roma for a couple of reasons. It’s not a widely-released in movie theaters in the US, and it will not be a part of the AMC Theaters Best Picture Showcase (#AMCBPS) despite being one of the eight nominated films for Best Picture.

Why? From what I read, in short, the movie rights were not released to American theaters: only to Netflix.

[pullquote]Colonia Roma is a neighborhood in Mexico City, set in 1970 and 1971. It is not the name of the leading actress, like I thought.[/pullquote] This movie is said to be 90 percent of scenes from Director Alfonso Cuaron’s childhood memories, based upon a nanny he adored named Libo (hence, the tribute during the credits). The story is mainly about a nanny, Cleo, who struggles with her life once she becomes pregnant and abandoned by the baby’s father. While, at the same time, she nurtures four children of a mom (Sofia) that also becomes abandoned by her husband.

I won’t write much about this storyline to avoid spoilers.

However, here are several random notes to give you some perspective. The entire movie is told via English subtitles, so don’t look away; you need to be focused. [Ed note: no way could we do Peetimes for a subtitled movie.]

More notes: the riot in the movie is known as the Corpus Christie Massacre. There’s one male nude scene. There’s a very graphic scene involving Cleo’s baby at birth that is a little disturbing; so brace yourself. Cleo and Sofia share a knowing look of despair without words, when a wedding is taking place next to them while they eat ice cream with the children.  [pullquote position=”right”]It’s obvious the pain the two women are feeling, as they both struggle putting their life back on track after their devastating heartbreaks.[/pullquote] I found it odd the children got painful sunburns during their beach visit, but the mom didn’t have any sunscreen.  Interesting that huffing in the 70’s is equivalent to juuling now.

How many dead animals can one person have in one house? Oh my! Taxidermy overload.  Also noteworthy was how families back in the day had one television, and everyone sat together and watched the same TV shows.

[pullquote]The scene I adored the most was when Cleo laid head-to-head with PePe (the youngest child) while he was mad at his brother who just hurt his feelings. This scene showed you how passionate and aware Cleo was about those children.[/pullquote]

Cuaron filmed this movie in Mexico City, which resulted in several mis-dated appearances regarding the airplanes and automobiles seen.

Finally, the ending took me by surprise, as I thought there was going to be another scene to wrap up the story, but there wasn’t.  Let me know if you felt the same way.

[pullquote position=”right”]You will likely enjoy this movie, despite the subtitles.  [/pullquote]The problems women experienced in the 70s is the same today, but now more women are smarter, stronger, and better equipped as Female Masterpieces to survive life’s roadblocks and setbacks.

Catch it on Netflix before the Oscars air on February 24. 

Movie Grade: B

RunPee and the 2019 Oscars – Predictions for the 2018 Movie Awards

Highlights, Comments, and Acceptance Videos for the 76th Annual Golden Globes

Quiz – Oscar Winner Rachel Weisz & The Favorite

Rachel Weisz is one of the most beautiful women on the silver screen, and is up for a second Oscar this year with The Favorite. I made this quiz as a homage to this beauty.

Quiz – Oscar Winner Rachel Weisz

Thanks for stopping by; hope you enjoyed the quiz. Maybe you could pay  homage to Rachel by sharing this quiz with your closest friends and family -Ginger Gardner/ RunPee Mom

Quiz – Oscar Winner and Nominee Emma Stone & The Favorite

Movie Review – The Favourite