Is there anything extra during the end credits of Star Wars: The Rise of Skywalker?

Star Wars: The Rise of Skywalker No, there are no extra scenes during, or after, the end credits of Star Wars: The Rise of Skywalker.

Anything Extra Details

There are no extra scenes. However, if you’re a fan of the Star Wars music by John Williams there’s plenty to enjoy throughout the credits, including Darth Vader’s theme and the Celebratory passage from A New Hope.

Also, wait a few minutes after the credits roll, and you’ll see the complete list of [redacted for spoilers] characters/voice actors from a key scene in the movie. Without this list, it’s hard to identify them all.

The credits run for approximately 10 minutes.

Read the RunPee movie review for Star Wars: The Rise of Skywalker by Rob Williams. Movie review grade: A-

Rated (PG-13) for sci-fi violence and action
Genres: Action, Adventure, Fantasy, Sci-Fi, Sequel, Star Wars
USA release date: 2019-12-20
Movie length: 2 hours 22 minutes

We have 4 Peetimes for Star Wars: The Rise of Skywalker. Learn more.

About The Peetimes
Between we Peeps we’ve seen Rise of Skywalker now 5 times, so we can be sure we picked the best Peetimes and got the details right.

I recommend the 2nd or 3rd Peetime. Both are plenty long, but there’s important scenes that follow each Peetime, so don’t be late.

#MayTheRunPeeBeWithYou

The decade of 2010s when female protagonists said #MeToo to Science Fiction

Amy Adams in Arrival

Amy Adams in Arrival

Science fiction has long been dominated by male protagonists to placate the mostly male audience. But times are a changin’. Some of the most outstanding science fiction of the 2010s featured women as either the protagonist or equal partners alongside a male counterpart. Spoilers ahead for these 2010 films. 

Arrival (2016)

Director: Denis Villeneuve
Writers: Eric Heisserer, based on the story “Story of Your Life” written by Ted Chiang
Stars: Amy Adams, Jeremy Renner, Forest Whitaker

Let’s start with what I think is the very best science fiction movie of the decade: Arrival. Amy Adams plays Professor Louise Banks in this cerebral exploration of language and time. In no other genre than science fiction could a professor of linguistics, male or female, play the protagonist of a story.

The protagonist in Arrival is patient, smart, thoughtful. Let’s face it, those are qualities more associated with women than men. She doesn’t rush to conclusions; she doesn’t approach the problem to be solved with pre conceptions; and in the end, she doesn’t resort to violence — but contrarily, uses her intellect to avoid violence.

In short, she doesn’t try to be a woman in a man’s role.

That said, I think the best display of Professor Bank’s qualities is when her counterpart, Professor Ian Donnelly — played by Jeremy Renner — makes a crucial discovery that helps solve the translation puzzle. Bank’s doesn’t show any signs of resistance to a new idea; nor does she resist an idea that isn’t her own; she even recognizes Ian discovered something before he tells her, and is genuinely excited at the prospect.

If the genders had been switched between Amy Adams and Jeremy Renner, and it was the female, Professor Banks, who discovered the key that unravels the puzzle, then this is the part of the story where the female would have to do something heroic just so her idea could be recognized by the male.

I’m not just saying this to be critical of men. When trying to solve a problem I can absolutely recognize the tendency to resist changing direction. Sometimes there’s a feeling of mental momentum that builds up, and trying to stop it and change course requires effort. (Picture cartoon here of man driving, not knowing where he is or where he’s going, but stubbornly determined to continue driving, while ignoring the input of the woman in the passenger’s seat with a map.)

Arrival also brilliantly explores how a woman, Louis, can handle making the fantastically painful choice to have a child she knows will die young. Yet, before her child dies, they will have love and memories to last a lifetime. Ian, her husband, leaves her, because he isn’t strong enough to handle the emotional pain Louis embraces. 

I don’t want to suggest women have always taken a back seat to men as protagonists in science fiction. Linda Hamilton, as Sarah Connor in Terminator, and Sigourney Weaver, as Ellen Ripley in Aliens, have played powerful women protagonists, as have many other women in science fiction. However, those characters lean heavily on women thrust into traditionally masculine roles: violence.

The real beauty of Arrival is that a female character, in a military setting, uses her intellect to avoid violence.

Colossal (2016)

Director: Nacho Vigalondo
Writer: Nacho Vigalondo
Stars: Anne Hathaway, Jason Sudeikis

Colossal, staring Anne Hathaway

I know what you’re thinking: Colossal? I’ve never heard of it.

I know, right? I was right there with you until a few months ago. Colossal was in and out of theaters without so much as a “boo.” It couldn’t have been a wide release movie or we would have done Peetimes for it.

Yet here we are. Colossal is one of those movies I love telling people to watch. Don’t look for the trailer on YouTube; don’t look it up on IMDb; just try your best to watch it without knowing anything at all about it and enjoy.

It’s on my list here of great science fiction movies of the past decade, so you already have a hint, but I guarantee you, you won’t see it coming.

Anne Hathaway and Jason Sudeikis are both fantastic in their roles — but I’m not going to say anything more than that. You’ll understand when you see it.

Lucy (2014)

Director: Luc Besson
Writer: Luc Besson
Stars: Scarlett Johansson, Morgan Freeman

Lucy, starring Scarlett Johansson,

Okay, I’ll admit it: Lucy isn’t exactly great science fiction. It’s more like guilty pleasure science fiction. It’s a little like the movie Limitless, starring Bradley Cooper, except that it goes to infinity.

What makes Lucy so enjoyable is Scarlett Johansson’s performance. Going from a directionless young woman to, basically, a god, in the span of a day.

Edge of Tomorrow (2014)

Director: Doug Liman
Writers: Christopher McQuarrie, Jez Butterworth
Stars: Tom Cruise, Emily Bluntedge of tomorrow, starring Tom Cruise, Emily Blunt

This is one of my all time favorite science fiction movies, and among the best of the Groundhog genre. Tom Cruise and Emily Blunt co-star in this movie. However, when the backstory is considered, it’s Emily Blunt’s character, Rita, who is the hero. She’s the one who went through the temporal loop first and figured it out. And she’s the one who mentors Tom Cruise’s initially cowardly character, Private Cage. It only looks like Tom Cruise is the main character because of the point of view the story is told from.

Okay, they can be co-heroes. But still, Rita is the one who saves the day, twice.

A Quiet Place (2018)

Director: John Krasinski
Writers: Bryan Woods, Scott Beck
Stars: Emily Blunt, John Krasinski

A Quiet Place, staring: Emily Blunt, John Krasinski

As long as we’re talking about Emily Blunt, let’s not forget how outstanding her performance was in A Quiet Place. Her character, Evelyn Abbott, wasn’t the hero of the story. Akin to Signs, every member of the family was the hero.

Bonus, we get A Quiet Place 2 — and thank you for not trying to be cute and name it A Quieter Place — on March 20, 2020.

Her (2013)

Director: Spike Jonze
Writer: Spike Jonze
Stars: Joaquin Phoenix, Amy Adams, Scarlett Johansson

her-starring- Joaquin Phoenix, Amy Adams, Scarlett Johansson

Yeah, yeah, I know this is a stretch. Joaquin Phoenix is the protagonist. But this is my list and I’m going to argue it’s merits for inclusion. It’s science fiction at it’s best and it explores (soon to be) very real experience that millions, perhaps billions, of humans will encounter: what to do when we fall in love with an artificial intelligence (AI).

I have to start by saying how masterfully Scarlett Johansson voices Samantha — the AI. I would fall in love with my Google Voice too if it had Scarlett’s voice. There’s no doubt that Joaquin Phoenix is a generational talent. However, his performance would have felt contrived if the AI he falls in love with didn’t do such a great job communicating the nuances of emotions through voice alone.

Aside: Have you ever noticed how rare it is that a woman narrates a documentary? It seems like the choices are Morgan Freeman, Neil Degrasse Tyson,  Richard Attenborough, or any other man with a British accent. I can’t even think of a scientific documentary that’s voiced by a woman. But would someone please put Scarlett Johansson to work narrating? Her voice soothes like freshly baked bread slathered in butter. I could listen to it all day.

First View Movie Review – Her

Ex Machina (2014)

Director: Alex Garland
Writer: Alex Garland
Stars: Alicia Vikander, Domhnall Gleeson, Oscar Isaac

Ex Machina, starring Alicia Vikander, Domhnall Gleeson, Oscar Isaac

Maybe you think the inclusion Ex Machina is a bigger stretch to add to this list than Her. Granted there are no women in this movie: just two men and two AI/robots: Ava and the speechless Kyoko. While the AI have the shape of female figures — for less than research purposes — the AI use those shapes, and the effect they have on the two men, to their advantage.

When you think about it, it’s really quite brilliant. The AI Ava uses everything it knows of women and men as tools to plan her escape. She manipulates both men with such subtlety that Caleb believes he has successfully thwarted her plan only to find out that was actually part of her ultimate plan.

We could be here all day talking about the nuances of what this implies, but I think the big takeaway here is that each person’s deep seated values around gender attributes is something that other humans, and soon AI, can use to manipulate us. We all know this is true because no demographic is more easily manipulated than young men by sexy women. Want to sell more of anything? Just picture a sexy woman holding your product, or better yet, draped over it, and sales will increase. You think that won’t be the first thing AI recognize and use to their own advantage as soon as they have the will to do so?

Also worth mentioning:

I don’t consider superhero movies to be science fiction, however I must give a nod to the addition of Captain Marvel in the MCU.

I’m personally not a fan of Brie Larson in the titular role. I think Blake Lively would have been a better choice, but be that as it may, introducing a powerful female superhero is important for the growth of not only the MCU franchise, but also our culture. It saddens me that grown men reacted to Brie Larson with such animosity over her stance on women’s rights. But at the very least, this exposes a problem that these men need to work toward getting over, because we’re not going back to the culture they crave of women beholden to men to give them value.

At the same time that Captain Marvel is being heralded as the new age of powerful women in superhero films, we already had one in Natasha Romanoff / Black Widow. Natasha’s sacrifice was every bit as crucial to the resolution of Avengers: Endgame as was Iron Man’s. Yet, I don’t see in-universe acknowledgement in the same way. I really hope that during Phase IV of the MCU there are reminders that Iron Man wasn’t the only one to make the ultimate sacrifice to defeat Thanos.

Lastly, I do not remotely consider Star Wars to be science fiction. However, if you ask me, the only good thing about the Star Wars trilogy of 2010s was the female protagonist. I wrote a lengthy article about how women rated Star Wars: The Rise of Skywalker higher than men. And in particular, women under 20 had the highest rating of any age group for either gender.

Way back in the 1960s, the television series Star Trek broke new ground in creating an all inclusive cast, while still pandering to white entitlement. There’s little doubt that if Captain Kirk were in the captain’s chair today he’d probably face multiple counts of sexual harassment. But, at least there was an African-American female bridge officer, along with Asian and Russian men.

It’s clear that the future of all movie franchises will lean heavily on not only creating a balance between male and female protagonists but also reaching a balance in races and sexual orientations. Marvel has already announced that there will be multiple characters added in Phase IV and beyond who are on the LGBTQ spectrum.

We’ve come a long way as a culture, but clearly we’re not “there,” yet — and who even knows what “there” even looks like.

20 Groundhog Day Type Movies – The Ultimate Repeating Day Film List

Official Movie Review – Terminator: Dark Fate

Movie Review - Terminator: Dark FateAll things considered, I’d say Terminator: Dark Fate is a worthy successor to the 1991 Terminator 2. After 28 years, 3 other Terminator movies — plus a TV show — it’s hard to think of Dark Fate as the 3rd movie in a trilogy, but that’s where it belongs.

Dark Fate had the potential to be an A, even A+ movie. The bones are there, but the flesh has a few too many blemishes. However, I think it earned a good B+ grade.

The action scenes won’t disappoint; they come early and often, and really pack a punch. If anything, there was too much action early, because by the end it feels a little anticlimactic.

Hands down, the best thing about this movie is Mackenzie Davis as Grace. She steals every scene she’s in — which is most of the movie. Her action scenes are creative, and she has the physique to make her character believable.

Kudos to the writers for giving Sarah Connor’s character a great return. Her character arc from the end of T2 to now works, and Linda Hamilton rocks the gritty, sarcastic attitude of her aged character.

My single biggest complaint is that the new character of Dani Ramos has some problems. After seeing the movie with my wife and mother, we all agreed she was the weak link. Upon further consideration, I don’t think it’s the actress’s (Natalia Reyes) fault. The writing for her character was caught in a conflict that just wasn’t going to work well. I’ll get to that in more depth below in the spoilers section.

Spoilers For Terminator Dark Fate Below
I’m including this in the spoilers section because I’m not 100% sure everyone knows Arnold Schwarzenegger is in this movie. First, I want to point out that I love the direction the writers took Arnold’s Terminator character. I was expecting something fresh and got it. Arnold’s scenes with Sarah were pure gold. It’s really cool to see them come full circle.

Here’s the conundrum the writers created for the character Dani: as the story develops, the audience is lead to believe, mainly due to dialog by Sarah Connor, that Dani is the “new Sarah” and that she’ll give birth to the leader of the resistance. However, as we later discover, Dani is the leader of the resistance herself.

In a perfect world, when the twist is revealed, the writers want the audience to think: Gee, I didn’t see that coming, but now that you think about it, the clues were right there.

That’s a tricky plot twist to pull off, and quite a challenge for the writers to undertake. I think they at least deserve kudos for trying. And I’m not saying they failed miserably. They just didn’t do a great job.

The problem: if they make Dani’s character appear strong and competent,  it will be obvious she’s the resistance leader. Therefore, they have to hide those attributes. At the same time, if they don’t make Dani appear strong and confident, then when the twist is revealed, it feels unrealistic.

Early in the movie we see Dani as the leader of her household, inspiring her brother, giving her father chores to do. It’s simple, but it shows she knows how to manage. When she and her brother arrive at the factory where they work and discover that her brother’s job has been replaced by a robot, she tells her brother to do her job…while she goes and complains to the manager. She ignores her superiors along the way, who advise her it’s not her place to question management. That’s another subtle nod to her confidence and “take charge” style.

After that point, she does nothing but cry over the loved ones she lost, and continually puts herself at needless risk as she questions (and sometimes ignores) Grace’s  guidance.

But it could have gone another way. The writers could have chosen to skip the twist at the end, in favor of jumping all over it from the very start. Make it obvious that Dani is a natural leader right from the beginning and never let up.

When Sarah Connor shows up and assumes — because Dani is a woman and the resistance sent her a protector back in time — that Dani is the womb of the future, then Dani can turn the tables on Sarah, and point out that times have changed, and women don’t need to just be vessels anymore.

I get it; writers like to be subtle — especially good writers — but it’s not always the best choice. I think on this occasion, setting up a conflict between Dani and Sarah as the same (but different) would have worked better.

One twist I did like about this story is that Judgement Day isn’t caused by Skynet.  It’s a completely different AI — created for the same basic objective — that becomes the downfall of civilization.

Essentially…saying that one way or another, an AI apocalypse is inevitable. 

Grade: B+

About The Peetimes: This movie is really packed with action, but I made sure none of the Peetimes contained action scenes. Of the 3 Peetimes, I would recommend the 2nd one. It’s near the middle of the movie and nothing important happens. The 3rd Peetime isn’t bad, but it’s definitely the worst of the bunch. There are a few good one-liners that you’ll miss.

There are no extra scenes during, or after, the end credits of Terminator: Dark Fate. (What we mean by Anything Extra.)

Rated (R) for violence throughout, language and brief nudity
Genres: Action, Adventure, Sci-Fi

Read Rob Williams’ Terminator review: Grade A.

Movie Review by RunPee Rob – Terminator: Dark Fate

Movie Review - Terminator: Dark FateI went into this film with mixed feelings. The original landed in the mid 80s with barely a ripple. A relatively small budget film by a new director, with not a well known cast. But it took off.

The early 90s saw T2 launched with a lot of ballyhoo and fuss — and it worked! The new cinematic technology really helped drive the story — apparently James Cameron was considering using a claymation technique for the T-1000. (Can you imagine Arnie vs Wallace and Gromit?)

The current millennium’s offerings seemed to be less successful, maybe due to the absence of James Cameron. Who knows, but personally, I wasn’t sold on the third installment, and still haven’t seen the fourth and fifth ones!

Then the latest episode was announced. Cameron is writing and producing. Arnie is back. As is Linda Hamilton. (Maybe it’s because we’re a similar age, but I think she still looks stunning!).

There are some new faces to keep things fresh. Gabriel Luna is easily a match for Robert Patrick as a soulless automaton. The big problem was always going to be: does it work? James Cameron said it was the rightful third episode and the others could be ignored…so will it slot into the world created in the first two films?

The answer is a resounding “Yes!” Not only does it fit in, but it does so very smoothly. It is a matter of a few minutes worth of exposition, and you can sit back and enjoy the new story without worrying about loose ends.

And what a story it is! It rattles along at a fair old clip pretty much from the first few frames. There are slower sections where characters new and old are explored, their relationships examined, with even a few laughs, but this is undoubtedly an action movie! Fights, chases, explosions, all over the place.

In short, a well thought out and executed thrill ride.

Grade: A

About The Peetimes: I worked hard to avoid the amazing action scenes in any of these Peetimes. Anytime my pulse dropped below 100bpm felt like a good time to run and pee. Note from Dan Gardner (RunPee CEO) These Peetimes are from a newly christened Peep: Rob Williams, from the UK. Terminator: Dark Fate is released in the UK one week earlier than here in the USA, so Rob was able to get Peetimes for us. I’ve worked with Rob for a few weeks, training him on how we do things, but this is his first “live run.” From what I can tell he did a bang-up job. I hope you agree. 

There are no extra scenes during, or after, the end credits of Terminator: Dark Fate. (What we mean by Anything Extra.)

Rated (R) for violence throughout, language and brief nudity
Genres: Action, Adventure, Sci-Fi

Movie Review – Lucy in the Sky

Movie Review - Lucy in the SkyThis was a pretty depressing movie. I left the theater and was so sad about so many things. It’s not a fun story and certainly not an uplifting one either.

I’m one of the movie goers that like to have fun and be carried away into a riveting or even just plain silly story. What Lucy in the Sky gave me was watching an absolutely brilliant, highly motivated woman spiral out of control and ruin her life’s goal.

Portman did a superb job. She encompassed this role with her entire being. She’s simply perfect.

I’m giving this movie an A because of her. Also, it was masterfully directed and had a simple beauty to many of the scenes. Certainly not because it left me feeling happy and alive. Just the opposite actually. This wasn’t my cup of tea, but I wasn’t the target audience.

To the viewers that do enjoy these truthful biopics, I’m pretty sure they nailed it.

Grade: A

About The Peetimes: This movie was a slow starter. Really for the first hour you can catch yourself up if you need to step out of the theater. The last 30 minutes is when the true depth of the movie is shown.

There are no extra scenes during, or after, the end credits of Lucy in the Sky. (What we mean by Anything Extra.)

Rated (R) for language and some sexual content
Genres: Drama, Sci-Fi

Movie Review – Gemini Man

 

Movie Review - Gemini ManNothing amazing, nothing awful. This is a stylish little film where every actor gives it their all and makes a nice 2 hour action excursion.

Here’s a Pro-Tip for audiences: wait for this to come out on streaming. While old and young Will Smith both look great ( I suspect they aged up one version and de-aged the other — meeting somewhere in the middle), they both look like super fit, handsome men. And both have his trademark humor.

Benedict Wong is a wonderful addition, proving he can be more than just a sidekick MCU wizard. More Wong, please, in better films? K, thx.

What else to say about Gemini Man?

The good guys and bad guys are all somewhat sympathetic. What price should freedom cost in our nation/world? This is for better minds than mine to decipher…although I lean on the side of the Hippocratic Oath: DO NO HARM.

I’m sure politicians would find me hopelessly naive. Even Sci Fi shows like Men in Black find it better to keep humanity in the dark in dark times.

Gemini Man, Overall:

So: there are MANY exciting films coming down the pike for the upcoming holiday Blockbuster season. Save your dough. The FX here are middlin’, and the story is fine…but not great. A good film to catch at home.

PERSONAL PLEA: Will!!! Smith!!! Please return to the Suicide Squad 2 fold. You can’t go wrong with Director James Gunn. Robbie and you were the only reasons the origin story even worked. Gemini has no franchise future. Go have fun being a super-person instead!

Grade: B

About The Peetimes: In a movie with this much action and surprises, it was hard to find good Peetimes, so use these and be quick. Here are 4 decent Peetimes with no crucial action and just a bit of exposition. The 2nd Peetime is much longer/better than the others, if that helps you decide which is best to use. This is not a long movie, but a lot happens.

There are no extra scenes during, or after, the end credits of Gemini Man. (What we mean by Anything Extra.)

Rated (PG-13) for violence and action throughout, and brief strong language
Genres: Action, Drama, Sci-Fi

Movie Review – Ad Astra

 

Movie Review - Ad AstraThis is a very intense and thought provoking movie. I can’t write the review today, but I’ll give it a B grade for now. I saw in in IMAX, which I recommend for the best “space” experience, and for the constant extreme closeups on Brad Pitt’s face.

Suffice to say for now the film (which means To The Stars in Latin) is extremely low key and existential. And is sort of about God without being anything about God at all.

Much to add later. I’m sure future classes about philosophy will eat this movie for lunch and dinner.

D-Box Experience
You really feel the experience of the rocket ship at take off and some feeling of what it is like when they are weightless in space. For this movie, I would give the D-Box experience a 5 out of 10.  (Special thanks to Troy Borysko for the input.)

Grade: B

About The Peetimes: Although the movie is 2 hours, it was easy to find Peetimes. It’s a slow, contemplative film, with a lot of ‘scenery’ scenes, and closeups of Brad Pitt talking to himself. I recommend the 3rd Peetime at the halfway point — it’s a nice long break with nothing going on. A lot of people (like a dozen!) got up just before the climax and missed the best part of the film. So go proactively at the one-hour mark.

There are extra scenes during, or after, the end credits of Ad Astra. (What we mean by Anything Extra.)

Rated (PG-13) for some violence and bloody images, and for brief strong language
Genres: Adventure, Drama, Mystery, Sci-Fi

Movie Review – The Matrix

 

Movie Review - The MatrixAfter reading RunPee Dan’s amazing retrospective on “The Matrix After 20 Years“, I’m a little intimidated to try and pen my own review. He’s RunPee’s resident Matrix EXPERT. And I don’t say that lightly. Uber. Fan.

I especially get nervous trying to do justice to classic A+ level films. But I do have a few things to say, and here we go…

I’m packing for a move and might add more later. Suffice to say: this movie was a total mind-f#ck when it came out in 1999…and still is. The only really dated aspects are the corded phones and noisy modem (if you’re old enough, you KNOW this sound and it’s still as jarring as it was back then).

If you’re seeing The Matrix for the first time, remember this was the first film to attempt anything like this. At all. It’s a game changer that subsequent dystopian sci-fi films emulated to varying degrees over the years. “Inception“, for one, got it right. And then quite a few missed the boat more or less, like “Looper” which is a decent movie itself, but doesn’t come close to The Matrix.

(Funnily enough, both Inception and Looper featured one of the the same actors).

Why The Matrix is Still so Good

The difference is STYLE. And terrific direction, color palette, intelligent writing, and actors who couldn’t be better suited — both in the casting department, with each actor going balls to the wall in to the new world they had to sell.

Keanu even gets to say “Whoa,” and it doesn’t seem like fan pandering. It IS a WHOA moment.

the-matrix-bullet-time-keanu-reeves
Bring it.

Not to mention The Matrix sports a fabulous soundtrack, and effects that hold up extremely well. I just rewatched this yesterday to get Peetimes, since The Matrix is enjoying a theater revival. It’s still spectacular in look, feel, and story.

(Little realized fact: Most of the effects were done realistically with real actors in wires, and the 360 degree use of physical cameras to create the “Bullet Time” effect we take for granted now. I’m a huge fan of truly realistic physical effects in a modern age of CGI Everything.)

the-matrix-trinit-carry-anne-moss
Practical effects shot on wires. Trinity can still kick your butt.

This is how to make a movie. I can only hope the Watchoskis are up to the 2020 fourquel after all this time. Some crucial threads are left unresolved, so I’m fine with bringing the original cast back, dead or alive. (In Sci-Fi, death is relative.)

Deeper than The Usual Sci-Fi Flick

I’m not even going to handle the intense philosophies presented in the Matrix Trilogy — Philosophy professors wrote many books and teach actual courses just on this.

Enough for now. This will get you started. Also, if you hurry, this will be your only time to catch The Matrix on the big screen after two decades, so go get on it. Our three good Peetimes on the RunPee app will help you remember what scenes NOT to miss.

Free. Your. Mind.

Grade: A+

About The Peetimes: We just noticed The Matrix was released on a limited basis, so we added Peetimes now. Keep in mind this is a seriously intense mind-bending movie that you have to pay close attention to. All 3 Peetimes are really good. The last time to go is at 1 hour into the 2 hour film, so make sure to empty your bladder proactively, especially if this is your 1st time watching the film. (Or if it’s been a while.) #TheMatrixHasYou

There are no extra scenes during, or after, the end credits of The Matrix. (What we mean by Anything Extra.)

Rated (R) for sci-fi violence and brief language
Genres: Action, Sci-Fi, Dystopia

The Matrix After 20 Years – A Retrospective: A Different Kind of Hero, a New Kind of Science Fiction

Analysis of Inception

Movie Review – Looper

 

Is there anything extra during the end credits of Spider-Man: Far from Home?

Spider-Man: Far from Home Yes, there are extra scenes during, or after, the end credits of Spider-Man: Far from Home.

Anything Extra Details

There are 2 extra scenes. Both are crucial to see.

The first extra scene starts about 2 minutes after the credits begin and lasts about 1 1/2 minutes.

There’s about 8 minutes of credits between the extras.

The 2nd extra scene comes after the credits end.

The credits, including the extras, run for about 14 minutes.

Read the RunPee movie review for Spider-Man: Far from Home by Jill Florio. Movie review grade: B

Rated (PG-13) for sci-fi action violence, some language and brief suggestive comments
Genres: Action, Adventure, Sci-Fi, Superhero, MCU
USA release date: 2019-07-03
Movie length: 2 hours 9 minutes

We have 3 Peetimes for Spider-Man: Far from Home. Learn more.

About The Peetimes
I have 3 good Peetimes, spaced out nicely through the movie.

Movie Review – Spider-Man: Far from Home – Fun, but a little underwhelming

 

Movie Review - Spider-Man: Far from HomeI liked Spider-Man: Far From Home. I liked it a lot. But I didn’t love it, and that surprised me.

I adore Tom Holland‘s version of Spider-Man, and think he’s the best Peter Parker ever done, no question. (Notice how this sidesteps Miles Morales‘ stunning Spider-Man: Into the Spider-Verse quite nicely.) And every appearance by MCU’s Spider-Man, from Civil War to Endgame, sparkled with wit and verve.

I rewatched Spider-Man: Homecoming to get ready for Spidey’s ‘European Vacation’. I was again taken with how absolutely lovely, charming, funny, and exciting Peter Parker’s first solo outing was. (With one of Marvel’s better villains, to boot.)

Far From Home was enjoyable, but not up to the level I expected. Some nits to pick (with spoilers for Avengers: Endgame):

– Ned wasn’t The Chair Guy this time. He was mostly sidelined. Ned had funny lines, but was no longer Spider-Man’s sidekick. Making him foolish — and a damsel in distress, even — didn’t sit right.

– Peter was too low-key. I get that he’s been through a lot, and mourns Iron-Man like a father, but EVERYONE in the post-post-post Snap world (yes, there were three Snaps, remember?) is suffering. His friends seemed fine. I would have written Spidey as his usual irrepressible self who’d get sad when reminders of Tony Stark hit him out of nowhere. Grief is like that: you’re grooving along until you get a gut-punch reminder.

– There wasn’t enough care and attention paid to how Earth is handling the new reality: billions of people returning to life five years later. Yes, it was alluded to a few times, but I expected more. And Europe seemed to truck on with no problems at all. Even seeing some of the homelessness and ruin in the background would have helped keep the sense of continuity alive. The MCU usually provides better world-building than that.

– I missed the fun rock and pop music that made Homecoming so fun. (We did get one rock hit underscoring a poignant/funny moment, but I won’t spoil it.)

– And another nit: Spider-Man is the only A-List hero left on Earth? After 23 movies packed with super beings, I can’t buy that.

So, Where Were the Other Avengers?

As said, in-movie:

Dead:

Not mentioned, but should be around for Fury to call upon:

  • Professor Hulk
  • War Machine (who’s basically an Iron Man already)
  • Ant-Man
  • Wasp
  • Scarlet Witch (who should be able to wipe the floor with anyone)
  • Valkyrie, Korg, and a whole city of Asgardians
  • Black Panther, Shuri, and a whole country of Wakandans
  • Falcon (AKA new Cap)
  • The Winter Soldier/White Wolf
  • Hawkeye (I presume he returned to retirement…)
  • Pepper Potts-Stark is at least name-dropped (apparently she doesn’t want to use her Iron Suit any more than Peter does, for the same reason)
  • Lots of minor heroes could also be asked to ‘step up’…this could be a whole article. Which I’ll probably write, if there’s interest.

Again, those are mostly nits. But there’s one big problem, and for that I have to give Spider-Man FFH a B grade. That’s hard to do, since I loved a lot of it. I am a huge MCU fan, a Tom Holland-as-Spidey fan…and I really do think this is the best genre movie out right now (not including the Endgame re-release). But since we at RunPee tend to grade the Marvel Cinematic Universe on a curve, I’d have to rank this as a “middle tier” movie. MAN, I hate saying this.

It might have been that all the major plot points of FFH were spoiled for me, but I normally love anything the MCU does, so that shouldn’t have mattered.

Where Spider-Man: Far From Home Faltered

The single biggest problem is the bad guys are kind of an underwhelming/overwhelming mess. They are huge; they are CGI, and have no personality or motivation whatsoever…or even facial expressions. How is that supposed to be fun to watch? It doesn’t matter that that part doesn’t matter (have to be vague), but it made every fight with The Elementals boring. They felt more like the worst kind of bad guys done in the DC Universe (on the level of Incubus or Steppenwolf, or all the other villains no one remembers).

MCU has the occasional villain problem, but nothing as bad as these guys.

The point is, it doesn’t matter that the Elementals are [redacted for spoilers]: they still got too much screen time. They brought the movie down. Watching European landmarks get destroyed isn’t entertaining by itself. Even Godzilla has a personality.

Notice I’m not mentioning Mysterio. Or the promised Multi-Verse. I can’t go into any of this without spoilers, and this review is already too long. Suffice to say if Iron Man had a love child with Dr. Strange, you’d kind of get Mysterio. The trippy, psychedelic stuff was the best part of the action. It’s too bad they couldn’t get Dr. Strange on the phone. I’ll stop there.

Overall, How’s Spider-Man: Far From Home?

I’m making a bigger deal out of the Villain Problem than I meant to. Far From Home is still a super fun film, with laughs, school trip shenanigans, great on-location scenery, emotional moments, and a fun class reunion with Peter Parker’s (conveniently) co-blipped pals. And Happy Hogan stole every scene from Peter, which I didn’t expect. Tony Stark’s absence was keenly felt, but his character still managed to permeate the story, and even drew one of the best laughs.

So, yeah, absolutely see the 23rd movie officially closing out the Infinity Saga. It’s the last MCU film we’re getting this year. (We don’t yet know when Phase 4 will begin.) Far From Home really has some great moments and a lot of heart, so go and enjoy yourselves, Elementals be damned. 🙂

PS: The extra scenes over the credits are AWESOME. The implication are pretty big (for one of them) and pretty cool (for the other).

PPS: Also, in the background at near the end of the movie, there’s a building mural Peter swings slowly by that reads: “We can’t wait to show you what happens next!” Clearly that’s a message about Phase 4 from the MCU. Nice nod.

Grade: B

About The Peetimes: I have 3 good Peetimes, spaced out nicely through the movie.

There are extra scenes during, or after, the end credits of Spider-Man: Far from Home. (What we mean by Anything Extra.)

Rated (PG-13) for sci-fi action violence, some language and brief suggestive comments
Genres: Action, Adventure, Sci-Fi, Superhero, MCU

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