Deep Blue Sea – First View Movie Review

I’m getting nowhere without going into spoilers, so let me continue this part and move on.

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Nprtykty, 03/28/2021

Brilliant idea with great information

I’ve been using RunPee for a few years now and it’s basically a requirement of going to the movies for me. The best part of course are the “pee times” that give you cues, synopses and times for when you can pee without missing the most important parts of the movie. There is also information about the credits- length, extras and if there are any extra scenes at the wayyy end. Super helpful to just know that it is or isn’t worth staying. There is a timer function that will buzz your phone when it’s a good time to pee. I also appreciate that the app is very conscientious about it being an app you use in a theater- dark background, all silent alarms etc. I will always enjoy the experience of the theater even if I could watch things at home- but I’ve even used it at home to check for things like after credit scenes or other information too.

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The Aquatica Set is the Star of the Film

The undersea laboratory Aquatica is an extraordinary  base for action film-making. Deep Blue Sea makes use of the whole design, conceptually. Think about it: in the water, you move around in three dimensions, rather than the two surface dwellers usually contend with. This set design fully uses all dimensions and directions, including the logic of going down to go up.

There’s the above-sea catwalks and the sky tower, set around a Sea-World-type shark enclosure. Then there’s the undersea high-tech lab levels, complete with a pressure-sealed shark bay and the obligatory bank of monitors.

Also, there’s the fancy Five Star stainless steel kitchen. Somehow this place (with only a half-dozen staff I could see) employs a full time chef. Who is also a Preacher. (Go with it, because the kitchen scenes are worth it…and ALSO call back to a certain iconic Jurassic Park scene.)

Then the lower levels feel much like sets from submarine movies — cramped, utilitarian maintenance passageways, full of ladders, bottomless shafts, and Jeffries Tubes. 😉 The story starts above the ocean, moves midway to around 60 feet under the sea, drops you down to the ocean floor…and agonizingly crawls back to the surface. This has to be one of the most creative uses of set concept I’ve seen. (Plus, the shaft here makes actual sense, unlike the ubiquitous chasms in the Star Wars Galaxy of films.)

I’m reminded a lot of the cool little film Escape Room from last year. Each set is a ‘room’, tasking the dwindling group of survivors with puzzles to solve to level up towards freedom.

Getting What You Expect in a Shark Film

Overall: Deep Blue Sea is a lot of fun, and you get what you expect in a shark movie…people torn apart and/or eaten whole, guessing who’s the last one standing (or swimming), wondering how the sharks will die in the end.

IF THEY DO. Is there a shark film out there where the shark kills all the people and gets away?

Spoilers ahead for Deep Blue Sea:

You’ve been warned.

Spoilers ahead.

Really. Who lives and dies:

I absolutely wanted the Chef/Preacher to survive. I didn’t realize he was LL Cool J until the credits rolled: I just really liked his character. J had the best scenes. I loved his rude little parrot, how he hid in his own oven (yikes), and intelligently dispatched his shark.

He should have died in the explosion, but this is a movie, and here’s the thing in film: if you don’t see a dead body, you can’t take assume someone is dead. And sometimes, not even after that. (As with Zombies, decapitation of the head helps. (Unless you’re in an X-Files film.)

I was thrilled with the continuity of the flaming fragments from the kitchen level raining down the elevator shaft. The crew had to worry about hypothermia, burning rain from above, ravenously mean sharks below, and drowning as each submerged level burst open… all while climbing rickety emergency ladders that kept breaking to pieces. It could have felt over-the-top campy, but it just played right.

Who Lives, Who Dies

The deaths we did get were interesting choices. Stellan Skarsgård’s death was well executed, providing an eerie, chilling thrill that stands out as the single best scene. I was sad to lose him so early on.

This scene rocks: 

Also, shall we mourn for Jackson, whose moment we should have seen coming, but never expected (and so unceremoniously)? The A-listers are supposed to survive, right?

The bird getting eated was…shocking. That was in 1999. That kind of thing (pet deaths, unless it’s in a ‘dog movie’) doesn’t happen much these days. Didn’t even the rat survive in The Abyss?

Then, the lead scientist (Saffron Burrows) getting swallowed whole? That seemed like some Old Testament shit right there, based on the  Jurassic Park “messing with nature” theme, and Preacher’s constant commentaries to God, a la LadyHawke.

Normally the alpha female would  be the sole survivor in a shark film. This gal was smart (she took down her shark handily), had a mission that really would have helped people, and had chemistry with Carter, the manly man of the group. I salute the writers for taking the less obvious route. Her self sacrifice redeems her character, if you feel she needed redeeming. She legit wanted to cure brain aliments that devastate millions of patients and their families. She just took some morally dark shortcuts to get there, and the implication is she paid for it with her life.

These sharks don’t act like real animals, but that’s because of Man’s Hubris/Interference, so I’m okay with this. Normally it’s a pet peeve of mine when an animal acts like a “monster.” But these are chimeras, with new rules I guess, and their plan was to escape to the Deep Blue Sea (ahem) more than anything else, and whatever, and it’s not worth working this out.

Should you see Deep Blue Sea?

See Deep Blue Sea if you like action-adventure and don’t mind some mild gore. This barely classifies as horror. I looked away once, and that wasn’t even too nasty (poor Scoggs — Michael Rapaport — he was cool. I like smart people in movies).

If you can handle the Jurassic Park and Aliens films, you’re good to go. Toss in some philosophy about the ethics of “saving mankind through better DNA”, and you’ve got a super enjoyable B monster movie. I enjoyed this one greatly, as I work my way through shark films over Shark Week, just before 47 Meters 2 premiers.

Recommended!

Movie Grade: B+

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