First Man is a thoughtfully crafted, well-made film that a lot of reviewers seemed to love. Ryan Gosling definitely dove into the part. The nostalgia of returning to the 1960s was neat, and the scenes in actual space were close to brilliant at times. It felt like being there, as the Saturn V thundered out of our atmosphere. There was a sense of transcendence, viewing the Earthrise from orbit, and it was a sight that made even the generally reticent Armstrong crack a big old smile (more on him, later). The space shots looked very real, albeit coupled with a slightly grainy film quality, making it feel more like the 60s.
The space images alone made seeing this in IMAX worth the extra price. I wish there were more scenes in space and on the moon, but you can’t have everything you want in a movie, now can you?_
Some thoughts: a lot of the purposefully jiggly hand-held camera work was distracting, especially in the many long, quiet interpersonal scenes. It underscored the “documentary” feel, but I noticed it too much, taking me out of the moment.
I understand the story is supposed to be a deeply personal and intimate story of one man’s journey to overcome his emotional pain, and eventually do something extraordinary.
The “one man” in question is Neil Armstrong (played by Ryan Gosling) –the first man to walk in the moon. It was an amazing moment for mankind, but make no mistake: this is not an exciting movie. [pullquote position=”right”]It’s a slow burn of a tale, and takes a long time to get anywhere.[/pullquote] We spend relatively little movie-time in space, and barely any on the moon. For a 2 hour and 20 minute film, there’s surprisingly little story to tell.
From the perspective of the film, it seems like the moon landing was incidental to the plot, instead focusing quite narrowly on Armstrong’s inability to move on emotionally from the death of his daughter (and his colleagues in the space program). It seemed to me that 1/3 of the movie was devoted to extreme closeups of Gosling’s face, who did a great job showing almost no emotion behind his cold, blue eyes. I saw these close eye shots of him so many times that I started tracking it in my Peetime notes. It happened so often I eventually gave up. But, as with the hand-held camera jiggling, noticing the trick pulled me out of the story.
So then, with all this attention lavished on Armstrong, why do I feel we never got to know him? It’s a long movie, but Armstrong is still a cipher by the end. I understand he wasn’t a demonstrative or friendly man in real life. That’s got to be hard to base a long movie around. The viewers never get past his eyes and into his head. A few expositional scenes from others were used to describe him, instead of letting us, the viewers, get to empathize with him ourselves.
So, yes, the critics loved this movie. You can see that on Rotten Tomatoes. The audience score, however, seems a lot more evenly divided, with a middling overall grade. Basically, First Man was competently done, but not stirring or thrilling. I don’t know how Apollo 13 was such a fantastic film, and this one (taking place in an overlapping time frame with the same historical figures) fell short.
Here’s my conclusion. This film is, first and foremost, a biographical drama. The space program is merely a framework for telling Armstrong’s private story. In that sense, it’s a success. Nicely done within those parameters.
But if you’re looking for a rousing space epic, this isn’t your film. In my theater, people hopped up all over the place to hit the bathrooms — even during the climax of the moon landing scene. As the credits began, a few people started a halfhearted attempt to clap, but gave up quickly when no one else seemed to care.
The science and history seemed rigorously accurate (although the ‘bracelet’ thing might be a storytelling liberty). It’s just unfortunate the first man walking on the moon was too distracted by personal demons to enjoy the experience. I mean, it’s THE MOON, MAN! You’re going where no man has gone before! Enjoy it a little. 🙂
One Last Note: There were some good ‘action’ moments here and there — the flight of the Gemini, the tragedy of the Apollo 1 astronauts trapped by the door, the awe-inspiring Earthrise, the sequence with the Saturn V blasting off, and docking with the LEM. (Dan and I visited a real Saturn V at the Kennedy Space Center, and walking under it was a total highlight. And it was sweet to see the VAB here, which really impressed me in person. It’s bigger than the brain wants to accept.) So, I’d say those were the standout moments. The moon scene was surprisingly underwhelming. I know why they filmed it this way — to focus exclusively on Armstrong’s experience — but I wish it had been an ensemble with the three men instead.
(Learn how closely the movie followed Neil Armstrong’s real life, and enjoy the photos showing the differences between the real historical figures, vs the actors’ faces.)
About The Peetimes: Here are 3 good Peetimes, nicely spaced out. You won’t miss any action, or even much dialog, during any of them. The middle one, at 1 hour and 7 minutes, gives you a whole 5 minutes to run and pee, so try to shoot for that. It’s a long film, so you should definitely use a Peetime to stay comfortable through the lunar landing climax. A lot of people got up and down at bad times during the opening showing. .
There are no extra scenes during, or after, the end credits of First Man. (What we mean by Anything Extra)
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Co-Creator of RunPee, Chief of Operations, Content Director, and Managing Editor. RunPee Jilly likes galaxy-spanning sci fi, superhero sagas, fantasy films, YA dystopians, action thrillers, chick flicks, and zany comedies, in that order…and possesses an inspiringly small bladder. In fact, that little bladder sparked the creation of RunPee. (Good thing she’s learned to hold it.)