Not only did the big beasties get plenty of screentime, but the people plots didn’t entirely suck.
People and entire cities can be megafauna fodder in disaster films, but there also has to be a thoughtful human element where you care — even by a small margin. Modern audiences demand this, and rightfully, because otherwise you’re essentially watching a long, expensive video game. The previous Godzilla films in 1998 and 2014 plunged into that category — but worse — because boring human drama was shoehorned in to pretend those movies had plots. (Except for through-actor Ken Watanabe — more on him later).
Skipping right to said monstrous animals…
The Big Four Beasties of Godzilla: King of the Monsters
- Godzilla — With some new glowy skills and a few adjustments to his appearance, he looks great and is a pleasure to watch in action. Unlike in his 2014 Monsterverse premier, he’s onscreen early and often. Two paws up!
- Mothra — She’s my favorite critter. And….she’s beautiful (think Lunar Moth). Mothra has some very unusual abilities, and isn’t as fragile as expected. I’d love to see her as a mount in some multiverse for Spider-Man. (“There’s a Ant Man, a Spider-Man, AND a Moth!?”)
- (King) Ghidorah — Very cool dragon/hydra rival to Godzilla, and even amusing (those heads scrap at each other!), but I’m not happy with his origin-story. That came out of freaking nowhere and felt like the writers couldn’t find a better hinge to hang their new ecosystem from. IDK. Maybe King Ghidorah actually is from [redactated for spoilers] in the legends.
- Rodan — The least interesting fellow. I felt bad for Ghidorah stealing his thunder. Rodan came off as a second-string player to give Mothra someone to fight. Someone give this guy something better to do some time.
And the rest: There was an assortment of junior-grade creatures to fight (17 all together, including Kong on Skull Island), but we only catch them in random moments. One was like a spider; another was a sort-of mastodon. I’d like to see Part Four elevate these guys at the eventual “monster-off” on Skull Island.
The Big Four were great fun. Fab effects, with nice twists and turns in their near-sentient reactions to each other. If the carnage felt too far away and too meager in films before, we got lots and lots of satisfying spectacle this time around.
The People (AKA Happy Meals on Feet)
Lots of goofy one-liners and paper-thin human characterizations populate this over-run Titan world. The father/mother push and pull dynamics have been done and done and done in almost every disaster film. The soldiers do soldiering. Bad guys do ‘badding’. There’s a gratuitous cameo from the previous film. Next, please?
Finally, we see a couple of grace notes: Ken Watanabe lends his wise gravitas for the sake of actual world-building, and teenage Madison (Millie Bobby Brown from Stranger Things) provides enough cleverness to make us want to see her live. (This girl can act with her eyes — her career might be worth following). Smart people living/dying tends to get us in the feels, and they carry the human story better than the other modern-era Godzilla people.
Ultimately Watanabe gets a long-awaited beautiful moment with ‘his God’ to show (not tell) that co-existence means salvation.
But it’s all rather small and can’t compete with the big battles above. I appreciated Watanabe’s arc and was just grateful the franchise went somewhere lovely with it.
Godzilla vs The Technobabble
The Orca is a MacGuffin: everyone wants it. The writers did a decent job making said Orca quasi-logical, but the tech is the weakest point of the story. Except for the cool larval Mothra intro, the Orca could have been canned entirely for something better…for something only hinted at here and there, in terms of ecology, spirituality, and legends.
There were also the expected bombs, subs, planes, and faceless soldiers. Fortunately Gz 2 learned from Gz 1 to keep most of this in the background.
And the least said about the [redacted] Earth Theory, the better. I can buy that in a fantasy film. It felt out of place here.
Let’s try something new with Godzilla. Or old. Just do it well
I still can’t shake the feeling the entire Legendary Monsterverse is riding on the reptilian coat-tails of the Jurassic saga. I kind of wish they would make up their minds to go ALL IN with the coexistence theme (instead of referred to by newspaper clip credits, a storytelling device best used in WALL-E ), or go ahead — take that massive risk about Earth-cleansing and the starting anew theme and sprint with it. Planet of the Apes went there, so this isn’t unprecedented for sci-fi premises.
So, Is Kong in the next Godzilla movie?
Speaking of Apes, yes, Kong is name dropped many times, with a few quick visuals, a blink-and-you-miss it cave painting, and many Easter egg allusions to lead into 2020’s Monsterverse finale: Godzilla vs Kong. I don’t want them to fight though. Aren’t they both “good guys’? Fingers crossed this works out satisfactorily. (And stay through the end credits of King of the Monsters for a possible hint.)
I genuinely liked this Godzilla movie. I wanted more Mothra, but overall, can’t complain.
Grading the modern Godzilla and Monsterverse Flicks
Looking at RunPee’s scores for ‘modern-era’ Godzilla movies, and including Kong: Skull Island as part of this Monsterverse, movie grades have been heading up a steady incline (please click the links to read our reviews on RunPee.com):
This bodes well. Maybe the finale to the Godzilla/Kong quadrilogy will hit the A range. For a disaster film, that would be quite a feat. We’ll find out next year. Keep replaying Blue Oyster Cult’s Godzilla remix to stay excited.
Related, on RunPee:
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Co-Creator of RunPee, Chief of Operations, Content Director, and Managing Editor. RunPee Jilly likes galaxy-spanning sci fi, superhero sagas, fantasy films, YA dystopians, action thrillers, chick flicks, and zany comedies, in that order…and possesses an inspiringly small bladder. In fact, that little bladder sparked the creation of RunPee. (Good thing she’s learned to hold it.)