Main Song from A Star Is Born – Video and Lyrics from Shallow – by Lady Gaga and Bradley Cooper

lady gaga and bradley cooper in a star is born
Not a shallow song.

One of the top movie hits from 2018 is A Star is Born, starring Lady Gaga and Bradley Cooper, and their best film song is Shallow, a duet that slays everyone who hears it. It’s almost a perfect song, and it won the awards to prove it:

  • Golden Globe Award for Best Original Song
  • Grammy Award for Best Song Written for Visual Media
  • Grammy Award for Best Pop Duo/Group Performance
  • Critics’ Choice Movie Award for Best Song
    Shallow also got an Oscar nod for Best Original Song, and the movie itself, A Star is Born, is nominated for seven other different Oscars: Best Picture, Best Actor, Best Actress, Best Supporting Actor, Best Cinematography, Best Adapted Screenplay, and Best Sound Mixing

It was also announced by the Oscars Academy (via Twitter) that Lady Gaga & Bradley Cooper will perform Shallow at the 2019 Oscars. All the news sources say Copper will perform in a tuxedo as himself, and not as his character Jackson Maine. IndieWire says “Cooper doesn’t intend to bring back Jackson’s deep voice either as he said he has fully retired the character.” No matter. Lady Gaga will probably do her big extravagantly costumed persona as herself. Expect the song to bring down the house!

Here’s the movie video of their on-stage duet of Shallow, followed by the lyrics for you to learn, and sing along to in the privacy of your shower:


Shallow

(Sung by  Bradley Cooper and Lady Gaga) 

Tell me somethin’, girl
Are you happy in this modern world?
Or do you need more?
Is there somethin’ else you’re searchin’ for?

I’m falling
In all the good times I find myself
Longin’ for change
And in the bad times I fear myself

Tell me something, boy
Aren’t you tired tryin’ to fill that void?
Or do you need more?
Ain’t it hard keeping it so hardcore?

I’m falling
In all the good times I find myself
Longing for change
And in the bad times I fear myself
I’m off the deep end, watch as I dive in
I’ll never meet the ground
Crash through the surface, where they can’t hurt us
We’re far from the shallow now

In the shallow, shallow
In the shallow, shallow
In the shallow, shallow
We’re far from the shallow now

Oh, oh, oh, oh
Whoah!

I’m off the deep end, watch as I dive in
I’ll never meet the ground
Crash through the surface, where they can’t hurt us
We’re far from the shallow now

In the shallow, shallow
In the shallow, shallow
In the shallow, shallow
We’re far from the shallow now…

(Songwriters: Andrew Wyatt / Anthony Rossomando / Mark Ronson / Stefani Germanotta. Shallow lyrics © 2018 Sony/ATV Music Publishing LLC, Downtown Music Publishing, Universal Music Publishing Group, Concord Music Publishing LLC.)


Movie Review – A Star Is Born

Quiz – The Movie and Musical World of Lady Gaga

Quiz – Bradley Cooper – Actor, Director, Musician

Full List (and comments) for the 2019 76th Annual Golden Globes Nominees & Winners

RunPee and the 2019 Oscars – Predictions for the 2018 Movie Awards

Highlights from the 2019 Sundance Film Festival

This year’s Sundance Film Festival recently concluded.  [pullquote]The celebration of independent cinema has been going strong for 41 years[/pullquote].  Even though the Oscars for 2019 haven’t been handed out yet, the Oscar race for 2020 has officially begun.  Past Oscar nominees and winners Little Miss Sunshine, Manchester By the Sea, and The Big Sick, among others, have premiered at Sundance.  This year, 121 films were screened over ten days in Park City and Salt Lake City, Utah.

Here are some of the highlights from this year’s Sundance Film Festival:  

The festival opened with After the Wedding, director Bart Freundlich’s adaptation of the 2006 foreign film of the same name.  The drama starring Julianne Moore and Michelle Moore got disappointing reviews.

Chinonye Chukwu became the first black woman to win the Grand Jury Prize for her film Clemency.  In the movie, Alfre Woodard plays a prison warden haunted by all the death row executions she’s carried out.    

The Souvenir won the World Cinema Grand Jury Prize.  The movie is about a film student finding her voice, while dealing with a complicated relationship that threatens her future.  Written and directed by Joanna Hogg, the movie stars Tilda Swinton and her daughter Honor Swinton Byrne. A sequel is already planned that will add Twilight star Robert Pattinson.    

One Child Nation, directed by Zhang Lynn and Nanfu Wang, won the U.S. Grand Jury Prize for Documentary.  The movie focuses on China’s one-child policy and the effect it had on generations of families.

Honeyland (not to be confused with the drama Honey Boy) won the World Cinema Grand Jury Prize for Documentary.  It focuses on the last female bee hunter in Europe who must save the bees and restore natural balance when something goes wrong.   The movie was directed by Tamara Kotevska and Ljubomir Stefanov.

Brittany Runs a Marathon won the Audience Award for U.S. Dramatic film.  The inspirational comedy, written and directed by Paul Downs Colaizzo, stars Jillian Bell as a woman trying to take control of her life by running.  

 Queen of Hearts, directed by May el-Toukhy, won the Audience Award for World Cinema Dramatic film.  The movie is a tragedy about a woman who seduces her stepson.

Knock Down the House, directed by Rachel Lears, won the Audience Award for U.S. Documentary.  The movie follows four young women, most notably Alexandria Ocasio-Cortez, who dare to challenge incumbent candidates for their seats in Congress.  Rep. Ocasio-Cortez was not able to attend the screening of Knock Down the House due to complications with the government reopening.  However, she surprised the audience by joining a Q & A after the film, via web conference.  The movie provoked an emotional response from the audience and received a standing ovation. 

 Sea of Shadows, directed by Richard Ladkani,  won the Audience Award for World Documentary. The film is about efforts to save the vaquita, the world’s smallest whale, and end criminal practices that are damaging its habitat.  

The most anticipated film going into the festival was Joe Berlinger’s Extremely Wicked, Shockingly Evil, and Vile, a biopic of serial killer Ted Bundy starring Zac Efron and told from the POV of Bundy’s girlfriend.  Although the movie received mixed reviews, Netflix purchased it for $9 million dollars after the festival.

Blinded by the Light was this year’s most expensive acquisition.  It was sold to New Line for $15 million and set a new festival record for the most money spent on a film.  The movie is about a teenage Pakistani boy in England in the ‘80s who’s obsessed with Bruce Springsteen. The film was directed by Gurinder Chadha, who directed the feel-good hit Bend It Like Beckham.    

Amazon spent the most money, setting a record with $46 million dollars total.  Amazon bought one of the movies with the most buzz going into the festival, The Report, for $14 million.  The Report is about an investigation into the CIA’s torture practices following 9/11. It stars Adam Driver, Jon Hamm, and Annette Bening, and was written and directed by Scott Z. Burns.  

Amazon also bought two of the biggest comedies at the fest: Brittany Runs a Marathon, acquired for $14 million, and Late Night, acquired for $13 million. Late Night, directed by Nisha Ganatra,  stars Emma Thompson as a TV talk show host who clashes with a new writer, played by actual writer-producer of the film, Mindy Kaling.

In addition, Amazon paid around $5 million for the Shia LaBeouf film Honey Boy, directed by Alma Ha’rel.  LaBeouf wrote the autobiographical film, in which he plays his own father, as a way of exorcising his demons.  The movie got a standing ovation at its premiere.

The most controversial film at the festival was the documentary Leaving Neverland, a four-hour two-part documentary about two men who claim to have been sexually abused by the late pop star Michael Jackson, as children.  After death threats and talks of protest, extra security and police presence were added to the screening. There were also counselors available at the screening. The premiere only attracted two protesters.  A premiere in Salt Lake City the next day attracted eight.  In early January, Jackson’s family decried the film as “just another rehash of dated and discredited allegations.”  After the screenings, they released an official statement speaking out against the film.  Leaving Neverland, directed by Dan Reed, will air on HBO this spring.  

The dramedy The Farewell, written and directed by Lulu Wang, was one of the most popular films at the festival.  It was acquired by A24 for an amount rumored to be around six or seven million dollars. The movie stars Awkwafina from Crazy Rich Asians.  It’s about a family that decides to keep a matriarch’s cancer diagnosis from her, to lessen the sting of death. The movie will probably get a theatrical release this summer.

Documentaries did well at the festival, too.  

Ava DuVernay’s company ARRAY acquired the documentary MERATA, about the Maori filmmaker Merata Mita, who was the first indigenous woman to direct her own movie.  Hulu acquired The Untitled Amazing Johnathan Documentary from director Ben Berman. The film focuses on the stand-up comic/magician of the title.

Sony Pictures Classics acquired the documentary “David Crosby: Remember My Name.”  A.J. Eaton is the director. Cameron Crowe, director of Almost Famous and Singles, known for his love of rock and roll, is a producer.  Crosby is best known for his work with the band Crosby, Stills, and Nash.

Hail Satan? was acquired by Magnolia Pictures in November and is planning a spring release in the U.S.  The humorous documentary follows The Satanic Temple as they try to uphold religious pluralism.

Magnolia Pictures is also the distributor for the documentary Ask Dr. Ruth.  Ask Dr. Ruth may not have made as big a splash as expected.  I could not find much reporting on it from the festival.  We will have to wait and see if it becomes as popular as RBG and Won’t You Be My Neighbor? 

Liza Mandelup won a special Jury Award for Emerging Filmmaker for Jawline, a documentary about social media fame.

Mads Brügger won  the Directing Award for World Cinema Documentary for Cold Case Hammarskjöld.  The twisty documentary focuses on the investigation of the death of Dag Hammarskjöld, Secretary-General of the United Nations.

Warning: This trailer is a little bit graphic.

Jacqueline Olive was presented with a U.S. Documentary Special Jury Award for Moral Urgency for her film Always in Season.  The film deals with the subject of lynching.

Warning: disturbing content.

Luke Lorentzen received a U.S. Documentary Special Jury Award for Cinematography for Midnight Family.  The documentary follows a Mexican family who run a private ambulance service, as they struggle to make ends meet in a competitive market.  

Netflix acquired American Factory for $3 million dollars.  The documentary is about a Chinese company that opens a factory in a shuttered General Motors plant.  The movie follows the culture clash of Chinese and American workers working together, as well as the American workers trying to adapt to newer technology.  

Ursula Macfarlane’s documentary Untouchable, which chronicles Harvey Weinstein’s years of alleged sexual abuse of women, also debuted at Sundance.  The festival is where Weinstein picked up many of Miramax’s hits including Clerks, Reservoir Dogs, and Sex, Lies, and Videotape. However, he is now no longer welcome there.    

Todd Douglas Miller’s documentary Apollo 11 got a Special Jury Award for Editing.  The film recreates the space mission, including audio and video the public has never experienced before.  

 

Alexandre O. Phillipe screened his film Memory: The Origin of Alien which examined Ridley Scott’s horror classic.   I couldn’t find any information on whether this film has a distributor or not. However, Phillipe is an established director who made 78/52: Hitchcock’s Shower Scene about Psycho a few years ago.  I predict this movie will be playing on the big or small screen by the end of the year.

Showtime acquired the four-part documentary Wu-Tang: Of Mics and Men ahead of the festival.  

Directed by Sacha Jenkins, the docu-series tells the history of the rap group Wu-Tang Clan.  The first two parts of the series premiered at the fest. The living members of the group were in attendance.  

Warning: adult language.

Netflix premiered The Great Hack as a work-in-progress. The documentary from directors Jehane Noujaim and Karim Amer focuses on the Cambridge Analytica/Facebook data breach.  

Sony Picture Classics acquired the documentary Where Is My Roy Cohn? about the lawyer whose clients included Joseph McCarthy and even Donald Trump.  The movie was directed by Matt Tyrnauer.

Halston, a documentary about the American fashion designer, and sold to the company formerly known as The Orchard Film Group, has yet to be renamed.  The film will get a theatrical release this spring, be broadcast on CNN in the third quarter of the year, and later stream on Amazon.  The movie was directed by Frédéric Tcheng.  

Other notable Sundance films include:

Patrick Brice premiered the horror movie Corporate Animals, starring Demi Moore and Ed Helms. Polygon described it as “The Office, but gory.”  It does not appear to have a distributor yet.

Neon and Topic Films went in together to acquire the film Luce.  Luce was directed by Julius Onah and adapted from JC Lee’s play. The psychological thriller stars Naomi Watts and Tim Roth, as parents whose adopted child’s identity is called into question.  

Netflix premiered the new Dan Gilroy film Velvet Buzzsaw.  Like his critically acclaimed movie Nightcrawler, it stars Jake Gyllenhaal.  It’s a horror movie set in the art world. It got mixed reviews at the festival, but now that it’s available on Netflix, Twitter is having fun with it.  

Warning: graphic images and disturbing content.

Apple bought its first film, writer-director Minhal Baig’s Hala.  It is unclear whether the movie is going straight to iTunes or will have a theatrical release.  The film is a coming of age story about a teenage girl trying to reconcile her Muslim faith with her love of skateboarding, and her crush on the boy next door.  

Harmony Korine’s latest film, the much-anticipated Beach Bum starring Matthew McConaughey as a Florida poet who seems too busy drinking and doing drugs to write, screened at the festival.  It has a cool lineup of a supporting cast, including Snoop Dogg and Jimmy Buffett. I could not find any reviews of the film, however. It entered the festival with a distributor already (Neon), and will hit theaters in March.  That’s when we’ll find out if the McConaissance continues.

Warning: contains language, drug use, and naked McConaughey butt.

Pete Davidson of Saturday Night Live fame got rave reviews for his performance in Big Time Adolescence, written and directed by Jason Orley.  Unfortunately, the film has not been picked up for distribution.

HBO bought the movie Native Son ahead of its premiere at Sundance.  The movie was directed by visual artist Rashid Johnson, and adapted from Richard Wright’s classic novel by playwright Susan Lori-Parks (best known for her Broadway play Topdog/Underdog).  It updates the tragic story of Bigger Thomas to a modern setting.  Native Son will play on HBO sometime later this year.  

A24 premiered Joe Talbot’s film The Last Black Man in San Francisco.  The movie stars Talbot’s friend Jimmie Fails. The two of them wrote the film together, loosely basing it on Fails’ attempt to move back into and restore his childhood home.  The movie deals with the theme of gentrification. It received a standing ovation at its premiere and won the Directing Award for U.S. Dramatic film.

Neon acquired the horror film The Lodge for around $2 million.  It is the English language debut for directors Severin Fiala and Veronika Franz.  The pair previously made the movie Goodnight Mommy (which is creepy as hell and one of the best horror movies I’ve ever seen).  The movie stars Riley Keough from American Honey and will be released later this year.  The movie is about two children trapped in a cabin with their future stepmother, the survivor of a religious cult.  

Neon and Hulu acquired Abe Forsythe’s Little Monsters in a mid-seven-figure deal.  The horror comedy stars Lupita Nyong’o as a kindergarten teacher defending her class against zombies.  

Neon also acquired the U.S. rights for Monos,  a thriller about a group of Latin American rebels and their American hostage.  The movie was directed by Alejandro Landes and stars Julianne Nicholson.  It received a World Cinema Dramatic Special Jury Award.  

HBO acquired Share, for seven figures.  It was written and directed by Pippa Bianco, who received the Waldo Salt Screenwriting Award.  The film is about a cellphone video that appears to show a sexual assault, which gets widely shared.  The movie was also honored with a U.S. Dramatic Special Jury Award for Achievement in Acting.

IFC Films bought the drama Official Secrets, directed by Gavin Hood.  The movie stars Keira Knightley and Ralph Fiennes, and is based on British secret service officer/whistle blower Katherine Gunn, who tried to stop the 2003 invasion of Iraq.  

Babak Anvari premiered his new horror film Wounds, starring Armie Hammer and Dakota Johnson.  It’s about a bartender who starts to suffer from supernatural phenomena once he picks up a stranger’s cellphone.  Some reviewers hate it. Some hate the ending, but like the mood of it. All agree it is deeply weird. So was Hammer’s way of promoting the film: dropping fake dead cockroaches on the floor at parties around the festival.    

Amazon premiered crowd-pleaser Troop Zero starring Viola Davis, Allison Janney, and Jim Gaffigan.  Directed by Bert & Bertie, the movie is an underdog story about a girl who wants to win a national competition to get her voice on NASA’s golden record, and rallies her scout troop to help her.  

Paradise Hills might be the most surreal movie to come out of the festival.  It sounds like pure eye candy.  Vulture called it this year’s “most bonkers” Sundance movie.  It stars Emma Roberts, and features Awkwafina in a dystopian world.  

Which of these films will make it to next year’s Oscars ceremony?  

Check this blog to find out. We’ll have more news and reviews of 2019’s hottest films.  In the meantime, you can check out our coverage of this year’s Golden Globes and see how well I did at predicting the Oscar nominees.  And always remember to use the RunPee app to get Peetimes for the latest movies.

RunPee and the 2019 Oscars – Predictions for the 2018 Movie Awards

Highlights, Comments, and Acceptance Videos for the 76th Annual Golden Globes

Full List (and comments) for the 2019 76th Annual Golden Globes Nominees & Winners

Golden Man’s Top Ten Films List for 2018

Highlights, Comments, and Acceptance Videos for the 76th Annual Golden Globes

golden globes award 2019 76th ceremony
Who deserves to win a Golden Globe from the 2018 movies?

The 76th Golden Globe Awards was a night full of surprises.  Held by the Hollywood Foreign Press Association, the Globes are often an early predictor of the Oscars.   

In case you didn’t know, the Wikipedia describes exactly what a Golden Globe Award is about:

The Golden Globe Awards are accolades bestowed by the 93 members of the Hollywood Foreign Press Association beginning in January 1944, recognizing excellence in film and television, both domestic and foreign.

[pullquote]The annual ceremony at which the awards are presented is a major part of the film industry’s awards season, which culminates each year in the Academy Awards.[/pullquote] The eligibility period for the Golden Globes corresponds to the calendar year (i.e. January 1 through December 31). The 76th Golden Globe Awards, honoring the best in film and television in 2018, were held on January 6, 2019.

Here are some of this 2019’s Golden Globe highlights from the 2018 films: 


 

 

— Spider-Man: Into the Spider-Verse won Best Animated Motion Picture, beating out two Pixar movies (Incredibles 2, Ralph Breaks the Internet).  Writer/producer Phil Lord said, “We’re living in an alternate universe where we win this.”  Director Peter Ramsey said, “”We were trying to make a movie that spoke to the idea that anyone can be behind the mask. We’re telling the story of Miles Morales, a kid from Brooklyn, African American, Puerto Rican. Anyone can be behind the mask. We’re counting on you.  You can do it.”

 

— Host Sandra Oh won Best Actress in a TV Series for the show Killing Eve and used the moment to honor her parents that were there with her. 

 

— Comedy legend Carol Burnett was presented with the First Annual Carol Burnett Award for Outstanding Achievement in Television.  She beat out other “nominees” Christian Bale, Charlize Theron, and Antonio Banderas with her fingers crossed in anticipation.   

— Jeff Bridges received The Cecil B. DeMille Award.  He gave a Dude-esque speech about trim tabs, the small devices on boats that have the power to change the entire direction of the boat.  He “tagged” the audience (at the theater and at home) declaring everyone a trim tab with the power to change the direction of our world. 

— In Regina King’s acceptance speech for Best Supporting Actress for If Beale Street Could Talk, she pledged to make everything she produces over the next two years 50% women.  She challenged anyone in a position of power in all industries to do the same. 

— In his acceptance speech for Best Actor in a Comedy for Vice, Christian Bale thanked Satan for providing him with the inspiration to play Dick Cheney.  Then he proposed making a Mitch McConnell movie next. 

— A Star is Born won Best Song for “Shallow.”  However, it was surprisingly shut out of every other category it was nominated in.  A major shocker as it’s been the movie to beat for months.  Bohemian Rhapsody won Best Actor in a Drama instead and the coveted Best Picture.  Alfonso Cuaron beat out Bradley Cooper for Best Director for the Netflix film Roma.  And Glenn Close won Best Actress for the underrated drama The Wife despite months of buzz about Lady Gaga’s film debut. 

— Glenn Close gave the best speech of the night.  “Women, we’re nurturers.  That’s what’s expected of us.  We have our children.  We have our husbands, if we’re lucky enough.  And our partners.  Whoever.  But we have to find personal fulfillment…We have to follow our dreams.  We have to say, ‘I can do that.  And I should be allowed to do that.’ “


 

The Oscar nominees will be announced Tuesday, January 22. We’ll find out then how many of the Golden Globe nominees and winners will make it to the big show.  Check back here for more awards coverage.

Someone who knows his stuff: Read Golden Man’s 76th Annual Golden Globes commentary and coverage.

Full List for the 2019 76th Annual Golden Globes Nominees & Winners

Movie Review – Bohemian Rhapsody

The Voice Actors of Spider-Verse

Movie Review – Incredibles 2

Movie Review – Ralph Breaks the Internet

Movie Review – Vice

Movie Review – If Beale Street Could Talk

Movie Review – A Star Is Born

Full List (and comments) for the 2019 76th Annual Golden Globes Nominees & Winners

76 annual golden globes award
Who deserves to win a Golden Globe from the 2018 movies?

We’ve compiled the complete list of nominees for tonite’s (Jan 6, 2019) 76th Annual Globe Awards, and the RunPee Family added a few comments here and there. Been a long, fruitful year of movies. We’ve added links to RunPee’s own reviews where we had them (we don’t catch every limited release). Enjoy reading our opinions!

So! What are your best guesses? Are you happy about the wins? Who was robbed? Add your thoughts about 2018’s films in the comments below.

UPDATED, AFTER THE AWARDS: All winners in each category are in bold. They have boldly gone where movies should go, right? Anyway.

The full list of 2019 Golden Globes nominees [Drumroll]:

Film


 

Best Picture — Drama

Black Panther (RunPee Jilly: PLEASE let a genre superhero movie win!!! Break the ceiling now! Make Stan Lee proud! Oh, just win it!) 

BlacKkKlansman (Dan: What a funny, witty, movie. Great acting, directing, editing. It’s a strong contender for Best Picture.) 

Bohemian Rhapsody (Jilly: Why is this not a musical?)

If Beale Street Could Talk

A Star Is Born (Jilly: Second time: why is this also not a musical?)

Best Picture — Comedy or Musical

Crazy Rich Asians

The Favourite

Green Book

Mary Poppins Returns (Jilly: Certainly is the only Musical on this list.)

Vice (Jilly: This was a COMEDY?)

Best Performance by an Actor in a Motion Picture — Drama

Bradley Cooper, A Star Is Born

Willem Dafoe, At Eternity’s Gate

Lucas Hedges, Boy Erased

Rami Malek, Bohemian Rhapsody (Jilly: my pic for the prize. He WAS Freddie.)

John David Washington, BlacKkKlansman (Dan: I don’t know about this. If JDW is nominated then how can Adam Driver not be nominated as well? They played the same person. 🙂 )

Best Performance by an Actress in a Motion Picture — Drama

Glenn Close, The Wife

Lady Gaga, A Star Is Born

Nicole Kidman, Destroyer

Melissa McCarthy, Can You Ever Forgive Me?

Rosamund Pike, A Private War (Jilly: the movie was disturbing, but clearly meant to be. I can’t argue with the stellar job Pike did with this challenging piece. It’s nothing like her work in Gone Girl, but I can make out certain similar touches.)

Best Performance by an Actor in a Motion Picture — Musical or Comedy

Christian Bale, Vice (Dan: Wait, what? Christian Bale was Cheney? I thought Cheney played himself in this movie.)

Lin Manuel Miranda, Mary Poppins Returns

Viggo Mortensen, Green Book

Robert Redford, The Old Man & the Gun

John C. Reilly, Stan & Ollie

Best Performance by an Actress in a Motion Picture — Musical or Comedy

Emily Blunt, Mary Poppins Returns (Jilly: She really became Mary Poppins, ya’ll. Goes to show that good talent can equal a previous iconic performance, if all things come together. Also, it’s Emily Blunt! She’s on my “Can Do No Wrong” list.)

Olivia Colman, The Favourite

Elsie Fisher, Eighth Grade

Charlize Theron, Tully

Constance Wu, Crazy Rich Asians (Dan: This movie had all the markings of a cinematic Hallmark movie, but Constance’s performance really brought it up a notch, and then some.)

Best Performance by an Actor in a Supporting Role in Any Motion Picture

Mahershala Ali, Green Book

Timothée Chalamet, Beautiful Boy

Adam Driver, BlacKkKlansman (Dan:  Okay, that’s what I’m talking about. Driver was superb.)

Richard E. Grant, Can You Ever Forgive Me?

Sam Rockwell, Vice (Dan: Meh, just like Bush Jr., he plays second fiddle to the real talent.)

Best Performance by an Actress in a Supporting Role in Any Motion Picture

Amy Adams, Vice (Dan:  A strong performance. She didn’t have many dramatic scenes but did a great job with what she had.)

Claire Foy, First Man

Regina King, If Beale Street Could Talk (DanaSimone:  UPDATE: Just heard Regina King got an Award for Best Supporting Actress for Beale Street…. and she made a trending speech about hiring 50 percent women from now on on her projects….here is her awesome speech.)

Emma Stone, The Favourite

Rachel Weisz, The Favourite

Best Director — Motion Picture

Bradley Cooper, A Star Is Born (Jilly: A nice directorial effort. This young man is shaping up nicely.)

Alfonso Cuarón, Roma

Peter Farrelly, Green Book

Spike Lee, BlacKkKlansman (Dan:  He’s got my vote.)

Adam McKay, Vice (Dan:  Adam did a great job taking a creative approach to a serious subject matter. I mean really, it takes real creativity to make a bioptic about Dick Cheney into a comedy, without turning it into a farce.)

Best Screenplay — Motion Picture

Alfonso Cuarón, Roma

Deborah Davis and Tony McNamara, The Favourite

Barry Jenkins, If Beale Street Could Talk

Adam McKay, Vice (Dan: Honestly, his directing was really good, however I think the bulk of the credit goes to Christian Bale’s performance. But this screenplay was amazing. I think this is Adam’s strongest suit.)

Peter Farrelly, Nick Vallelonga, Brian Currie, Green Book

Best Motion Picture — Animated

Incredibles 2 (Jilly: The probable winner. This adulty animated Superhero family is the one to beat. Plus, Pixar!)

Isle of Dogs  (Jilly: Isle of Dogs certainly deserves this nom. I was super surprised how sophisticated this limited release cartoon about Asian dogs was. But it had a stellar acting cast, so, maybe I should have expected it.)

Mirai (Golden Man: A sweet anime about family and heritage. Definitely an underdog. Its nomination is its award. The kind of left field movie that occasionally sneaks into the Best Animated Film category at the Oscars.)

Ralph Breaks the Internet (Jilly: This was freaking amazing too!)

Spider-Man: Into the Spider-Verse (Jilly: OH NOES. Let this one win. Sorry about everything I said above. Especially in 3D, this film absolutely blows the rest out of the water. One of the best movies in any medium – total A ++++.)

Best Picture — Foreign Language

Capernaum

Girl

Never Look Away

Roma

Shoplifters

Best Original Score — Motion Picture

Marco Beltrami, A Quiet Place (Jilly: WTH? This is an almost entirely silent film? Does this count as Best Anti-Score?)

Alexandre Desplat, Isle of Dogs (Jilly: Unusual score, but not a winner, I think.)

Ludwig Göransson, Black Panther (Jilly: YES! This is the kind of soundtrack scoring that transports the viewer to a new reality. This most exotic of Marvel’s soundtracks should set a standard of what we can expect in a genre film like this.. My unreserved vote.)

Justin Hurwitz, First Man (Jilly: The score was a collection of oldies hits, if I recall. Nope on this one.)

Marc Shaiman, Mary Poppins Returns (Jilly: Might be hard to beat from nostalgia factor alone. Not my choice, though.)

Best Original Song — Motion Picture

“All the Stars,” Black Panther

“Girl in the Movies,” Dumplin’

“Requiem for a Private War,” A Private War

“Revelation,” Boy Erased

“Shallow,” A Star Is Born

Television


Best Television Series — Drama

The Americans (FX)

Bodyguard (Netflix)

Homecoming (Amazon)

Killing Eve (BBC America)

Pose (FX)

Best Television Series — Musical or Comedy

Barry (HBO)

Kidding (Showtime)

The Good Place (NBC) (Jilly: The Good Place is a well deserved sleeper hit. The small ensemble is clearly having a great time, and so are we in watching it.)

The Kominsky Method (Netflix)

The Marvelous Mrs. Maisel (Amazon)

Best Television Limited Series or Motion Picture Made for Television
The Alienist, TNT

The Assassination of Gianni Versace: American Crime Story, FX

Escape at Dannemora, Showtime

Sharp Objects, HBO

A Very English Scandal, Amazon

Best Performance by an Actor in a Television Series — Drama

Jason Bateman, Ozark

Stephan James, Homecoming

Richard Madden, Bodyguard

Billy Porter, Pose

Matthew Rhys, The Americans

Best Performance by an Actress in a Television Series — Drama

Caitriona Balfe, Outlander

Elisabeth Moss, The Handmaid’s Tale

Sandra Oh, Killing Eve

Julia Roberts, Homecoming

Keri Russell, The Americans

Best Performance by an Actor in a Television Series — Musical or Comedy

Sacha Baron Cohen, Who Is America

Jim Carrey, Kidding

Michael Douglas, The Kominsky Method

Donald Glover, Atlanta

Bill Hader, Barry

Best Performance by an Actress in a Television Series — Musical or Comedy

Kristen Bell, The Good Place (Jilly: Bell deserves this. No one but Veronica Mars herself could do a better job sleuthing this plot out.)

Candice Bergen, Murphy Brown

Alison Brie, Glow

Rachel Brosnahan, The Marvelous Mrs. Maisel

Debra Messing, Will & Grace (Jilly: Messing will probably win, to make up for the 30 noms her show was snubbed by over the years. I’ll be fine with that. The show did something I never thought mainstream society was ready for.)

Best Performance by an Actor in a Limited Series or a Motion Picture Made for Television

Antonio Banderas, Genius: Picasso

Daniel Bruhl, The Alienist

Darren Criss, The Assassination of Gianni Versace: American Crime Story

Benedict Cumberbatch, Patrick Melrose

Hugh Grant, A Very English Scandal

Best Performance by an Actress in a Limited Series or a Motion Picture Made for Television

Amy Adams, Sharp Objects

Patricia Arquette, Escape at Dannemora

Connie Britton, Dirty John

Laura Dern, The Tale

Regina King, Seven Seconds

Best Performance by an Actor in a Supporting Role in a Series, Limited Series, or Motion Picture Made for Television

Alan Arkin, The Kominsky Method

Kieran Culkin, Succession

Edgar Ramirez, The Assassination of Gianni Versace: American Crime Story

Ben Whishaw, A Very English Scandal

Henry Winkler, Barry

Best Performance by an Actress in a Supporting Role in a Series, Limited Series, or Motion Picture Made for Television

Alex Borstein, The Marvelous Mrs. Maisel

Patricia Clarkson, Sharp Objects

Penelope Cruz, The Assassination of Gianni Versace: American Crime Story

Thandie Newton, Westworld

Yvonne Strahovski, The Handmaid’s Tale

So? What say you? Go to the comments and don’t be shy. We all have our own opinions, so no one is wrong.  For example, I (RunPee Jilly) tend to like genre films/TV (sci-fi, fantasy, adventure) myself, and avoid a lot of Oscar bait. It doesn’t mean I have no taste, does it? It’s all fun. That’s what makes us go see movies, read reviews, and learn new things to watch. 

Quiz – Golden Globe Awards Trivia

Quiz – Bradley Cooper – Actor, Director, Musician

Quiz – Clint Eastwood – Actor, Director, Mayor, Musician

Quiz – Political Career of Dick Cheney

Did Rami Malek Sing In Bohemian Rhapsody?

Quiz – Golden Globe Awards Trivia

Most people will have to guess at the answers, so don’t be sad if you’re one of them; this quiz is intended to entertain you about actors, directors, and awards from Golden Globe Ceremonies over the years. 

The Golden Globe Awards

Hope you enjoyed this little quiz; I had great fun making it, and yes, I would have bombed this myself if I were not the one making it.

A Very Harry Cruise – Hogwarts at Sea

Harry potter luxury cruise
A luxury Harry Potter cruise. It’s nicer than apparating.

I can’t put my jaw back in place. It dropped when I heard there was going to be a week-long luxury Harry Potter cruise. I want more information. Also, I want $4,000 to pay for this.

My dream Harry Potter cruise would have Hogwarts teachers, with classes in Defense Against The Dark Arts, Muggle Studies, Potions, and Caring for Magical Creatures. We’d play Quidditch above the pool. The last night would have a fancy formal Yule Ball. And I wouldn’t mind if a few actors from the movies made an appearance.

Ooh, and on the first night we could have a Sorting Hat ceremony-slash-feast! House Elves would make our beds and leave fantastic beast towels on our pillows. The shopping level would look like Diagon Alley; all meals would include Treacle Tarts and unlimited Butterbeer.

Honestly, I think this ship should hire me as a cruise director.  Like Julie McCoy from The Love Boat, except with magic.

 

Stan Lee – His Favorite Marvel Characters

Stan-Lee-spider-man-with-fans
Stan Lee with fans dressed as their favorite supes…with his true love: Spider-Man

There’s no doubt Stan Lee, often together with frequent co-inventor/artist Jack Kirby, created some of the most beloved, enduring, and influential superhero characters.  Without Lee, there would be no Marvel Universe, at least not with the faces by which we know it. [pullquote]Lee was a man with a mission of hope for millions of kids, giving a heroic voice to the underdogs, the alienated, and the disenfranchised.[/pullquote]

Here are a few of Lee’s apparent favorite superhero creations:

  1. Lee seemed to identify most with Spider-Man, an emotional, talkative, and sometimes naive teen. According to Quora: “Spider Man symbolizes the little guy and that appeals a great deal to Stan. I’m not saying that Stan doesn’t love any other creation because that isn’t true. He has love for all of his characters that he brought to life. I just think that Spider Man has a special place in his heart. If you look at some of the publications and advertisements you will see Stan with Spider Man quite often.”
    It doesn’t hurt that this character became the face of Marvel for many years.
  2. Dr. Banner/The Hulk -[pullquote position=”right”] Banner was a man tormented by an often violent inner volatility. His human form contained a man a science, characterized by rational  intellect — never knowing when he would lose his cool to become an overpowered child-like rage monster.[/pullquote] He’s the personification of the ultimate battle between the Id and the Ego. AV Club reports: “There’s definitely an element of wish fulfillment in the Hulk for readers that wish they could let themselves fully give in to their anger—my appreciation for the character developed during my closeted teenage years—but Lee and Kirby were clear early on that this was a curse for Banner rather than a gift.”
  3. Black Panther – At the height of the Civil Rights movement, Lee created the first eponymous African superhero, starting with King T’Chaka, eventually  passing the role to his son King T’Challa. [pullquote]A previously under-served, large section of the world’s population could finally find superheroes who looked like them — an entire paradisaical high-tech country of them, in fact — in the secret cities and unspoiled countryside of Wakanda.[/pullquote] The Rolling Stone reports: “An entire generation of children will now know that a black superhero, society, imagination and power can exist right alongside Peter Parker, Steve Rogers, and Bruce Wayne. An entire generation of children will not know what it feels like to not see themselves reflected back on costume racks, coloring books or movie screens. We’re at a pivotal time where these characters and stories are coming not out of permission or obligation, but necessity.”
  4. For The X-Men, as an ensemble, this might be cheating, but he loved these fleshed out characters, who tried to do the right thing in a world that didn’t want them. [pullquote position=”right”]They were flawed but regular people at heart, caught up in circumstances where they were forced to make a choice: to look out for regular humans, or to look out for fellow Mutants.[/pullquote] In theory, the choice should be easy (both sides could reap the rewards of working together), but in reality it was like forcing opposite poles of magnets to align. You can’t help but feel a sense of tragedy for both sides. As a child, I self-identified as a mutant, or perhaps as someone from another world, impersonating as a human. According to the AV Club the young mutants were “a bunch of awkward, uncertain outcasts, drawing strength from each other in order to get through life in a world that didn’t especially like them, who just happened to have superpowers to boot. For a pre-teen who often felt like the odd one out in school, it was a lightning bolt, a volcanic eruption that ripped open the pop culture I had been consuming and showed me the way to a different one, one that existed inside the pages of comics. The heroes were fascinatingly flawed, all of them given to social isolation in one form or another, and it spoke to me in a way few things have. The symbolism of the mutant heroes is powerful, which is why they’ve been used as an allegory for just about every marginalized group at this point (and were created by Lee with the express intent of functioning as such).”
[pullquote]This week, the galaxy lost a voice of vast imagination and fun, who held deeply felt humanitarian roots, shaping millions of young lives through the colorful comicbook medium. [/pullquote]He also influenced modern adults, bringing all-too-human characters to the big screen, reshaping the superhero landscape indelibly from anything we’d seen before. If you’ve enjoyed the 20+ film saga of the MCU, or the X-Men movies, you can’t help but be touched by Stan Lee’s contribution to entertainment, and feel a deeper understanding of ourselves.

We at RunPee love superheroes, clearly identifying with the underdogs who decided to do something for the world, even if it’s as simple as helping everyday people in small ways, one bladder at a time.

Here’s a couple of our recent Stan Lee articles, and one cool quiz: 

RIP Stan Lee – you will be missed

Quiz – Learn About Marvel Studio’s Great Stan Lee

Stan Lee – His Marvel Cameos are a Secret Character

Every Stan Lee Cameo in the Marvel Cinematic Universe

 

 

Harry Potter and the Goblet of Fire – Live, in Concert

The-goblet-of-fire,live-symphony
Harry Potter Live- a movie and a symphony

I love attending movie showings at venues that set a live orchestra to movie soundtracks. I’ve attended a few of the Harry Potter ones, most recently Harry Potter and the Goblet of Fire (one of the best Harry Potter films. IMO). On August 5th of 2018, I got to enjoy the San Diego Symphony Orchestra play under the bright lights of downtown’s skyscrapers on one side, and the beautiful harbor on the other. It was, well…a magical experience.

Conducted by John Jenesky, and performed at the Embarcadero Marina Park South, it was beyond cool to see up close how a large symphony was coaxed into creating a wall of music.

I was fortunate enough to snag one of the tables up close by the orchestra, under the massive outdoor movie screen. Wine, good food, and tasty desserts were available. I can’t say everything was perfect: the lines at the PortaPotty “village” were long and stinky, and the parking was awful — you could pay absurd fees to park nearby, or  find a side street out of the area and schedule a long walk in. Also, the traffic once the event ended was just snarly, taking  almost an hour to exit the expensive parking garage; no joke. For all things downtown, I’ve learned it’s better to UBER in and out.

However, it’s very worthwhile to catch these kind of events if you can. Of course the movie was enjoyable alone, and got me more psyched for the upcoming Fantastic Beasts 2: The Crimes of Grindelwald. And I went with my Harry Potter Meetup friends, dressed in my best Hogwarts robes (Gryffindor House, natch). We brought our wands and had ourselves a very merry evening.

There’s something special about having a live musical performance set to great movies with a note-perfect soundtrack. The music sounded exactly like the original track by Patrick Doyle and the great John Williams. (Which, really, one would expect in a big city’s orchestral group. We’re not talking about a high school marching band, after all.)

The Harry Potter series plays one movie a year for the season’s program of Bayside Summer Nights. In previous years, I got to watch Harry Potter and the Chamber of Secrets, and The Prisoner of Askaban. I missed The Sorcerer’s Stone, but maybe it will come around again (in…um, six years — or longer if they include the Fantastic Beasts films).

I also recently watched Star Wars: A New Hope in this setting — also an outstanding experience. I’d happily shell out money for these geeky events whenever I find them, whether it’s for Harry Potter, Jurassic Park, the Star Wars oeuvre, Indiana Jones’ lineup, ET, Titanic…anything iconic, with a  strong, distinctive soundtrack. (Notice the prevalence of John Williams’ films. The man is a master.)

If you get a chance to view a great movie set to a live symphony, make it happen. Highly recommended.

Related, on RunPee —

The Movie Music of John Williams  — Concert Review

Star Wars A New Hope — Symphony and a Movie

Star Wars A New Hope — Movie Review

Solo: A Star Wars Party in San Diego

Fantastic Beasts 2 Trailer Released at Comic Con

Final Trailer for Fantastic Beasts: the Crimes of Grindelwald

Fantastic Beasts and Where to Find Them — Movie Review

 

 

Concert Review – The Movie Music of John Williams

I’m not a huge fan of live music, but I AM a movie lover. The best, most iconic movies are usually supported by an amazing soundtrack. Think of some of the top films of our time…now imagine them without a stirring score. Imagine the 1977 Star Wars without The Imperial March, or Luke Skywalker’s Theme.  Would it even be Star Wars? A great composition carries the viewer into new worlds, offering rousing emotional cues and magical movie moments.

[pullquote]It shouldn’t be a surprise that many of our A+ film lists are heavily weighted by one beloved composer: John Williams.[/pullquote]

So when I heard San Diego would host a special summer concert of the music of John Williams, I was all over it, and off I went to the Jacobs Music Center in downtown San Diego. Was it great? Well…it should have been. Part of it was wonderful. The program was in two halves, starting with a sampler variety of films. And the second part? It was all Star Wars. I guess that shouldn’t come as a surprise.  😉

[pullquote position=”right”]I think was did surprise me was the first half:  for some reason, the chosen themes weren’t the most well-known in their franchises.[/pullquote] Yes, absolutely play the music from Jurassic Park, Indiana Jones, Superman, and Harry Potter! But how about the songs we best recognize and love? I don’t think The Last Crusade contains the most memorable Indiana score, nor the Lost World from the Jurassic Park series. I find those choices a little mystifying. Why not use the beloved Hedwig’s Theme from Harry Potter? And I don’t even recognize the movie title “BFG”…surely something from ET might have been a better choice from the child-oriented end of John Williams’ oeuvre.

At least the concert opened with a bang, using the Superman March from the original 1978 Superman. And the entire Star Wars second half of the program was as nostalgically transporting as any geek could hope.

Here’s the performance list from my July 18, 2018 concert (as worded from my program):

  • “Superman March” from Superman
  • Harry Potter and the Sorcerer’s Stone: “Harry’s Wondrous World”
  • Suite from Harry Potter and the Prisoner of Azkaban: “Bridge to the Past”
  • “A Child’s Tale” suite from The BFG
  • “Scherzo for Motorcycle” from Indiana Jones and the Last Crusade
  • “The Adventures of Indiana Jones” I.Swashbuckler (The Adventures of Mutt)
  • “Theme” from The Lost World

Intermission

  • Selection from Star Wars

The program info could have been written better. For example, I’d like to remember which songs from which Star Wars films were used, although I did recognize them all. A list might have been nice. 🙂

Overall, this was a fine experience, but not a great one. The musicians can’t be faulted — everything sounded like it was performed in the movies themselves. Conductor Sameer Patel was lively and probably superb, although I wouldn’t recognize one conductor’s work from another, to be honest. But from the selections chosen, I don’t think I’d pay $30 to see this again.

What I would do again, in a heartbeat, are those outdoor symphony performances of music played TO THE MOVIES. I’ve now seen several of the Harry Potter films performed that way, and most recently, Star Wars: A New Hope (<—–concert/movie review). If I’m lucky, that will become a habit.