Men In Black Theme Song – Forget Me Nots Remix – Will Smith Lyrics & Video

Will Smith sings the Men In Black Theme song
He makes the suit look good. 😉

So, on the eve of viewing and getting Peetimes for the new Men In Black International (Men in Black 4), we thought we’d revisit Will Smith’s song from the original 1997 MIB.  The MIB theme song is a remix of the classic 1982 tune Forget Me Nots (a perfect song for this…think Neuralizer. Scroll down for video to compare the two songs).

Sing along with this video and learn the Men in Black lyrics (below). This is super catchy. Also, Will Smith is pretty much good at anything he does (sing, dance, do comedy and action). And hey…watch this video. It’s super fun, with scenes that play like brand new MIB movie footage.

Video to Men In Black Movie Song

Lyrics to Men in Black Movie Song

(Performed by Will Smith)

Hohh!

Here come the Men In Black
It’s the MIB’s, uh, here come the MIB’s
Here come the Men In Black, Men In Black
They won’t let you remember

Nah nah nah.
The good guys dress in black, remember that
Just in case we ever face to face and make contact
The title held by me, MIB

Means what you think you saw, you did not see
So don’t blink be what was there is now gone
The black suits with the black Ray Bans on
Walk in shadow, move in silence

Guard against extra-terrestrial violence
But yo we ain’t on no government list
We straight don’t exist – no names and no fingerprints
Saw somethin’ strange, watch your back

‘Cause you never quite know where the MIBs is at
Uh, eh

Here come the Men In Black, Men In Black
Galaxy defenders

Oho oho oho
Here come the Men In Black, Men In Black
They won’t let you remember

Aha, aha
Now, From the deepest of the darkest night
On the horizon, bright light enters sight tight
Cameras zoom, on the impending doom

But then like BOOM black suits fill the room up
With the quickness, talk with the witnesses
Hypnotizer, neuralizer
Vivid memories turn to fantasies

Ain’t no MIBs, can I please
Do what we say, that’s they way we kick it
D’ya know what I mean
I see my noisy cricket get wicked on ya

We’re your first, last and only line of defense
Against the worst scum of the universe
So don’t fear us, cheer us
If you ever get near us, don’t jeer us, we’re fearless

MIB’s freezin’ up all the flack
What’s that stand for? Men In Black

The Men In Black
The Men In Black

Let me see ya just bounce it with me
Just bounce with me
Just bounce it with me
Come on, let me see ya just slide with me
Just slide with me
Just slide with me

Come on, let me see ya take a walk with me
Just walk with me
Take a walk with me

Come on, and make your neck work
Now freeze

Ohhhhhhhhoh

Here come the Men In Black, Men In Black
Galaxy defenders. Ohh, Ooohh
Here come the Men In Black, Men In Black
They won’t let you remember. Oh nohh

Alright check it
Let me tell you this in closing
I know we might seem imposing
But trust me, if we ever show in your section

Believe me, it’s for your own protection
‘Cause we see things that you need not see
And we be places that you need not be
So go on with your life

Forget that Roswell crap
Show love to the black suit, cause
That’s the Men In…
That’s the Men In…

Here come the Men In Black, here they come
Galaxy defenders. Galaxy defenders
Here come the Men In Black, oho, here they come
They won’t let you remember. Won’t let you remember

Here come the Men In Black, ohh, here they come
Galaxy defenders. Oho oho oho.
Here come the Men In Black
They won’t let you remember…

(Songwriters: Willard C Smith / Fred Washington / Patrice Rushen / Terry Mcfadden. Men in Black lyrics 1997 © Silvia’s Music Services.)

Compare to the original Forget Me Nots Song — Enjoy!

Want to be a MIB? A Satirical Review of the Original Men in Black (1997)

 

Avengers Endgame Song and Lyrics to Supersonic Rocketship

The Bentatar stranded in space in Endgame
Rocket and his Supersonic Rocketship

Rock Music in the Marvel Cinematic Universe

If you’re paying at all attention to the music during the already overcrammed events in Avengers Endgame, you’ll notice a few classic rock songs stand out. This technique’s been in play since Iron Man, but really ramped up with Guardians of the Galaxy and just kept on that path.

Warning: Spoilers follow for Endgame.

Endgame is no different. The Marvel Studio Credits sequence play, usually, to the same orchestral Avenger’s themes we’re used to. Endgame logos opens with a soft credits sequence set to Mr. Fantasy (just another way Endgame chose to stand out from 22 years of world-building and as a saga coda), and there are a few more 70s rock hits along the way.

When Supersonic Rocketship Plays in Endgame

My favorite is Supersonic Rocketship, when Peter Quill’s — now Rocket’s — ship (The Benatar) lands while poor Ant Man has his taco blown away by the jet’s engines. Professor Hulk sweetly hands hims two new ones (the big green guy now has a lot of food at all times), and smiles at him. This is a nice moment, since everyone else in Endgame treats him with zero respect, starting with Tony Stark, and ending with Rocket himself. (“Does the puppy want to go to SPACE?”)

Then Hulk and Rocket, the two Avengers left who care most about, Thor get in the back of an old pickup to head to new Asgard (a Norway fjord town), to convince a guilt-devoured Thor to rejoin ‘the team’ to take on Thanos. Thor refuses to even speak his name, in spite of delivering the killing blew. (“I went for the head.”) Thor spent the last five years self-medicating in New Asgard with junk food, booze, and video games, hiding out with fan favorite Korg and their little buddy Meik. When Rocket promised there’s beer on the ship, Thor agrees to come along.

The Kinks’ Supersonic Rocketship mostly plays during the truck ride to New Asgard, but it’s a perfect song choice. The happy chords and silly lyrics are perfect, since Quill’s ship is now Rocket Ship’s by default (get it), and he’s planning let the team ‘use it at their disposal if they feel so inclined,” as the lyrics go. A lot of this song is really perfect, and at the time of the narrative has a fittingly happy quality it.

Listen to the song below and see how well this works in the film. A complete list of the lyrics follow the music video. Enjoy!

Lyrics to Supersonic Rocketship

(Performed by The Kinks, 1927)

Let me take you on a little trip
My supersonic ship’s at your disposal
If you feel so inclined. Well alright.
We’re gonna travel faster than light
So do up your overcoat tight
And you’ll go anywhere you want to decide. Well alright.
Too many people side by side
Got no place to hide.

On my supersonic rocket ship
Nobody has to be hip
Nobody needs to be out of sight. Out of sight.
Nobody’s gonna travel second class
There’ll be equality
And no suppression of minorities. Well alright.
We’ll take this planet, shake it round
And turn it upside down.
My supersonic rocket ship.

It ain’t no magic, ain’t no lie,
You’ll laugh so loud you’ll cry.
Up and down, round and round
On my supersonic rocket ship.

Let me take you on a little trip
My supersonic ship’s at your disposal
If you feel so inclined. Well alright.
Nobody’s gonna travel second class
There’ll be equality
And no suppression of minorities. Well alright.

Let me take you on a little trip
On my supersonic rocket ship…

[Songwriters: Ray Davies
Supersonic Rocket Ship lyrics © Sony/ATV Music Publishing LLC]

Avengers Cameo – That random kid in Endgame is someone we’ve seen before

Avengers: Endgame – What was that hammer sound in the credits?

Life on Earth After Avengers: Endgame (Post-post Snap)

Life on Earth After Avengers: Endgame (Post-post Snap)

Thanos SnapNOTE: Spoilers start right away for Avengers: Endgame.

Although it’s a beautiful moment in Avengers: Endgame when Dr. Strange‘s portals opened and The Vanished step back into existence, the sudden return of all these people is very problematic.

Let’s assume for a  minute that Strange’s sorcerers planned ahead and saved all the people in planes from falling from the sky, teleporting them to safe landings. And so on for any Earthly or cosmically-based beings whose sudden reappearance would mean imminent death. I mean, if Strange can look into 14 million + lifetimes in the course of moments, I’ll buy that he planned ahead for these literal car-wrecks, and many other contingencies too.

Captain America returned the Time Stone to the Sorcerer Supreme’s custody at the end of Endgame, so The Ancient One and Strange have an infinite amount of time to make sure the Endgame strategy didn’t cause a brand new Decimation.

But what then? What happens after The Snap is Unsnapped?

When the Infinity War saga finally ends and people try to go home, where do they go? It’s been five years. That’s quite a bit of time. Most people won’t have homes to return to. What happens when you find your house/palace/apartment/shack occupied by other people? What are the legalities of this? What would Judge Judy do? We have no precedent to fall back on. It’s not like people weren’t paying their rent because they lost their jobs — they were literally snuffed out and in of existence.

And as for returning to their families, that’s a can of worms even Ant-Man can’t open. When Hank Pym brought his wife back, he hadn’t moved on. Hope grew up in the interim, which was fine, but Janet was a welcome addition, not an interloper to someone’s new family. Hawkeye might now be five years older compared to his wife and kids, but he still had their house and hadn’t moved on either.

So — best case scenario for those returned is their loved ones pined away for half a decade, and now have huge mental traumas to process from living in the post-Snap world. Best case.

Worst case: their loved ones suddenly (from their POV) have new mates and children and are stuck with no one to help them re-assimilate into society. I doubt our world governments (outside of Wakanda) will do much besides creating homeless shelters and long food lines. Jobs will be gone. Society’s infrastructure won’t run right for years. The aftereffects of this kind of world-wide/universe-wide event should reverberate for at least a generation.

How does Spider-Man: Far From Home deal with the new reality?

This barely touches on the problems inherent in the Avengers’ plan to “bring them back, whatever it takes.”  Spider-Man 2: Far From Home (coming out this July) will delve into some of this. Far From Home is the last film in the Marvel Cinematic Universe’s Phase Three.

Honestly, I don’t see how Far From Home can do these issues justice. Sure, they will make some nod to the problems in the beginning of the film. But keep in mind this is a SPIDER-MAN movie, with all the humor and hijinks we expect from Peter Parker & Gang (all conveniently also Snapped, and thus still in high school).

Spending the entire next blockbuster showing how people will be housed and fed and have their property returned wouldn’t be much fun.

This video raises some good questions about how our planet would deal with the return of billions of people, and even touches on the deep items of religion and spirituality that would be affected when our understanding of death is irrevocably changed:

PS: Black Panther 2 – Who is King in Wakanda?

One great side question asked in this video: who’s been running Wakanda for the past five years? I always assumed Shuri would take up the mantle, until it was revealed in the Endgame trailers she was Snapped too. And if someone like M’Baku became King, are there any heart-shaped herbs left to give him Black Panther powers? Either way, does T’Challa automatically become King again (heartfelt Endgame coda aside)? Let’s assume Black Panther 2 deals with this. It’s going to be hard to make that interesting, since the first Black Panther movie already tread this ground in some detail.

Related Avengers Articles on RunPee.com

Movie Review – Avengers: Endgame

Did YOU Survive The Snap? You may as well get this over with…

Movie Review – Avengers Infinity War – An Unrivaled Marvel Epic

Movie Review – Doctor Strange

Movie Review – Spider-Man Homecoming

Movie Review – Ant-Man and the Wasp

Movie Review – Black Panther – One Incredible Party

Black Panther – Does Killmonger Have a Point?

Elton John & Rocketman – Lyrics & Video to I’m Still Standing

taron egerton as elton john in his bird costume
A triumphant Taron Egerton is Elton John in Rocketman.

I’m Still Standing is probably the most important song to Elton John’s Rocketman biopic, as the movie follows his story from rehab to recovery and success. Watch this video and learn the lyrics to I’m Still Standing so you can sing along!

Video to I’m Still Standing

 

Lyrics to I’m Still Standing

[I’m Still Standing performed by Elton John]

You could never know what it’s like
Your blood like winter freezes just like ice
And there’s a cold lonely light that shines from you
You’ll wind up like the wreck you hide behind that mask you use

And did you think this fool could never win
Well look at me, I’m coming back again
I got a taste of love in a simple way
And if you need to know while I’m still standing you just fade away

Don’t you know I’m still standing better than I ever did
Looking like a true survivor, feeling like a little kid
I’m still standing after all this time
Picking up the pieces of my life without you on my mind

I’m still standing yeah yeah yeah
I’m still standing yeah yeah yeah

Once I never could hope to win
You starting down the road leaving me again
The threats you made were meant to cut me down
And if our love was just a circus you’d be a clown by now

You know I’m still standing better than I ever did
Looking like a true survivor, feeling like a little kid
I’m still standing after all this time
Picking up the pieces of my life without you on my mind

I’m still standing yeah yeah yeah
I’m still standing yeah yeah yeah

Don’t you know I’m still standing better than I ever did
Looking like a true survivor, feeling like a little kid
I’m still standing after all this time
Picking up the pieces of my life without you on my mind

I’m still standing yeah yeah yeah
I’m still standing yeah yeah yeah

I’m still standing yeah yeah yeah
I’m still standing yeah yeah yeah

[Songwriters: Bernie Taupin / Elton John
I’m Still Standing lyrics 1983 © Universal Music Publishing Group]

Elton John – Lyrics & Video to Bennie & the Jets

Taron Edgerton is Elton John in Rocketman
Taron Edgerton is Elton John in Rocketman

Taron Egerton apparently makes the perfect Elton John, and it’s kind of great he and Elton worked together last year in Kingsman 2: The Golden Circle (with Elton playing himself!). Egerton reported that John was so happy with is biopic that he broke down crying to Egerton. Can we just say Awwwww?

We know Bennie and the Jets will be in the film — at the very least, it’s featured heavily in the trailers. Here’s a great video, followed by the lyrics to this iconic song.

Benny and the Jets Video

Benny and the Jets Lyrics

[Performed by Elton John] 

Hey kids, shake it loose together
The spotlight’s hitting something
That’s been known to change the weather
We’ll kill the fatted calf tonight
So stick around
You’re gonna hear electric music
Solid walls of sound

Say, Candy and Ronnie, have you seen them yet
Uh but they’re so spaced out, B-B-B-Bennie and the Jets
Oh but they’re weird and they’re wonderful
Oh Bennie she’s really keen
She’s got electric boots a mohair suit
You know I read it in a magazine
B-B-B-Bennie and the Jets

Hey kids, plug into the faithless
Maybe they’re blinded
But Bennie makes them ageless
We shall survive, let us take ourselves along

Where we fight our parents out in the streets
To find who’s right and who’s wrong
Oh Candy and Ronnie, have you seen them yet
Oh but they’re so spaced out, Bennie and the Jets
Oh but they’re weird and they’re wonderful
Oh Bennie she’s really keen
She’s got electric boots a mohair suit
You know I read it in a magazine, oh
B-B-B-Bennie and the Jets

Oh Candy and Ronnie, have you seen them yet
Oh but they’re so spaced out, Bennie and the Jets
Oh but they’re weird and they’re wonderful
Oh Bennie she’s really keen
She’s got electric boots a mohair suit
You know I read it in a magazine, oh
B-B-B-Bennie and the Jets

Bennie, Bennie and the Jets
Bennie, Bennie, Bennie, Bennie, Bennie and the Jets
Bennie, Bennie, Bennie, Bennie, Bennie and the Jets
Bennie, Bennie, Bennie, Bennie and the Jets
Bennie, Bennie, Bennie, Bennie, Bennie, Bennie, Bennie, Bennie and the Jets
Jets, Jets

Bennie, Bennie, Bennie, Bennie, Bennie, Bennie, Bennie, Bennie, Bennie
Bennie, Bennie and the Jets…

[Songwriters: Olubowale Victor Akintimehin / Miguel Jontel Pimentel / Elton John / Bernie Taupin
Bennie & The Jets lyrics 1974 © Warner/Chappell Music, Inc, Universal Music Publishing Group]

Lyrics & Video to Rocketman by Elton John

Quiz – Test Your Knowledge of Elton John Songs

Quiz – The Amazing Elton John

Lyrics & Video to Rocketman by Elton John

Taron Egerton as Elton John on stage in lights
Elton John ((Taron Egerton) is the Rocketman.

With the long awaited Rocketman Elton John movie finally out, it’s time to get ready and learn the lyrics to the iconic songs, starting with the eponymous tune Rocketman itself.

Here’s a video and the lyrics to Rocketman to get you excited for the new biopic that test audiences are raving about!

Rocketman Video

Rocketman Lyrics

[Rocket Man by Elton John]

She packed my bags last night pre-flight
Zero hour nine AM
And I’m gonna be high as a kite by then

I miss the earth so much I miss my wife
It’s lonely out in space
On such a timeless flight

And I think it’s gonna be a long long time
‘Till touch down brings me round again to find
I’m not the man they think I am at home
Oh no no no I’m a rocket man
Rocket man burning out his fuse up here alone

And I think it’s gonna be a long long time
‘Till touch down brings me round again to find
I’m not the man they think I am at home

Oh no no no I’m a rocket man
Rocket man burning out his fuse up here alone

Mars ain’t the kind of place to raise your kids
In fact it’s cold as hell
And there’s no one there to raise them if you did
And all this science I don’t understand
It’s just my job five days a week
A rocket man, a rocket man

And I think it’s gonna be a long long time
‘Till touch down brings me round again to find
I’m not the man they think I am at home
Oh no no no I’m a rocket man
Rocket man burning out his fuse up here alone

And I think it’s gonna be a long long time
‘Till touch down brings me round again to find
I’m not the man they think I am at home
Oh no no no I’m a rocket man
Rocket man burning out his fuse up here alone

And I think it’s gonna be a long long time
And I think it’s gonna be a long long time
And I think it’s gonna be a long long time
And I think it’s gonna be a long long time
And I think it’s gonna be a long long time
And I think it’s gonna be a long long time
And I think it’s gonna be a long long time
And I think it’s gonna be a long long time…

[Songwriters: Elton John / Bernie Taupin
Rocket Man lyrics, 1972 © Universal Music Publishing Group] 

Lyrics & Video to Bennie & the Jets by Elton John

Quiz – Test Your Knowledge of Elton John Songs

Quiz – The Amazing Elton John

The Animated 1978 Godzilla Cartoon – Lyrics & Video

godzilla from the animate tv series
Godzilla’s a good guy here, FYI.

Do you remember the old 1978 Hanna-Barbera  TV Godzilla cartoon that used to play during the Saturday morning children’s lineup?

What I really remember liking was that it featured Godzilla as a hero. I I like that perspective a lot more than OMG BIG MONSTER MUST DIE. That’s part of the reason I consider the 1998 Matthew Broderick Godzilla vehicle a tragic tale. He was just an animal trying to eat and reproduce, after all. I re-watched that Godzilla last night to see if it was better than I remembered, and NOPE, still not a good film.

Back to the cartoon…Godzilla was the gigantic savior of every episode. And it was cool. You had to ignore a lot of improbabilities by having a massively, non-verbal deadly force of nature available at the push of a button in your pocket, and the implications therein. And everything about the show spoke of bare-bones- budgets, with a studio desperate to find a niche (thus, the widely-despised .Godzooki. I didn’t about any of this in  1978, And you wan’t watch me rewatcing these half hour stories to glow in the nostalgia. But the cartoon into is well worth a revisit. If you were one of those kids like me, you already know the words (I’ve listed them for you anyway.)

Check out this trailer:

And as far as I am concerned, Godzookie is a Scrappy-Doo. Arg. Notice the whip-lash tonal shift when he flies through. Weird. But then it’s back to the awesome sound and fury of GODZILLA!

Lyrics to Godzilla

(Hanna-Barbera, 1978)

Up from the depths.
Thirty stories high.
Breathing fire!
HIS HEAD IN THE SKY!
GODZILLA!
GODZILLA!
GODZILLA!
….and Godzookie….
GODZILLAAAAAAA!

godzuki from animated tv show godzilla
Godzuki, the Scrappy-Doo of Monsters.

Godzilla Lyrics and Video from Blue Oyster Cult

Is Godzilla: King of the Monsters a Sequel to Kong: Skull Island?

Godzilla – movie review

Godzilla Lyrics & Video from Blue Oyster Cult

stop motion vintage godzilla shot
Yeah, I’m bad, I’m bad, you know it…

Blue Oyster cult recognized cool weird shit. They have a song about the Dead Reaper — with lots of cowbell, — and another honoring the King of Lizards, Godzilla. With a new Godzilla film out centering the Monsterverse franchise, it’s a good time to remind everyone of the coolness that Blue Oyster Cult produced in 1977, titled — naturally — Godzilla. And as one commenter on You Tube prophetically wrote, “You know you’re a full-blown monster badass when Blue Oyster Cult writes and does your theme song.” I think we can all agree.

Here is a fun Blue Oyster Cult Godzilla video, followed by the lyrics so you can sing along (the whole thing, more than just the chorus of GO GO GO GODZILLA!).

Godzilla Lyrics

[By Blue Öyster Cult]

With a purposeful grimace and a terrible sound
He pulls the spitting high-tension wires down

Helpless people on subway trains
Scream, bug-eyed, as he looks in on them

He picks up a bus and he throws it back down
As he wades through the buildings toward the center of town

Oh, no, they say he’s got to go
Go, go, Godzilla (yeah)
Oh, no, there goes Tokyo
Go, go, Godzilla (yeah)

Oh, no, they say he’s got to go
Go, go, Godzilla (yeah)
Oh, no, there goes Tokyo
Go, go, Godzilla (yeah)
Godzilla!

臨時ニュースを申し上げます
臨時ニュースを申し上げます
ゴジラが銀座方面に向かっています
大至急避難してください
大至急避難してください

Oh, no, they say he’s got to go
Go, go, Godzilla (yeah)
Oh, no, there goes Tokyo
Go, go, Godzilla (yeah)

History shows again and again
How nature points out the folly of man
Godzilla!

History shows again and again
How nature points out the folly of man
Godzilla!

History shows again and again
How nature points out the folly of man
Godzilla!

History shows again and again
How nature points out the folly of man
Godzilla!

[Songwriters: Donald Roeser, 1977.
Godzilla lyrics © Sony/ATV Music Publishing LLC]

Is Godzilla: King of the Monsters a Sequel to Kong: Skull Island?

Movie Review of Kong – Skull Island

Movie Review – Godzilla (2014) – This Godzilla Should Have Been Better

BONUS: Everyone needs more cowbell (SNL on Don’t Fear The Reaper):

PS: There’s even a Godzilla song remix based on the Blue Oyster Cult classic:

Godzilla End Credits Song Remix By Serj Tankian

Rewatch Review – Disney’s Animated Aladdin (1992) – A Classic Film with Deeply Modern Flaws

robin williams as genie in animated aladdin
Robin William’s Genie, mugging for the camera in the animated Aladdin.

The animated Aladdin of 1992 is a beloved Disney classic. It’s one of the great films of the Disney Renaissance Era, and features A Whole New World, a TOP EVER song of ever in the the Disney oeuvre. Yet parts of Aladdin are deeply problematic to modern audiences. Disney is going out on a limb here, and I’m not sure this was the best live action remake to do right now (which I also found at issue with the live action Dumbo choice).

First, The Genie is a Slave

It may be the overt racism isn’t as acceptable/noticeable now as it was in ’92. But let’s be real: the tale of Aladdin isn’t a modern one. Aladdin was recorded in the 18th century and had a prior rich oral tradition previously, stretching back to ancient times. Yes, the Genie was always a slave — the plot demands this — so I don’t know how they can even make this story work in 2019 without that uncomfortable element. The repeated prattle about finding the ‘diamond in the rough’ is all about Aladdin freeing the Genie. Aladdin doesn’t do anything else more worthy than any compassionate street rat would. No slave, no story.

Even the wonderfully crafted X-Files Je Souhaite doesn’t bother to avoid the sticky slavery aspect: at least here the jinn in question doesn’t wear actual chains. (And Mulder is a better, smarter Aladdin than anyone else ever, full stop. I won’t spoil his very intellectual, lawyerly three wishes.)

In 2019, depicting the Genie as a black/blue slave is…not exactly copacetic. It doesn’t matter that he’s freed at the end. He’s got metal wrist bands, and is trapped in a small vial for centuries. He has to please whoever rubs the lamp (oh, and ewww).

(BTW: that thing really doesn’t seem remotely lamplike…how is that tea kettle supposed to make light? Am I missing something?)
And you’re going to have to explain a few things to kids about slavery and Arabian culture/history. (For example — cutting a hand off for stealing bread or an apple was an accepted thing, you know.)
Let’s move on from the racism and ignorant Islamic-adjacent stereotypes for this review, shall we?

The Robin Williams Genie Controversy

What else is an issue for the live action version? For one, no one really wants to see anyone else replace the late, manic, fantasmic Williams as the iconic blue Genie.

Non-slave aspects…there’s the equally unpleasant reminder that Williams killed himself years after Aladdin came out. I think most people appreciate the manic aspect of The Genie as part of William’s brilliance/illness, but neglect to recall his intense depression. It eventually killed him. On the one hand we want to preserve Aladdin as one of William’s career peaks (granted, there are many, but not so much in the Disney-verse).

On the other hand, it’s uncomfortable to be reminded of how society failed this brilliant performer. If an A Lister in Hollywood can’t find help, what does that bode for the average bi-polar/depressed individual?

This doesn’t even open the can of worms a Will Smith casting gives us for the Live Action Aladdin remake. He’s black, so there’s the slave awkward thing again. And then he has to approximate the humor of the original Genie. I hope HOPE HOPE they take this in a new direction, because no one can be Robin Williams. They shouldn’t try. I’ll find out soon — Will Smith is nominally a versatile and talented actor. So, I bet if there’s a problem with his portrayal, it’s in the script. I can’t speak to the casting until I see it, but this is a troubling role to take on, at best.

Jafar, Iago, and Other Notes on the Animated Aladdin

Let’s talk about the animated Aladdin film in positive terms. When it starts, it’s really cleverly 4th wall breaking: the “storyteller” (voiced Robin Williams at his smary best) frames the movie as a narrative. Amusingly, the ‘camera’ gets distracted and wanders away when the anthropomorphic framing device peddler person goes off-topic. I loved Deadpool framing his films…I didn’t know Disney did it before him. It’s a bit short, but very cute.

One neat thing is how Iago (Gilbert Gottfried) actually talks. We’ve seen animal sidekicks speak before, but this is a parrot. Parrots talk! The monkey and tiger, the other sidekicks in Aladdin, don’t talk. That’s clever, as parrots actually DO speak. I had enough parrots growing up to realize parrots are smart enough to make connections between what they say and what they feel. I was happy to see an animal sidekick that could possibly do Human-speak in a Disney film. (Yep, I’m easily pleased.)

Jafar, the villain, is an oily one. He could be cross-species ‘brothers’ with Scar (from the Lion King) or married to The Little Mermaid’s Ursula (also cross-species, more or less). Note these characters all fall within the same Disney Era. It’s the formula that worked back then.  🙂

The magic carpet is really kind of awesome, and reminds me of Dr. Strange’s playfully loyal cloak.

But, really…there’s a lot of filmatic references to other classic movies here.  Moment from Raiders of the Lost Arc, from Titanic. That could be an entire article itself, so I’ll keep on keeping on.

Also worth noting — as this is a film from the Disney Renaissance period —  is how A Whole New World entices young people (or as in The Lion King, animals) to follow a path they never planned: to follow their dreams. This song works wonderfully here.

Who is the Disney Classic Aladdin MVP?

Um. Hey, wait…Aladdin is an orphan and a Chosen One? Ever see that anywhere before? (Answer — many many times before, with and without magic. And I bet the entire Internet we see it after Aladdin too.)

Back to to Robin Williams as the manic Genie. It’s a whole world of sad now, knowing Williams ended his own life via suicide. He made the Genie something special — something giddy and outstanding —  in his depictions of the wildly excitable magic-wish-giver.

I don’t know how the live-action version with Will Smith could even come close, since this was probably the closest Williams came to creating his own persona via film, and no one can truly compete. Honestly, I’m not sure how the animators followed William’s improv as well as they did. This version of the classic is worth watching just for seeing Williams on top of his game (even though he doesn’t appear until the half-way point in the film).

The past and future of Disney Live Action

Overall, Aladdin the film is still kind of cool, although it’s not as exciting as I remembered.  It’s no Little Mermaid, Lion King, or Beauty & The Beast (the top representatives from the Disney Renaissance Era, which all hold up so nicely.)

What stands out is how this is a Disney Princess tale where the princess takes a back seat. It’s a male-focused movie, and that’s a welcome branch off the typical trope. Jasmine isn’t sidelined at all, but the POV is about the ‘prince’.

That’s unusual. Imagine Eric from The Little Mermaid being the main POV, or even the otherwise bland Prince Charming from Cinderella. I think that would be interesting for the next live-action versions.

However: one of the most important and enduring aspects of Aladdin remains the same as it has for centuries…if you could have three wishes granted, what would they be? And how would you word them to escape the inevitable sneaky clauses?

A Whole New World – Aladdin Lyrics and Video (1992 Animated Version)

aladdin magic carpet with jasminBack in 1992, Aladdin charmed audiences with Disney’s usual blend of great animation, voice work, humor, casting, and a brand of cynicism-free earnestness typical of Disney’s Renaissance Era. Aladdin nests among the top rank of the films in this period, starting in 1998 with The Little Mermaid, and ending with 1999’s Tarzan. Aladdin’s best-known lyrics to A Whole New World codifies the trope of a young person (or animal) following an unknown path to explore their dreams. Sit back and return to a simpler, happier year with the video & lyrics to this beloved song.

Lyrics to Aladdin – A Whole New World

[Aladdin, 1992, by Lea Salonga & Brad Kane]

I can show you the world
Shining, shimmering splendid
Tell me, princess, now when did
You last let your heart decide?

I can open your eyes
Take you wonder by wonder
Over sideways and under
On a magic carpet ride

A whole new world
A new fantastic point of view
No one to tell us no
Or where to go
Or say we’re only dreaming

A whole new world
A dazzling place I never knew
But when I’m way up here
It’s crystal clear
That now I’m in a whole new world with you

Now I’m in a whole new world with you

Unbelievable sights
Indescribable feeling
Soaring, tumbling, freewheeling
Through an endless diamond sky

A whole new world (Don’t you dare close your eyes)
A hundred thousand things to see (Hold your breath, it gets better)
I’m like a shooting star
I’ve come so far
I can’t go back to where I used to be

A whole new world (Every turn a surprise)
With new horizons to pursue (Every moment, red-letter)
I’ll chase them anywhere
There’s time to spare
Let me share this whole new world with you

A whole new world (A whole new world)
That’s where we’ll be (That’s where we’ll be)
A thrilling chase
A wondrous place
For you and me

[Songwriters: Alan Menken / Tim Rice
A Whole New World Aladdin Lyrics © Walt Disney Music Company]

 

Aladdin –  Animated vs Stage vs Live Action

Dumbo – Lyrics and Video to the Original Disney Classic Song Baby Mine

Movie Review – Dumbo – A live action remake your kids will enjoy

Movie Review – Beauty and The Beast (live action version)