Pixar Fast Fact Video – Easter Eggs in Incredibles 2

Incredibles is simply a great superhero film
Incredibles 2 is kinda incredible.

Be happy, Pixar fans, as the galaxy’s best animated superhero movie sequel is now available on DVD and Blu-Ray.

To remind  you how good Incredibles 2 is, I’m introducing you to a duo of video superheros themselves, the Super Carlin Brothers. These guys love Pixar, and came up with the mind-blowing, probably unlikely, but strangely fitting Pixar Theory, one that spans from the dawn of time (The Good Dinosaur) through to the far future (Wall-E). But this post isn’t about The Pixar Theory video (although you should see it). I’m just giving these dudes a call-out for their Incredibles 2 insights.

Remember, [pullquote]Pixar uses a winning combination of top notch animation; flawed, yet big-hearted characters; great ensemble chemistry; a quest structure; engaging pathos; and legit humor that may go right over kid’s heads, but adults will most certainly enjoy.[/pullquote] Incredibles 2 even takes charming their adult audience a step further, showing  animated characters drinking beer, something unseen on the big screen before, and normally reserved for someone like Homer on The Simpsons. (I don’t know why I’m so impressed with Mr. Incredible drinking beer. I suppose it’s fun to see heroes being less idealized and more human. I doubt Captain America drinks ale, but we’ve seen Iron Man sipping whiskey, and I’ll bet Thor loves himself a good mug of mead.)

Here’s the roughly 8 minute video about Pixar and Incredibles 2 for your enjoyment:

While you’re here, this 10 minute companion video argues that the Incredible family moved into Syndrome’s House in the sequel (the big bad from Incredibles 1, if you recall):

Here’s our catalog of Incredibles Movie Reviews and Articles on RunPee.com: 

All Incredibles Related Posts (click this link).

Just highlighting a few below:

Movie Rewatch – The First Incredibles

Incredibles 2 & the Success of Animated Movie Sequels

WTF: Pixar’s Bao Short Before Incredibles 2

The Grinch Who Keeps Stealing Christmas

He's still a mean one.
He’s still a mean one.

With the newest incarnation of The Grinch in theaters this year, we thought it was time to take a look at the history of this mean green creature, who is both dastardly and oddly sympathetic.

How The Grinch Stole Christmas  (1957) – The original kid’s book by Dr. Seuss is beloved, and for very good reasons. It started it all, showing us a grumpy Gus who hates the holiday (shades of A Christmas Carol). He steals, he lies, he abuses his dog Max, and breaks Cindy Lou Who’s trust…but eventually hears the joyous music and comes through in the end. This is an allegory for humanity, in a real way. [pullquote]We can be mean, we can hurt others to hide our own miserable loneliness…but if we open ourselves — just a crack — to others…well, we might learn to belong after all.[/pullquote] Who hasn’t known this kind of profound alienation? Who doesn’t secretly dream of being accepted despite the petty crimes we’ve committed? The message hits us right in the feels. Dr. Seuss knew it. This is among the three top stories he gifted to generations of children. (Along with The Lorax and The Cat in The Hat. Can’t argue with those.)

How The Grinch Stole Christmas –  A faithful and rousing rendition of the Dr. Seuss book, the animated 26-minute special from 1966 is definitely something…yes, special. Growing up with this, it was a traditional treat to rewatch it every year, as a child. I still watch it now to herald the holiday season. Good animation, great songs (I still sing the refrain), and a story to make your heart grow three sizes in the end. A-level work.

The Grinch (2000) – The live action version with Jim Carrey dropped on the scene to a mostly poor reception. (It seems Carrey doesn’t always have the magic touch.) I recently watched this for the first time, and found it lacking. Middling, dank, arbitrary, and a bit sour. Ron Howard himself directed, and usually produces great films. What happened to the color, the joy, the fun? Not everyone panned it, however. The Wikipedia reports, “Despite mixed reviews that often compared the film unfavorably to the 1966 special, it won the Academy Award for Best Makeup, and was also nominated for Best Art Directionand Best Costume Design.”

Dr. Seuss’ The Grinch (2018) – [pullquote position=”right”]Did we need ANOTHER Grinch? Why reboot this one; it’s been done enough, surely? [/pullquote]In spite of my fears, every time I saw the new animated trailer in theaters I smiled and giggled in spite of myself. It looks a world of better than the live action version. I think they might get it right! I’m not the kind of critic who wants to see the same darn themes rebooted every few years, but agree Pixar knows how to craft a film. The trailer looks charming and fun: I’m all over it. If it doesn’t suck, it might put this story to bed, finally. NOTE, after seeing the 2018 movie: it didn’t. Here’s my Grinch-like review.

Watch The Grinch Trailers, to get you in the proper mood for the Mean One this Christmas: 

The Final Grinch Trailer:  

In Defense of the Grinch (1966)

In Defense of the Grinch (1966)

Movie Review – The Grinch (2018)

Review of The Deadpool Before Christmas – A PG-13 Version – New Footage, New Film

Remember, he sees you when you're sleeping.
Be good this year, kids, or you’ll get something very naughty in your stocking.

Santa Claus has a super duper maxi big treat for us this Christmas, with an almost-new Deadpool 2 arriving in theaters on December 21. Ryan Reynolds is back in the red suit, just like Santa, re-shooting 15 minutes of original footage, dubbing creatively subversive, yet clean lines for the “new” film — even adding a brand new character to his pantheon. We’ve got a good idea who this could be, which I’ll get to in a moment.

New Deadpool Footage

According to ComingSoon.net, screenwriters Rhett Reese and Paul Wernick recently took part in an interview with /Film…and shared what the writers had to say about the upcoming Deadpool 2 PG-13 cut.

“We definitely shot new stuff,” revealed Wernick. “And recently too. After Deadpool 2 came out and we were all sitting around, we came to it less about the idea of let’s make a PG-13 movie and more, ‘Let’s talk a little bit about Deadpool.’ We were kicking around some ideas and then I think it was Ryan [Reynolds] who had the great framing device and we all got excited and went to the studio. They said, ‘Yeah, let’s do it. Fire up the cameras.’

“I think it’s not only going to appeal to kids, but also to people who love Deadpool,” Wernick said. “I think it’s subversive enough and fun and creative and something that only Deadpool could do. So I think it’s going to be a real joy for not only a whole new audience, but also an audience that has seen and loved the Deadpool movies.”

They promise the film’s basic plot remains unchanged, possibly adding a Princess Bride type of storytelling bookend, if this Tweet can be believed:

What? Princess Bride in Deadpool?

Seeing an adult Fred Savage called back in a detailed recreation of his old bedroom from The Princess Bride has fans salivating for more. What could be better than the Man in Black crosspollinating with the Man in Red?

This might be seen as a way to make nice with Disney, who recently acquired Marvel Studios, which in turn owns Deadpool. In no universe could we say that Deadpool, with his snarky potty-mouth and sexual…proclivities…would nest easily in the Disney brand. But since Disney isn’t stupid (James Gunn’s Guardians of the Galaxy knee-jerk firing aside), they can’t possibly be thinking of sanitizing the future of their money-making R-rated blockbuster property. However, adding a “clean” and fun sideline of the Merc with the Mouth sounds like a true Christmas treat.

I, for one, will be there with (jingle) bells on, getting brand-new Peetimes for all the good boys and girls of the world. Remember kids, Santa Wade is always watching, and he likes it when you’re naughty.  🙂

Movie Review – Deadpool 2

Deadpool 2 Outtakes, Bloopers, and Banned Jokes

Every Hilarious Deadpool 2 Trailer

Guardians of the Galaxy Ex-Director James Gunn to Direct Suicide Squad 2

Movie Rewatch Review – Solo (A Star Wars Story)

Han shot first.
He’s got a really good feeling about this.

I don’t know why so many Star Wars fans have a problem with Solo. All I can think of is that it was released too close to The Last Jedi, which really incited the fan base. Otherwise, I can’t imagine why this excellent film was panned. I loved it, and I’m not sure yet where I’d rank Solo, but in the top four or five of the Star Wars films, at least. (Okay, I added my ranking on the link above. Feel free to disagree and tell me why I’m wrong, in the comments below.)

I recently re-watched Solo on the seat back of my cross country Delta flight, and I was delighted. It’s definitely better the second (or third, or fourth) time around, and what’s nice about the seat-back thing is that I could pause it and rewatch the little random and funny moments to my heart’s content. I paused it a lot: watching joyful references to previous Star Wars movies, and I laughed out loud several times (probably annoying my seatmates).

What was so great about Solo?

It was a rousing adventure with several great villains, lovely set pieces, and a likable cast. We’re introduced to a young, wet-behind-the-ears Han, who’s still idealistic and dreams big. Over the course of the film we start to see his trademark cynicism kick in, culminating with Han definitively shooting first. But he’s so sweet and baby-faced here, and so willing to be a hero. It’s a nice contrast, and I can see why he both felt frustrated by and protective of the young Luke Skywalker — it reminded him of himself, back in the day.

The new Han actor is a special find, and I’m thrilled with his performance. Harrison Ford gushed over him (and Ford is a normally taciturn man), and told him — when Alden Ehrenreich was cast — to make Han his own. I think Ehrenreich walked a good line between an homage to “old Han” and a gentler, fresher version. It worked for me. Plus, he had great chemistry with the new Chewie, and most of the laughs came from their early friendship (the rest of the laughs came from Lando, but I’ll get to that in a moment). The scene where Han and Chewie shower together, especially, is really cute. (Now there’s a sentence I never thought I’d write.) Chewbacca has always been a grounding force for Han, operating as a sort of conscience for the experienced smuggler he becomes.

Solo was fun and the characters clicked

The ensemble sparkled, unlike the problems inherent in the characters of Rogue One (come on, admit it). Q’ira is a complex love interest, and adorable to boot. Her story arc is sensible, sad, and intriguing. Woody Harrelson’s Becket made for a great conflicted mentor, kind of like a less reliable version of his Hunger Games Heymitch character, if that’s even possible. Paul Bettany’s villain is outstanding, period — he’s amusing, personable, complicated, and very, very frightening.

Which brings me to Donald Glover’s Lando. Dear God, the perfection. He effortlessly stole every scene he was in. I could view an entire movie of Lando playing Sabaac, or trying on just capes, and be entertained. Can our next Star Wars Story feature him? Please?

Lastly, the Millennium Falcon was a big character in Solo. She’s always been a fast ship — when she worked — but that’s because of Han’s special modifications over the years. Here we see the Falcon as a brand-new, squeaky clean ship, with all the bells and whistles and wet bars and cape closets. It’s amazing to be presented with a white-walled interior after all the grungy years.

People didn’t watch Solo because they didn’t like The Last Jedi

The ensemble absolutely sparkled, and I’m left wondering, again, why people didn’t like this movie. Maybe it was the coaxial heist plot, which wasn’t all that exciting. Coaxium, hyperfuel, whatever: it’s just a MacGuffin to hang the narrative on. Solo is a small-stakes story, which is just fine after so many retread Death Star plots. It doesn’t always have to be about saving the universe to be a great movie.

Honestly, I think people were so irked with The Last Jedi that they “voted with their wallets” and took it out on Solo. And that’s a damn shame. This is one of the better films in the franchise.

Parsecs Fixed

Lastly, I wanted to make a note about the muchly-heralded escape from the Maw in 12 parsecs (nice correlation to the old Extended Universe novels, BTW). It’s not the most exciting element of the film, and doesn’t feature Han doing anything particularly skilled. As RunPee Dan said in his review, “It’s a group effort.” I have no issues with that, since Han said “It’s the ship that made the Kessel Run in 12 parsecs.” The ship. Not that he’s the big bad pilot that did it. His off hand comment allows for what actually happened, instead of being a misleading boast. Han has many flaws, but he’s never one to mislead others.

It also puts to bed the problem with parsecs being a measurement of space and not time. It worked for me, mostly…but I won’t lie and say the Kessel Run sequence doesn’t make for a great Peetime. The Maw’s effects weren’t up to the standards of Star Wars, and the space dwelling monster was just plain atrocious. I prefer the asteroid-based space slug from Empire, if we have to have an impossible creature feature. 😉

While there were a lot of super fun nods to the original trilogy, I have to say my favorite was Han saying, “I have a good feeling about this.” I found it cute, and it made me smile. I think I need to make a list of every character in the rest of the series intoning, “I have a bad feeling about this.” (UPDATE: I DID IT HERE.) Which, yeah, bad things happened indeed, but it was a pleasure to see a Star Wars film where people were kind of having fun, for once.

Movie Grade: A-

Movie Review – Solo: A Star Wars Story

I have a bad feeling about this…

Ranking The Star Wars Films

Star Wars Last Shot – A Han and Lando Novel

13 Scenes from Star Wars you won’t have missed if you had RunPee

Movie Review – The Last Jedi

Movie Review – The Nutcracker and the Four Realms

Movie Review - The Nutcracker and the Four RealmsI’m giving Nutcracker and the Four Realms an A. It was simply stunning; an absolutely gorgeous film the entire family will love. The only reason it’s not an A+ is because the Sugar Plum Fairy was really awkward to watch. She’s played by the normally fantastic Keira Knightly, who is completely unrecognizable here. I have no idea why the director had her act in so annoying a fashion. And not the cool kind of annoying; just irritating. She was the only real blight in this otherwise glorious adventure fantasy.

Special kudos goes to the girl who played Clara, and the charming fellow as the Nutcracker himself. They had honest chemistry; their scenes together were sweet, funny, and amiable.

Morgan Freeman played his somewhat patented role of the kindly, yet slightly mysterious elder, and it worked well for the part. Hellen Mirren was less fortunate; she wasn’t given much to work with, and I found the “transition” scene a bit unlikely. It was as abrupt as a similar scene with Sugar Plum.

Basically, this is an extremely likable film, and everyone who loves the Christmas season will get a real kick out of it. The magnificent dresses, elaborate hair styles, the lush set designs, and fantastical landscapes were worth the ticket price right there, and seeing this in 3D was absolutely the way to go. Take my advice and see this on the best screen you can find. It’s so darn pretty, in every way.

In another note, there are, of course, some ballet scenes — it’s based on the iconic Nutcracker Suite, and the music should be familiar to anyone with ears. I remember attending an actual Nutcracker performance, as a child in New York City. The show I saw featured Mikhail Baryshnikov… which was a real treat. But honestly, I enjoyed this movie more. A ballet performance can get weary to a youngster, but this film was a very accessible way to follow the story. Just a great holiday experience, where you can relax, let go of stress, and enjoy all the pretty flowing by. Don’t wait for the DVD — see it now.

Grade: A

About The Peetimes: I recommend using the 1st Peetime proactively if you can, since it’s a nice long one with nothing important happening for the plot. The other 2 Peetimes are perfectly acceptable, and you won’t miss the real action or plot development at all.

There are extra scenes during, or after, the end credits of The Nutcracker and the Four Realms. (What we mean by Anything Extra.)

Guardians of the Galaxy Ex-Director James Gunn to Direct Suicide Squad 2

We are still Groot.

In a surprise move that, in hindsight, should not be so surprising, DC snapped up erstwhile Marvel director James Gunn.

The director who helmed the beloved Guardians of the Galaxy films was fired last July from GOTG Vol3 for offensive Twitter jokes posted over a decade ago, stirring up ire and confusion from legions of fans. The entire GOTG cast got involved, tweeting support for Gunn and asking Disney to reconsider their stance. One actor, Dave Bautista (Drax), stated he would quit the MCU if Marvel didn’t use Gunn’s script for Vol3.

It’s been an emotional road for fans since then. I was at the San Diego Comic Con the day Gunn was slated to speak, and it hit the entire convention like a blow. He didn’t appear at all, which made a lot of sense: this knee-jerk move most probably broke his heart. GOTG was his baby, and he made Marvel a lot of money. [pullquote]Gunn took a little-known cosmic corner of the Marvel Comics universe, one with a walking tree and a talking raccoon, and made a joyously exuberant space epic that even non-geeks adore.[/pullquote]  He’s so intimately connected to his characters that he was brought in for Avengers: Infinity War to write all the Guardians’ lines, keeping the tone tied to the GOTG flicks.

Word is that Marvel, now owned by Disney, will still use Gunn’s script for the conclusion to his trilogy, but this hasn’t been confirmed. The feature was slated in the MCU roster for 2020, but is now considered on haitus. In other words, no one knows anything. There might not even BE a third Guardians film, after all is said and done.

Which leads us to the DC Extended Universe. Suicide Squad was intended to be DC’s equivalent to the MCU’s Guardians movies, with rollicking tunes and irreverent characters who are “something good, something bad: a little bit of both.” Unfortunately, SS really wasn’t very good, and became another dead end in DC’s bid to catch up with the MCU.

Gunn coming on board will change things. With the Wonderwoman films course correcting the entire franchise, and the anticipation awaiting December’s Aquaman film, this could be just the kick in the pants DC needed to compete for the hearts of fans. They certainly made a smart call to add Gunn to their universe.  He’s expected to bring to Suicide Squad 2 what he lent to the Guardians films: a freshness, good tunes, witty dialog, and a rousing sense of adventurous fun.

TROOPS – A Star Wars Parody Does COPS

TROOPS is filmed live, on location. All suspects are guilty. Period.

I adore the Star Wars parody TROOPS,  featuring a cool and funny blend of the 80s television reality show COPS, with Star Wars: A New Hope. It’s got 10 minutes of cinematic-level goodness and is great fun. I’m super impressed with the visual quality of this tiny film. It looks like Star Wars! It even feels like Star Wars.

Storywise, it’s also clever, presenting a  behind the scenes look at how some Extremely Competent Stormtroopers try locate the Empire’s missing droids…and then exactly what went down  at the Lars residence on Tatooine. (Remember Uncle Owen and Aunt Beru? Remember how we saw their charred corpses? Now you’ll know what happened. This version is now cannon to me.)

Owen and Beru play a nice part in the latter half of the video, although it doesn’t show them in the most flattering light. But then, the show COPS pretty much depicted humanity at their nadir, so it fits in perfectly.  And I loved the first Stormtrooper in this short.  He really thinks he’s the good guy here, bringing peace and order to the galaxy (with blasters).

I never watched COPS when it was on the air (I don’t like watching other people’s misery), but I really love COPS parodies, to a fault. There’s a few of them out there. I think TROOPS might not be the single funniest one, but it might be the most spot-on, and does fill in a gap in the Star Wars narrative  —  one you never knew existed. Remember that most of the SW saga plays from a certain point of view…

What do you think of TROOPS? Did you ever see the original show COPS? Are we showing our age here? 🙂

___________________

More, on RunPee.com: 

Undercover Boss – A Star Wars Parody on SNL

Star Wars A New Hope – Symphony & Movie

The Force is with them.

This week I was treated to an outdoor, live symphony in San Diego (at the Embarcadero Marina Park South, August 18, 2018) playing to a large screen-film showing of Star Wars: A New Hope.  To say it was spellbinding would be an understatement.

I haven’t seen A New Hope (just called Star Wars, back in the day) on the large screen since the original trilogy’s Special Editions came out in 1997. With the San Diego Symphony Bayside Nights offering monstrous screen outdoor movies set to a live orchestral soundtrack, people have started  flocking to these events in droves. It was as packed last night as it was to their Harry Potter versions last year. And the Star Wars audience was surprisingly into the spirit of the story.

Where did you dig UP this old fossil?

While the audience wasn’t dressed in costume like the Harry Potter symphony goers were ( I was one of the attendees in Hogwarts robes), it was clear people were more-than-normally excited. People laughed at almost every line C-3P0 said, applauded when Han Solo first appeared, shouted AWWWW when Porkins died,  cheered as the Death Star blew up, and gave a standing ovation after the rousing credit themes finished. Besides all the clapping, hooting, cheering, and laughing around me, one nearby attendee amused audiences during the Intermission by roaring like Chewbacca. He was quite good. I can’t even come close.  🙂

Strike me down and I shall become more powerful than you can possibly imagine. (From a certain point of view.)

It’s hard to describe how amazing it is to watch a beloved movie set to live music. When I could tear my eyes from the screen, I was impressed to see how many string instruments Williams’ score used. He was also heavy on the brass, and light on percussion…although when drums or other percussive instruments were used, they were to magical effect. Nothing sweeps you right along like the Star Wars theme.

After the orchestra members took a bow, it was a matter of inching through the cattle-like foot gates, and waiting an hour to exit the car from the Downtown Hilton parking garage, during which my enthusiasm waned a bit (I recommend Uber for things like this). But John Williams’ iconic score still resounded in my brain. I considered what other movies could inspire enough audiences take the jump from ignoring a “boring” orchestral event, to packing the outdoor grandstand seats and champagne lawn tables for fine arts versions of pop culture immersion.

The Harry Potter movies are a clear success in this format, with eight movies, plus the new Fantastic Beasts versions to choose from. And I suspect they can give it a go for the lineup of other Star Wars films. Other movie franchises with powerfully memorable scores include Indiana Jones, Jurassic Park, Superman, ET, and possibly Close Encounters. If I’m leaning heavily on John Williams films, that should be no kind of symphonic surprise. But there are certainly other composers lending themselves to this kind of treatment. Think about The Lord of the Rings saga or Titanic. If there are other movie franchises whose tune you can easily identify offhand, that’s a place to start. And if said movie comes with a fanatical following, well, there you go.

I’m excited for the next time I can hit the symphony for a fabulous science fiction or fantasy film super-experience. It will have to be an annual event!

As a re-watch, of course I give Star Wars an A+, film-wise. Seeing it on the large screen with a superb live orchestra takes the film to new heights. If there was a super-grade above A+ for the live musical option, I’d give it.

Great seats. The Force was clearly with me that night!

 

About the Peetimes:

I didn’t even need to use my Peetimes; the event included an intermission. However, since everyone else in the audience used this intermission as well, clogging up the toilet lines, I should have checked the app anyway. We do have Peetimes for A New Hope listed in the RunPee app, even though RunPee didn’t remotely exist yet, as a sort of retro-cool flashback feature. For fun, you can scroll through the movies on the RunPee app, and peek at what we did.

 

How The Avengers Get Off Titan After Infinity War

Oh, Snap!

Be it known — spoilers ahead for Infinity War and Ant Man & the Wasp. 

If you’re up to date with the 20 current Avengers-universe movies, you might recall there are some heroes left behind on Thanos’ home world of Titan, presumably stranded. How will those “left behind” by the dusting get reunited with Earth and the other Avengers?

First, consider who survived The Snap on Titan, and what their options/powers/spaceships are. We have Iron Man, a full Avenger, with a ruined suit and seemingly out of nanobots. Also Nebula lived, who may or may not be considered a Guardian of the Galaxy (and the only other survivor of their group besides Rocket), but crucially, can pilot spaceships.

Considered dead on Titan: Dr. Strange, Star Lord, Drax, Mantis, and — most heartbreakingly — Spider-Man.

[pullquote]For one thing, we don’t know yet how The Snap will be undone (although we assume it will be, for many reasons), or when.[/pullquote] If time re-setting is involved, things could pick up moments after said snap, bringing everyone back quickly. Then it might be a matter of hopping on Star Lord’s new ship, the Benatar, and sailing back to Earth.  It could be just that easy, but the next Spiderman movie is confirmed to be titled Far From Home, which might showcase Peter Parker stranded on Titan for at least some of his second solo film. Which would seriously be poignant and exciting.

If our missing heroes heroes don’t get resurrected right away, then only Stark and Nebula remain on Titan. Do they know where The Benatar (Star-Lord’s ship) is parked? Can either of them fly it? Was it damaged by Thanos during the attack? We’ve seen Nebula pilot other ships, and Stark is a tech genius, so this solution is probably too easy — just build something and fly to where-ever the Avengers re-group.(Guesses: Wakanda, Wong’s NYC Santum Santorium, or the Avengers  compound, all on Earth, the only planet that makes sense post-snap. Or, hey, they could convene on the  X-Men campus, since X-Men is officially a Disney property now.)  However, I’m betting the Benatar won’t be flyable. And we saw that Nebula wrecked her ship, attacking Thanos. So, all easy options are probably moot.

Which simply means the narrative will have to be creative in getting Iron Man home. [pullquote]Tony and Nebula marooned on Titan is an interesting development, and the MCU movie schedule gives fans time to make theories. [/pullquote]Such as:

Who can bring Stark and Nebula back from Titan? 

  1. Posit that Dr. Strange travels through time after he returns, and sends everyone back to the last time they had a working ship. Or to anywhen, say the battle of New York. He’s the only one who knows the end game, the only right choice in 14 million futures. Alternatively, Wong is available for these services, in NYC — if Wong survived the Infinity War.
  2. Or someone like Ant Man (maybe with Bill Foster and Ghost) travels through Time Vortices in the Quantum Realm, and manipulates the time/space continuum — POOF; all fixed.
  3. Captain Marvel, who is said to be the most powerful Avenger by endless internet sources, will take care of it in her movie, in March 2019. I’m actively avoiding internet spoilers, but this seems to be a well-known point. Clearly, Nick Fury placed all his stock in that belief, in the very end.
  4. Thor will travel to Titan via Stormbreaker and the Bifrost, and bring them back.
  5. Rocket will use his space pod to see who is left on Titan, once he figures out where the rest of the Guardians went. The Guardians, and Thor, are his only friends, so he might be motivated to find out who made it out alive.
  6. Pepper Potts will use Tony’s Tech to track him, don one of Stark’s suits (she’s done it before), and find someone to take a ship (or the Bifrost) to Titan and retrieve him. And we know Potts and Happy will be motivated to get Tony back. Maybe she can team up with War Machine, find something from Tony’s workshop full of tech, and make a plan.
  7. Tony and Nebula rescue themselves by building a ship from the parts all around Titan, or repair Nebula’s small ship/the Benatar.
  8. Or our remaining heroes will get an Infinity Stone from the broken Gauntlet, and use it to manipulate space, reality, or time.
  9. The Ravagers, lead by Kraglin, head to Titan. (Maybe he also got Nebula’s message on where the Guardians were going.)
  10. Valkyrie, with Korg, mount a spaceship rescue. We know they weren’t on the Asguardian ship when Thanos arrived. So, if they survived The Snap, they should show up somewhere.

How will anyone know where Stark is? Two real ways exist to get this info:

  1. Tech — Someone will find a way to track Iron Man’s trajectory/ location. Surely there is a Vibranium answer in Wakanda for this. Or the nanobytes from Stark Industries. Or a Pym Particle from the Quantum Realm. There’s lot of high-tech MacGuffins in the MCU.
  2. Magic — Through mediation and astral travels, Wong will find Tony, create a portal, and bring him back. As far as I know, only the Dr. Strange allies use magic. Although if the Asguardians are gods, this might be an avenue for magic too, for whomever is left.

So…there are really two options, ultimately: magic or tech. Either a lot of the next Avengers film will be about a rescue attempt, or things will be resolved quickly, easily, and possibly off-screen. I’d like to see Avengers 4 devote some time to finding and rescuing Stark, but with literally dozens of characters needing facetime in one movie, it’s likely this cliffhanger will be a simple fix.

There just isn’t a lot of time to track down who and what is left in the universe in two hours and still provide a good story. We also have to retrieve Scott Lang (Ant Man) from the Quantum Realm, which necessitates another rescue operation. (We discussed possible ways Ant Man will return here.)


Read:

Who Survived the Infinity War

The Five Movies You Must See To Understand Avengers: Infinity War

Avengers Characters Who Can Lift Thor’s Hammer

Why Ant Man and the Quantum Realm are Necessary for Avengers 4

RIP Mjölnir – Who Can Lift Thor’s Hammer?

RIP, Meow-meow.

Who could pick up Mjölnir, beloved Hammer of Thor, God of Thunder? Who is considered worthy? What does worthy even mean in this context?

This topic is no longer relevant, post-Infinity War, but lists are fun, but the immensity of the Marvel Cinematic Universe lends itself to fun lists. [pullquote]So…who besides Thor was able to wield the late, sorely-missed hammer?[/pullquote] (And, by the way, the new Axe of Thor, Stormbreaker, doesn’t come with a ‘mighty-only’ caveat. So we assume anyone can lift that one, and not just Thor and Teenage Groot.)

Those lifting Thor’s Hammer (from the movies alone, not the comic books):

  1. Thor: Mostly he can lift his own darn weapon, but sometimes he couldn’t. There was a time he wasn’t worthy, remember — he was a spoiled Asguardian godling in the first Thor film. But hey, Stan Lee couldn’t move it either, not even with a truck (in a cute cameo scene, below).
  2. Odin: Mjölnir was his before it was Thor’s. So yeah.
  3. Captain America: Well, actually, this one is a bit dodgy. In Age of Ultron, Cap barely budged it. But it was still the coolest scene in Avengers 2, when all the heroes gave it a wack. Plus, check out the expression on Thor’s face when Cap moves it by a hair. Of all the Avengers heroes, The Captain would seem to come closest to worthiness. Keep in mind that ‘worthy’ is a squirrely term. It could mean all manner of things. Is being true, honest, and pure? Being very nice? I’d have to rewatch the first Thor and catch what Odin said about it, because I’m not sure what makes Thor psychologically unique among all his great and stalwart friends.
  4. Vision: Again from Ultron, the moment the sentient robot/infinity stone wielder casually hands it to Thor is worth the price of admission alone. Why could The Vision do this, besides offering a great payback to the prior set-up? Can an artificial lifeform be considered pure? Was it his combination of absolute youth and infinite knowledge? As a combination of Ultron, Jarvis, Stark, and Banner…um, no…I don’t have anywhere to go with this. Maybe the hammer no more registered Vision as a person than if an elevator lifted the hammer from one floor to another. Vision fans, give me something to go on here.
  5. Hela: From Thor: Ragnarok. Why Thor’s evil sister was “worthy” makes no sense, but she crushed that weapon like a plastic party favor. Maybe you just need to be in Thor’s lineage. Or her evil was so pure the hammer deemed that worthy in itself. Her smooshing of Mjölnir is a neat image, but it all falls apart if you think about it.
  6. I’m going to go on a limb and say Eitri, also from Ragnarok. That’s the Giant Dwarf who forged the thing. It’s hard to forge something you can’t move. But I wasn’t there, so what do I know?

Random Observation: This doesn’t relate to Mjölnir…but Thor, God of Thunder? Thunder? Thunder is just a sound. Lightning is what Thor’s specialty is about. I guess God of Lightning doesn’t roll off the tongue as nicely. Whatever. But we do know, as Odin scolded, that Thor is not the God of Hammers.

Here are some of Mjölnir’s best clips: 

The classic party scene from Avengers: Age of Ultron

Vision’s big ‘hammer-time’ scene —

Hela has a little fun —

In one of my favorite deleted scenes, Thor reminisces to Korg about his lost and lamented weapon —

And in our introduction to Mjölnir, the clip where everyone in New Mexico, and especially Stan Lee as a local redneck,  tries to get that hammer from its crater —

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