Top Toy Story Adventures You May Have Missed

Toy Story 4 is finally here.  Everyone knows and loves Buzz and Woody.  But do you remember the time Buzz got lost in the ball pit at Poultry Palace?  Or the time Rex held a rave in the bath tub? Or the creepy hotel where the toys started disappearing?  If not, there are some adventures you may have missed. Buzz and the gang have appeared in more than just the three feature-length films most us know them from.  If you need to catch up, we’ve got your back. Here are the Toy Story adventures you may have missed and where to find them.

Toy Story Toons:  These three Pixar shorts all take place after Toy Story 3 and involve the toys adapting to their new life with Bonnie.  

Hawaiian Vacation

History:  This cartoon originally played before Cars 2.

Plot:  When Ken and Barbie miss out on Bonnie’s Hawaiian vacation, the other toys recreate Hawaii in Bonnie’s room for them.  

Where to find it:  Available as a bonus feature on the Cars 2 DVD and Blu-ray

Available on iTunes and Amazon as a digital purchase

Available on Pixar Short Films Collection Volume 2 (DVD, Blu-ray, digital)

Available as a bonus feature with the other two Toy Story Toons on Toy Story of Terror! (DVD, Blu-ray, digital)

 

Small Fry

History:  This cartoon originally played before The Muppets in 2011.

Plot:  Buzz is replaced by a miniature fast food toy version of himself in a case of mistaken identity.  

Where to find it:  Available on iTunes and Amazon as a digital purchase

Available on Pixar Short Films Collection Volume 2 (DVD, Blu-ray, digital)

Available as a bonus feature with the other two Toy Story Toons on Toy Story of Terror! (DVD, Blu-ray, digital)

 

Partysaurus Rex

History:  This cartoon originally played before the 3-D re-release of Finding Nemo in 2012.

 

Plot:  Rex learns to relax and have fun with the help of the bath time toys.  

Where to find it:  Available on iTunes, YouTube, and Amazon as a digital purchase

Available as a bonus feature on the 3D Blu-ray and updated Blu-ray of Monsters, Inc.

Available on Pixar Short Films Collection Volume 3 (DVD, Blu-ray, digital)

Available as a bonus feature with the other two Toy Story Toons on Toy Story of Terror! (DVD, Blu-ray, digital)

TV Specials

These specials are also set after Toy Story 3 and the toys belong with Bonnie.

Toy Story of Terror!

History:  This 22-minute special originally aired in October of 2013.  

Plot:  The toys are on a road trip with Bonnie and her mother when the car gets a flat tire.  They have to stay at a motel for the night. One by one, toys start to go missing.

Where to find it:  Available on DVD, Blu-ray, and digital (It comes with all three Toy Story Toons as a bonus feature.)  

 

Toy Story That Time Forgot

History:  This 22-minute special originally aired in December of 2014.  

Plot:  Buzz, Woody, Trixie, and Rex have a playdate with the Battlesaurs who are dangerously unaware that they are toys.   

Where to find it:  Available on DVD, Blu-ray, and digital

 

If you’re a fan of the Toy Story Universe, these are definitely worth your time.  Even though they aren’t feature length, the same thought and care has been put into these shorter cartoons.  They even include the same celebrity voice cast. These make a great appetizer to whet your palette for Part 4, or as a dessert after seeing it.  Especially since Toy Story 4 will be the first Pixar movie to be shown without a short since the original Toy Story.

You know what else is worth your time?  Our amazing app that tells you when to pee during all the wide release movies and if there are scenes after the credits. Never miss an important movie moment again with the RunPee app.  Be sure to use it when you see Toy Story 4. Or any other kid flick this summer! We’ve already got Peetimes for Aladdin and The Secret Life of Pets 2.  And we’ll have Peetimes for The Lion King and Artemis Fowl, so you won’t miss a second of movie magic. You can also follow us on Twitter @RunPee for the latest movie news. 

Incredibles 2 & the Success of Animated Movie Sequels

Virgin Movie Review – Cloudy with a Chance of Meatballs (2009)

First View Movie Review – Jumanji (1995)

Virgin Movie Review – Cloudy with a Chance of Meatballs (2009)

I miss a lot of animated features working for RunPee, since that’s really RunPee Mom’s genre, and I see mostly science fiction, fantasy, and superhero blockbusters. So little gems like Cloudy With A Chance Of Meatballs from Sony’s Animation Studio frequently slip past my radar for years. I just caught it with a congenial friend on Netflix and was pretty charmed.

The technobabble plot isn’t exciting and the characters aren’t actually memorable, but the creative scenes of food, food, and more food plummeting from the sky is distinctive and sort of brilliant. What happens to get to the point of hot dog hail, ice cream snow, nacho cheese fountains, meatball asteroids, and spaghetti tornadoes is beside the point.

Kids will enjoy the utter weirdness of Cloudy With a Chance of Meatballs, but more pleasingly, there’s a lot of bizarre adult humor that will go right over kids’ heads. I kept looking at my friend in mild shock when they went places I normally find a bit risque (like nipple hair reacting to the changing weather). The wacky background signs and funny throw-away lines are worth a few rewind giggles. Honestly, I expect no less from Phil Lord and Chris Miller, the duo later responsible for the absolutely brilliant Lego Movie films.

Apparently the sequel isn’t worth seeing, so I’m quitting while I’m ahead — this isn’t the Toy Story saga, after all. But if you’re bored and looking for an amiable story with a unique disaster theme and yellow Jello palaces, give this flick a try.

As a plus, the heroes dig science — always a good message in my book.

Movie Grade: C+

Are the Four Lego Movies Sequels or Prequel Films?

Movie Review – The Lego Movie 2: The Second Part

Movie Review – The LEGO Movie

Movie Review – The Secret Life of Pets 2

 

Movie Review - The Secret Life of PetsSo here is what I hope: The Secret Life of Pets becomes its own universe, much like the Minions, and we can continue to enjoy the antics of Max, Duke and Snowball. There’s so much story left to tell about these citified critters who can’t stop getting into mischief. And now with the addition of Liam, the new kid on the block, there’s so much potential for crazy action and crazy love.

Much credit goes to the writer, Brian Lynch. He fleshed out the characters to the point that they’re very real to us, and that’s what a great movie needs: someone to care about.

The plot of the movie was, although not original, how do city dwellers fare in the great outdoors? We’ve seen this trope played out in television (Green Acres), and movies (City Slickers), and it never gets old. Heck, I’ve been a part of this trope when I graduated from my rural middle school with a student population of 35 kids, to a city high school with a population of over 400. Those first few months were both comical and embarrassing, much like Max’s first few days on the farm.

I whole-heartedly recommend this movie for the entire family, and if you’re not satisfied, feel free to email me at blahblahblah@blahblah.com and I’ll give back to you the 90 minutes spent watching it.

Grade: A

About The Peetimes:

There are extra scenes during, or after, the end credits of The Secret Life of Pets. (What we mean by Anything Extra.)

Rated (PG) for some action and rude humor
Genres: Adventure, Animation, Comedy

Movie Review – The Secret Life Of Pets

Movie Review – Minions

Despicable Me 2 – movie review

First View Movie Review – Jumanji (1995)

jumanji-game-box
Would you play this game? Like, ever?

Adoring as I do Jumanji 2: Welcome to the Jungle — my favorite film of 2017 — I looked forward to finally watching the original Jumanji with Robin Williams. My understanding was the game updates itself for its era, meaning the 1995  game would be a vintage style board game — with an actual ‘board’ and dice. The kind of game where you move little pieces around, and the winner is the one who gets to the end first. (Warning: spoilers follow for Jumanji 1 &2.)

Problems with the Jumanji Board Game

What I didn’t expect was…well, several things. It doesn’t take place in the Jumanji world — a fantasy element I loved in Welcome to the Jungle. Instead, the jungle elements come to Earth, but only in an’ immersive’ way at the climax.

Second, I didn’t expect the original game to be so ludicrous and mean-spirited. The board game makes no sense. NONE. You have to randomly survive each roll of the dice, and it doesn’t seem like either skill or chance is involved.

In a typical board game, some turns reward the player. In this Jumanji sequel, every single die roll is a nightmare. Some player results are merely bad; others are downright demonic. I guess that fits in with the opening scene in historical times, where the sentient game is actually implied to be evil.

In Jumanji 2, it became an interesting video game, with lots of cool clues for each gamer. I like clues, especially ones the viewer can follow along and guess at. J2 didn’t cheat, although misdirection was in play. But the game didn’t seem sinister.

And lastly, there’s the reset-button ending. This isn’t how the game ends in J2, which confused me. If that was true, then none of the kids in Jumanji 2 would still have been around at the end. (J2 is a direct sequel, not a reboot.)

Back to Jumanji the First

To be fair, Jumanji 1 had some incredible set-pieces. The CGI looks as bad as one would expect of the time, but you get swept away (and the characters literally do get swept away) by the creative sequences. I think the indoor lagoon was my favorite, but also loved the lion in the bed, and the vicious man-eating vine plant scenes. It killed me when the vines crunched the police car.

And the monkey scenes? Meant as comic relief, they totally tanked. They looked bad, acted like Gremlins on speed (and that’s saying a lot)…and maybe were hilarious at the time? The mosquitoes were much, much more cool.

Robin Williams (and the Rest)

Unfortunately, Williams wasn’t exactly funny in this film. I’d say he was even subdued, and I wonder if this part of his life was more about his internal demons than creative work. The younger version of his character had more life to him.

I get that 26 years in a alternate world will change you, but I don’t think that’s what happened here. Normally Williams brings nuance and a sparkle to any role, but even his ‘silly’ Jumanji scenes felt off.

Knowing in hindsight Williams was deeply unhappy makes watching this 1995 movie painful, but he seemed to enjoy roles like The Genie in Aladdin (1992) and Mrs. Doubtfire (1993) so much more. Maybe the subsequent years took their toll on him.

Of the other actors, the little boy was often delightful, and the movie was much better for it. A young Kirsten Dunst was…fine. Her best scene involved swatting giant mosquitoes with a tennis racket, but she seemed to just screech her way through the rest of the film.

Altogether, I was surprisingly bored by Jumanji 1, since it was mostly a series of wild set-pieces barely stitched together with dysfunctional plot-lines and nonsensical game rules. I expected more fun. Maybe you had to grow up with this Jumanji to appreciate it.

I did like the coda, implying that you can’t get rid of the game, and Jumanji 2 picks right up on the beach where it leaves off.  And the drum sounds are used to great effect. If you listen through the credits, you can softly hear them right there. That was a nice stinger in an era where after-credit extras were barely a thing.

Movie Grade: C+

Movie Review – Jumanji 2: Welcome to the Jungle

And there’s news! Here’s a clip where the Rock discusses the upcoming Jumanji 3 (Release date December 13, 2019):

The Animated 1978 Godzilla Cartoon – Lyrics & Video

godzilla from the animate tv series
Godzilla’s a good guy here, FYI.

Do you remember the old 1978 Hanna-Barbera  TV Godzilla cartoon that used to play during the Saturday morning children’s lineup?

What I really remember liking was that it featured Godzilla as a hero. I I like that perspective a lot more than OMG BIG MONSTER MUST DIE. That’s part of the reason I consider the 1998 Matthew Broderick Godzilla vehicle a tragic tale. He was just an animal trying to eat and reproduce, after all. I re-watched that Godzilla last night to see if it was better than I remembered, and NOPE, still not a good film.

Back to the cartoon…Godzilla was the gigantic savior of every episode. And it was cool. You had to ignore a lot of improbabilities by having a massively, non-verbal deadly force of nature available at the push of a button in your pocket, and the implications therein. And everything about the show spoke of bare-bones- budgets, with a studio desperate to find a niche (thus, the widely-despised .Godzooki. I didn’t about any of this in  1978, And you wan’t watch me rewatcing these half hour stories to glow in the nostalgia. But the cartoon into is well worth a revisit. If you were one of those kids like me, you already know the words (I’ve listed them for you anyway.)

Check out this trailer:

And as far as I am concerned, Godzookie is a Scrappy-Doo. Arg. Notice the whip-lash tonal shift when he flies through. Weird. But then it’s back to the awesome sound and fury of GODZILLA!

Lyrics to Godzilla

(Hanna-Barbera, 1978)

Up from the depths.
Thirty stories high.
Breathing fire!
HIS HEAD IN THE SKY!
GODZILLA!
GODZILLA!
GODZILLA!
….and Godzookie….
GODZILLAAAAAAA!

godzuki from animated tv show godzilla
Godzuki, the Scrappy-Doo of Monsters.

Godzilla Lyrics and Video from Blue Oyster Cult

Is Godzilla: King of the Monsters a Sequel to Kong: Skull Island?

Godzilla – movie review

Movie Review – Aladdin (2019) – A Live Action Remake, Good for the Target Audience

Movie Review - AladdinThe 2019 live-action remake of Aladdin is a difficult movie to review, because I’m not the target audience — that’s mainly young kids. Personally, I found the movie to be occasionally entertaining at best, and barely tolerable for the rest. There were a few laughs here and there, and rarely did the song and dance bits drag on too long.

If you’re a parent taking their kids to see this movie, then you could do worse.

Based on the audience reaction in my theater, (mostly kids under 16) it will be a hit. Three teenage girls sat in the back row and laughed throughout.

The plot is simple and clear enough that young children will be able to follow along, and if not, there’s enough singing, dancing, and action to entertain them.

Will Smith is one of the few actors with the charisma to perform the role of Genie. I think Will did fine, but he fell short of making it iconic. I’d give him a B+.

I only vaguely remember the plot of the Disney Aladdin from 1992. From what I recall this retelling is generally the same, except Jasmine’s character has been fleshed out more. It wouldn’t be misleading if they changed the title to “Jasmine” or at the very least, “Jasmine & Aladdin,” since it’s mainly about womens’ empowerment, like “Mulan”. What do you think?

Grade: B

About The Peetimes: I have 2 recommended Peetimes, both near the middle of the movie. The 1st of the Recommended Peetimes is a song/dance scene that young kids may enjoy, but it’s easy to summarize. The 2nd Recommended Peetime is all dialog. There’s a little humor, but not much. You choose which works best for you.

There are extra scenes during, or after, the end credits of Aladdin. (What we mean by Anything Extra.)

Rated (PG) for some action/peril
Genres: Adventure, Comedy, Family, Remake

Rewatch Review – Disney’s Animated Aladdin (1992) – A Classic Film with Deeply Modern Flaws

Aladdin –  Animated vs Stage vs Live Action

A Whole New World – Aladdin Lyrics and Video (1992 Animated Version)

Rewatch Review – Disney’s Animated Aladdin (1992) – A Classic Film with Deeply Modern Flaws

robin williams as genie in animated aladdin
Robin William’s Genie, mugging for the camera in the animated Aladdin.

The animated Aladdin of 1992 is a beloved Disney classic. It’s one of the great films of the Disney Renaissance Era, and features A Whole New World, a TOP EVER song of ever in the the Disney oeuvre. Yet parts of Aladdin are deeply problematic to modern audiences. Disney is going out on a limb here, and I’m not sure this was the best live action remake to do right now (which I also found at issue with the live action Dumbo choice).

First, The Genie is a Slave

It may be the overt racism isn’t as acceptable/noticeable now as it was in ’92. But let’s be real: the tale of Aladdin isn’t a modern one. Aladdin was recorded in the 18th century and had a prior rich oral tradition previously, stretching back to ancient times. Yes, the Genie was always a slave — the plot demands this — so I don’t know how they can even make this story work in 2019 without that uncomfortable element. The repeated prattle about finding the ‘diamond in the rough’ is all about Aladdin freeing the Genie. Aladdin doesn’t do anything else more worthy than any compassionate street rat would. No slave, no story.

Even the wonderfully crafted X-Files Je Souhaite doesn’t bother to avoid the sticky slavery aspect: at least here the jinn in question doesn’t wear actual chains. (And Mulder is a better, smarter Aladdin than anyone else ever, full stop. I won’t spoil his very intellectual, lawyerly three wishes.)

In 2019, depicting the Genie as a black/blue slave is…not exactly copacetic. It doesn’t matter that he’s freed at the end. He’s got metal wrist bands, and is trapped in a small vial for centuries. He has to please whoever rubs the lamp (oh, and ewww).

(BTW: that thing really doesn’t seem remotely lamplike…how is that tea kettle supposed to make light? Am I missing something?)
And you’re going to have to explain a few things to kids about slavery and Arabian culture/history. (For example — cutting a hand off for stealing bread or an apple was an accepted thing, you know.)
Let’s move on from the racism and ignorant Islamic-adjacent stereotypes for this review, shall we?

The Robin Williams Genie Controversy

What else is an issue for the live action version? For one, no one really wants to see anyone else replace the late, manic, fantasmic Williams as the iconic blue Genie.

Non-slave aspects…there’s the equally unpleasant reminder that Williams killed himself years after Aladdin came out. I think most people appreciate the manic aspect of The Genie as part of William’s brilliance/illness, but neglect to recall his intense depression. It eventually killed him. On the one hand we want to preserve Aladdin as one of William’s career peaks (granted, there are many, but not so much in the Disney-verse).

On the other hand, it’s uncomfortable to be reminded of how society failed this brilliant performer. If an A Lister in Hollywood can’t find help, what does that bode for the average bi-polar/depressed individual?

This doesn’t even open the can of worms a Will Smith casting gives us for the Live Action Aladdin remake. He’s black, so there’s the slave awkward thing again. And then he has to approximate the humor of the original Genie. I hope HOPE HOPE they take this in a new direction, because no one can be Robin Williams. They shouldn’t try. I’ll find out soon — Will Smith is nominally a versatile and talented actor. So, I bet if there’s a problem with his portrayal, it’s in the script. I can’t speak to the casting until I see it, but this is a troubling role to take on, at best.

Jafar, Iago, and Other Notes on the Animated Aladdin

Let’s talk about the animated Aladdin film in positive terms. When it starts, it’s really cleverly 4th wall breaking: the “storyteller” (voiced Robin Williams at his smary best) frames the movie as a narrative. Amusingly, the ‘camera’ gets distracted and wanders away when the anthropomorphic framing device peddler person goes off-topic. I loved Deadpool framing his films…I didn’t know Disney did it before him. It’s a bit short, but very cute.

One neat thing is how Iago (Gilbert Gottfried) actually talks. We’ve seen animal sidekicks speak before, but this is a parrot. Parrots talk! The monkey and tiger, the other sidekicks in Aladdin, don’t talk. That’s clever, as parrots actually DO speak. I had enough parrots growing up to realize parrots are smart enough to make connections between what they say and what they feel. I was happy to see an animal sidekick that could possibly do Human-speak in a Disney film. (Yep, I’m easily pleased.)

Jafar, the villain, is an oily one. He could be cross-species ‘brothers’ with Scar (from the Lion King) or married to The Little Mermaid’s Ursula (also cross-species, more or less). Note these characters all fall within the same Disney Era. It’s the formula that worked back then.  🙂

The magic carpet is really kind of awesome, and reminds me of Dr. Strange’s playfully loyal cloak.

But, really…there’s a lot of filmatic references to other classic movies here.  Moment from Raiders of the Lost Arc, from Titanic. That could be an entire article itself, so I’ll keep on keeping on.

Also worth noting — as this is a film from the Disney Renaissance period —  is how A Whole New World entices young people (or as in The Lion King, animals) to follow a path they never planned: to follow their dreams. This song works wonderfully here.

Who is the Disney Classic Aladdin MVP?

Um. Hey, wait…Aladdin is an orphan and a Chosen One? Ever see that anywhere before? (Answer — many many times before, with and without magic. And I bet the entire Internet we see it after Aladdin too.)

Back to to Robin Williams as the manic Genie. It’s a whole world of sad now, knowing Williams ended his own life via suicide. He made the Genie something special — something giddy and outstanding —  in his depictions of the wildly excitable magic-wish-giver.

I don’t know how the live-action version with Will Smith could even come close, since this was probably the closest Williams came to creating his own persona via film, and no one can truly compete. Honestly, I’m not sure how the animators followed William’s improv as well as they did. This version of the classic is worth watching just for seeing Williams on top of his game (even though he doesn’t appear until the half-way point in the film).

The past and future of Disney Live Action

Overall, Aladdin the film is still kind of cool, although it’s not as exciting as I remembered.  It’s no Little Mermaid, Lion King, or Beauty & The Beast (the top representatives from the Disney Renaissance Era, which all hold up so nicely.)

What stands out is how this is a Disney Princess tale where the princess takes a back seat. It’s a male-focused movie, and that’s a welcome branch off the typical trope. Jasmine isn’t sidelined at all, but the POV is about the ‘prince’.

That’s unusual. Imagine Eric from The Little Mermaid being the main POV, or even the otherwise bland Prince Charming from Cinderella. I think that would be interesting for the next live-action versions.

However: one of the most important and enduring aspects of Aladdin remains the same as it has for centuries…if you could have three wishes granted, what would they be? And how would you word them to escape the inevitable sneaky clauses?

A Whole New World – Aladdin Lyrics and Video (1992 Animated Version)

aladdin magic carpet with jasminBack in 1992, Aladdin charmed audiences with Disney’s usual blend of great animation, voice work, humor, casting, and a brand of cynicism-free earnestness typical of Disney’s Renaissance Era. Aladdin nests among the top rank of the films in this period, starting in 1998 with The Little Mermaid, and ending with 1999’s Tarzan. Aladdin’s best-known lyrics to A Whole New World codifies the trope of a young person (or animal) following an unknown path to explore their dreams. Sit back and return to a simpler, happier year with the video & lyrics to this beloved song.

Lyrics to Aladdin – A Whole New World

[Aladdin, 1992, by Lea Salonga & Brad Kane]

I can show you the world
Shining, shimmering splendid
Tell me, princess, now when did
You last let your heart decide?

I can open your eyes
Take you wonder by wonder
Over sideways and under
On a magic carpet ride

A whole new world
A new fantastic point of view
No one to tell us no
Or where to go
Or say we’re only dreaming

A whole new world
A dazzling place I never knew
But when I’m way up here
It’s crystal clear
That now I’m in a whole new world with you

Now I’m in a whole new world with you

Unbelievable sights
Indescribable feeling
Soaring, tumbling, freewheeling
Through an endless diamond sky

A whole new world (Don’t you dare close your eyes)
A hundred thousand things to see (Hold your breath, it gets better)
I’m like a shooting star
I’ve come so far
I can’t go back to where I used to be

A whole new world (Every turn a surprise)
With new horizons to pursue (Every moment, red-letter)
I’ll chase them anywhere
There’s time to spare
Let me share this whole new world with you

A whole new world (A whole new world)
That’s where we’ll be (That’s where we’ll be)
A thrilling chase
A wondrous place
For you and me

[Songwriters: Alan Menken / Tim Rice
A Whole New World Aladdin Lyrics © Walt Disney Music Company]

 

Aladdin –  Animated vs Stage vs Live Action

Dumbo – Lyrics and Video to the Original Disney Classic Song Baby Mine

Movie Review – Dumbo – A live action remake your kids will enjoy

Movie Review – Beauty and The Beast (live action version)

Aladdin –  Animated vs Stage vs Live Action

aladdin disney live action posterThe Aladdin remake will be flying into theaters soon.  This will be Disney’s third version of this popular story, including the 2014 Broadway musical.  So how does it compare to its predecessors? Let’s find out.

NOTE:  Aladdin article contains SPOILERS.  

Aladdin Sidekicks

In the animated film, Aladdin has a monkey pal named Abu and an anthropomorphized magic carpet.  Princess Jasmine has a pet tiger named Rajah.

In the musical, Aladdin has a magic carpet but it does not high-five.  It mainly has one big moment — and you can guess what that is. Abu is missing from the stage version.  One can imagine how difficult it would be to train a small monkey for this part. Or how ridiculous a man in a monkey costume might look playing the role!  Similarly, Jasmine does not get her tiger. However, Aladdin does get three new human friends named Babkak, Omar, and Kassim who provide plenty of comic relief.  

In the live action movie, Rajah appears to be back.  And I’ve seen Abu and the magic carpet interacting with each other briefly in one promo.  

Sadly, Babkak, Omar, and Kassim were not included in the new film.

New Characters in Aladdin

The live action remake introduces two significant new characters not found in the musical or the animated film.  One is Dalia, Princess Jasmine’s loyal handmaiden and confidante, who provides some comic relief. The other is Prince Anders, a suitor and potential husband (yeah, right) for Jasmine from the kingdom of Skånland.  

Iago – Jafar’s Henchman

Jafar’s loud parrot henchman, an audience favorite, was voiced by Gilbert Gottfried in the original film.  

On Broadway, the role of Iago was originated by Don Darryl Rivera, and Iago is not a parrot but a human being.  He is still Jafar’s henchman.

In the new movie, Iago is a parrot again.  However, the character is voiced by Alan Tudyk.  It’s the first time the character has been voiced by someone other than Gottfried, who has been the voice of Iago since 1992.  Gottfried has voiced the character in movies, TV shows, video games, and even in a Disney World attraction.

will smith as the aladdin genieThe Genie

Robin Williams played the Genie in the animated film in one of his most beloved roles of all time.  Williams was already like a living cartoon character, and now he got to be one. The medium was the perfect vehicle for his manic energy and his gift for impersonation.    

On stage, the song “Friend Like Me” remains a showstopper — even with a live human being who only has the benefit of stage magic and back-up dancers.   (The televised Tony performance does not do justice to the effect of the full set and stage effects.) The actor does not wear blue paint on their body (think Elphaba in Wicked), but has a flashy blue outfit on instead.  He does not try to be Robin Williams because no one can replicate that performance. Rather, he puts his own spin on the character and finds his own way to make the Genie charming and larger than life.

Will Smith’s Genie is a mix of live-action and CGI and is even blue for part of the movie.  He is able to do things that can’t be done on stage — closer to the animated version.  It will be fun to see what the filmmakers do with this new version of the Genie that exists between live action and animation.

The Music of Aladdin

The original animated film is famous for the romantic ballad “A Whole New World” and the humorous “Friend Like Me.”  These are both previewed in the trailer for the new film, and footage has been released of Will Smith singing “Prince Ali.”

The track list for the new movie has not been released yet.  However, it’s safe to assume that most (if not all) of the songs from the original film will be reappear in the new one, including opening number “Arabian Nights” and “One Jump Ahead”.

The Broadway show contains these same songs, but also some new numbers, including “Babkak, Omar, Aladdin, Kassim” about the main character and his three troublemaker buddies.  

Other New Songs from the Musical Include:

“Proud of Your Boy”  (sung by Aladdin)

“A Million Miles Away” (sung by Aladdin and Jasmine )

“Diamond in the Rough” (sung by Jafar to convince Aladdin to get the lamp)

“High Adventure”  (sung by Babkak, Omar, and Kasim)

“Somebody’s Got Your Back” (sung by Aladdin to his friends)

The Cave of Wonders

(Note: From this point on, I am mostly comparing the animated film and the Broadway musical.  I have not been able to see the new movie yet, and there is still an embargo on reviews.)

In the animated version, Jafar seeks the lamp at the Cave of Wonders and is told only a diamond in the rough may enter, at the beginning of the film.  In the musical, this happens later in Act I after the audience has already met Aladdin and Jasmine.

In both versions, Jafar figures out Aladdin is the diamond in the rough, and Aladdin is captured by the palace guards after meeting Jasmine. Jafar uses him to try to get the lamp.  In the movie, Jafar disguises himself as an old man, and frees Aladdin and Abu before taking them to the cave. In the musical, Jafar keeps his original form and stops Aladdin from being executed.

In both versions, Aladdin is instructed to touch nothing but the lamp.

In the movie, Aladdin finds a magic carpet and Abu takes a jewel in addition to the lamp.  Aladdin and Abu rush to fly out of the collapsing cave on the carpet. They give the lamp to Jafar, who pushes them back into the cave, but not before Abu steals the lamp back.  In the musical, Aladdin is tempted to take some golden coins along with the lamp, and is trapped when the cave seals itself off.

In all three versions, this is when Aladdin rubs the lamp, meets the Genie, and Genie sings “Friend Like Me” by way of introduction.  Aladdin then tricks Genie into freeing him from the cave without using up one of his wishes.

aladdin magic carpet with jasminRomancing Jasmine

In both versions of the story, Jasmine escapes from the palace and visits Agrabah in disguise, where she meets Aladdin.  This is where the story begins. Aladdin’s first wish, even in the trailer for the newest movie, is to become a prince so that he can woo the princess.  (“There’s a lot of gray area in ‘Make me a prince.’”) Act II of the musical begins with “Prince Ali” — in which Genie and Aladdin’s three besties lead a parade announcing his arrival.  

It’s one of the highlights of the animated film as well, minus his friends. In both versions, Jasmine is angry when she overhears Prince Ali discussing her future with the Sultan. He makes it up to her with a magic carpet ride and one of the most romantic songs in Disney history (“A Whole New World”).  Only then does Jasmine recognize him as Aladdin. He lies and says he only dresses as a peasant to get away from everything, like she does.

will smith as genie in Aladdin and the live action disney remakeThree Wishes

Aladdin’s first wish is always to be a prince and he always promises Genie his last wish will be to set Genie free.  In both the animated and musical versions, Aladdin is captured by the palace guards immediately following the romantic interlude.  In the animated film, he is thrown into the sea. Genie decides that the unconscious Aladdin would want to use his second wish to be saved and rescues him.  

In the musical, Aladdin is arrested for impropriety. His three buddies storm the castle to rescue him..and end up in the dungeon as well. Aladdin uses his second wish to rescue them.  Aladdin meets the Sultan in the hall and he gives Aladdin his blessing to marry Jasmine. Overwhelmed at the responsibility of being Sultan one day, Aladdin goes back on his word, telling Genie he needs to save his last wish in case he needs it someday.  In the movie, Aladdin also refuses to free Genie, fearing he’ll lose Jasmine if the truth comes out.

In both versions, Jafar steals the lamp and becomes Genie’s new master.  Aladdin tricks Jafar into wishing to become an all-powerful Genie, and then traps him in the lamp.  

In the movie, Genie encourages Aladdin to use his final wish to regain his royal title so he can be with Jasmine.  However, Aladdin sets Genie free instead. The Sultan, seeing the nobility in Aladdin, then proclaims that the princess can marry whoever she wants.  

In the musical, Aladdin sets Genie free, saying he can’t pretend to be someone he’s not. The Sultan decrees the princess can marry whoever she wants.  Aladdin’s buddies are made royal advisers.

Final Aladdin Thoughts

There are a few ways the new movie may stand apart from its predecessors.  With Guy Ritchie directing (Snatch, Sherlock Holmes, Lock Stock), this is supposed to be the most action-packed version of Aladdin we’ve seen so far.  

Early rumors were that the story is supposed to be told non-linearly, which would also fit with Ritchie’s style.

Princess Jasmine gets more of a narrative arc.  Actress Naomi Scott told Reuters, “[Jasmine] finds her voice and she goes through a journey to find it. …I want little girls to see that.”  Some viewers have complained the film is about twenty minutes or so too long.  It is a half hour longer than the animated film, and does not have an intermission like the musical.  

Be sure to use the RunPee app to get Peetimes for Aladdin.  And if you’re riding your magic carpet to see Toy Story 4, The Lion King, and Artemis Fowl, we’ll have Peetimes for them too.  You can also follow us on Twitter and FaceBook @ RunPee for the latest movie and Peetime news. 

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Prepare for #Disney’s #Aladdin with this comparison of the animated film, the #Broadway #musical, and the live action #remake.  #GoldenMan will keep you one jump ahead with his cinema knowledge. #Genie #Jasmine #Iago #Jafar #Abu #MagicCarpet #RobinWilliams #GuyRitchie #WillSmith #AWholeNewWorld #FriendLikeMe

A Whole New World – Aladdin Lyrics and Video (1992 Animated Version)

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Movie Review – UglyDolls – Best for toddlers, but a good message for all children


Movie Review - UglyDollsUgly Dolls is 87 minutes of bright color, almost constant motion, and singing — so much singing — which will make your toddler dizzy with delight. Parents will need to go to the nearest Starbucks for a jolt of caffeine before driving home.

The theme of the movie — learning to love yourself for who you are — is easily understood by the parents and kids over 6. However, the younger set, all the way down to the ‘still in diapers’ stage, won’t care, because they’ll be glued to the movement and color on the screen.

The songs all had messages in their lyrics, albeit with mixed messages. One sings about how if you’re ugly you’re not worthy of love; another has a happier message telling the listener that being ‘different’ only means you are “special.”

Again, it doesn’t matter — toddlers like sounds, not words. For all they care, the Ugly Dolls could be singing about tax reform, as long as it’s loud and strident.

Parents, here’s my suggestion: wait for the video. For under five dollars you can rent this movie and avoid the cost of tickets and the gold plated popcorn. And here’s the bonus; you can sleep through it.

Grade: C-

About The Peetimes: There’s so much color/action/song going on in this short film that I had to use one of the songs as a Peetime. Since the movie is only 87 minutes long, I felt that one Peetime, coming near the midway point in the story, should be adequate.

There are extra scenes during, or after, the end credits of UglyDolls. (What we mean by Anything Extra.)

Rated (PG) for thematic elements and brief action
Genres: Adventure, Animation, Comedy