Rewatch Review – Disney’s Animated Aladdin (1992) – A Classic Film with Deeply Modern Flaws

robin williams as genie in animated aladdin
Robin William’s Genie, mugging for the camera in the animated Aladdin.

The animated Aladdin of 1992 is a beloved Disney classic. It’s one of the great films of the Disney Renaissance Era, and features A Whole New World, a TOP EVER song of ever in the the Disney oeuvre. Yet parts of Aladdin are deeply problematic to modern audiences. Disney is going out on a limb here, and I’m not sure this was the best live action remake to do right now (which I also found at issue with the live action Dumbo choice).

First, The Genie is a Slave

It may be the overt racism isn’t as acceptable/noticeable now as it was in ’92. But let’s be real: the tale of Aladdin isn’t a modern one. Aladdin was recorded in the 18th century and had a prior rich oral tradition previously, stretching back to ancient times. Yes, the Genie was always a slave — the plot demands this — so I don’t know how they can even make this story work in 2019 without that uncomfortable element. The repeated prattle about finding the ‘diamond in the rough’ is all about Aladdin freeing the Genie. Aladdin doesn’t do anything else more worthy than any compassionate street rat would. No slave, no story.

Even the wonderfully crafted X-Files Je Souhaite doesn’t bother to avoid the sticky slavery aspect: at least here the jinn in question doesn’t wear actual chains. (And Mulder is a better, smarter Aladdin than anyone else ever, full stop. I won’t spoil his very intellectual, lawyerly three wishes.)

In 2019, depicting the Genie as a black/blue slave is…not exactly copacetic. It doesn’t matter that he’s freed at the end. He’s got metal wrist bands, and is trapped in a small vial for centuries. He has to please whoever rubs the lamp (oh, and ewww).

(BTW: that thing really doesn’t seem remotely lamplike…how is that tea kettle supposed to make light? Am I missing something?)
And you’re going to have to explain a few things to kids about slavery and Arabian culture/history. (For example — cutting a hand off for stealing bread or an apple was an accepted thing, you know.)
Let’s move on from the racism and ignorant Islamic-adjacent stereotypes for this review, shall we?

The Robin Williams Genie Controversy

What else is an issue for the live action version? For one, no one really wants to see anyone else replace the late, manic, fantasmic Williams as the iconic blue Genie.

Non-slave aspects…there’s the equally unpleasant reminder that Williams killed himself years after Aladdin came out. I think most people appreciate the manic aspect of The Genie as part of William’s brilliance/illness, but neglect to recall his intense depression. It eventually killed him. On the one hand we want to preserve Aladdin as one of William’s career peaks (granted, there are many, but not so much in the Disney-verse).

On the other hand, it’s uncomfortable to be reminded of how society failed this brilliant performer. If an A Lister in Hollywood can’t find help, what does that bode for the average bi-polar/depressed individual?

This doesn’t even open the can of worms a Will Smith casting gives us for the Live Action Aladdin remake. He’s black, so there’s the slave awkward thing again. And then he has to approximate the humor of the original Genie. I hope HOPE HOPE they take this in a new direction, because no one can be Robin Williams. They shouldn’t try. I’ll find out soon — Will Smith is nominally a versatile and talented actor. So, I bet if there’s a problem with his portrayal, it’s in the script. I can’t speak to the casting until I see it, but this is a troubling role to take on, at best.

Jafar, Iago, and Other Notes on the Animated Aladdin

Let’s talk about the animated Aladdin film in positive terms. When it starts, it’s really cleverly 4th wall breaking: the “storyteller” (voiced Robin Williams at his smary best) frames the movie as a narrative. Amusingly, the ‘camera’ gets distracted and wanders away when the anthropomorphic framing device peddler person goes off-topic. I loved Deadpool framing his films…I didn’t know Disney did it before him. It’s a bit short, but very cute.

One neat thing is how Iago (Gilbert Gottfried) actually talks. We’ve seen animal sidekicks speak before, but this is a parrot. Parrots talk! The monkey and tiger, the other sidekicks in Aladdin, don’t talk. That’s clever, as parrots actually DO speak. I had enough parrots growing up to realize parrots are smart enough to make connections between what they say and what they feel. I was happy to see an animal sidekick that could possibly do Human-speak in a Disney film. (Yep, I’m easily pleased.)

Jafar, the villain, is an oily one. He could be cross-species ‘brothers’ with Scar (from the Lion King) or married to The Little Mermaid’s Ursula (also cross-species, more or less). Note these characters all fall within the same Disney Era. It’s the formula that worked back then.  🙂

The magic carpet is really kind of awesome, and reminds me of Dr. Strange’s playfully loyal cloak.

But, really…there’s a lot of filmatic references to other classic movies here.  Moment from Raiders of the Lost Arc, from Titanic. That could be an entire article itself, so I’ll keep on keeping on.

Also worth noting — as this is a film from the Disney Renaissance period —  is how A Whole New World entices young people (or as in The Lion King, animals) to follow a path they never planned: to follow their dreams. This song works wonderfully here.

Who is the Disney Classic Aladdin MVP?

Um. Hey, wait…Aladdin is an orphan and a Chosen One? Ever see that anywhere before? (Answer — many many times before, with and without magic. And I bet the entire Internet we see it after Aladdin too.)

Back to to Robin Williams as the manic Genie. It’s a whole world of sad now, knowing Williams ended his own life via suicide. He made the Genie something special — something giddy and outstanding —  in his depictions of the wildly excitable magic-wish-giver.

I don’t know how the live-action version with Will Smith could even come close, since this was probably the closest Williams came to creating his own persona via film, and no one can truly compete. Honestly, I’m not sure how the animators followed William’s improv as well as they did. This version of the classic is worth watching just for seeing Williams on top of his game (even though he doesn’t appear until the half-way point in the film).

The past and future of Disney Live Action

Overall, Aladdin the film is still kind of cool, although it’s not as exciting as I remembered.  It’s no Little Mermaid, Lion King, or Beauty & The Beast (the top representatives from the Disney Renaissance Era, which all hold up so nicely.)

What stands out is how this is a Disney Princess tale where the princess takes a back seat. It’s a male-focused movie, and that’s a welcome branch off the typical trope. Jasmine isn’t sidelined at all, but the POV is about the ‘prince’.

That’s unusual. Imagine Eric from The Little Mermaid being the main POV, or even the otherwise bland Prince Charming from Cinderella. I think that would be interesting for the next live-action versions.

However: one of the most important and enduring aspects of Aladdin remains the same as it has for centuries…if you could have three wishes granted, what would they be? And how would you word them to escape the inevitable sneaky clauses?

A Whole New World – Aladdin Lyrics and Video (1992 Animated Version)

aladdin magic carpet with jasminBack in 1992, Aladdin charmed audiences with Disney’s usual blend of great animation, voice work, humor, casting, and a brand of cynicism-free earnestness typical of Disney’s Renaissance Era. Aladdin nests among the top rank of the films in this period, starting in 1998 with The Little Mermaid, and ending with 1999’s Tarzan. Aladdin’s best-known lyrics to A Whole New World codifies the trope of a young person (or animal) following an unknown path to explore their dreams. Sit back and return to a simpler, happier year with the video & lyrics to this beloved song.

Lyrics to Aladdin – A Whole New World

[Aladdin, 1992, by Lea Salonga & Brad Kane]

I can show you the world
Shining, shimmering splendid
Tell me, princess, now when did
You last let your heart decide?

I can open your eyes
Take you wonder by wonder
Over sideways and under
On a magic carpet ride

A whole new world
A new fantastic point of view
No one to tell us no
Or where to go
Or say we’re only dreaming

A whole new world
A dazzling place I never knew
But when I’m way up here
It’s crystal clear
That now I’m in a whole new world with you

Now I’m in a whole new world with you

Unbelievable sights
Indescribable feeling
Soaring, tumbling, freewheeling
Through an endless diamond sky

A whole new world (Don’t you dare close your eyes)
A hundred thousand things to see (Hold your breath, it gets better)
I’m like a shooting star
I’ve come so far
I can’t go back to where I used to be

A whole new world (Every turn a surprise)
With new horizons to pursue (Every moment, red-letter)
I’ll chase them anywhere
There’s time to spare
Let me share this whole new world with you

A whole new world (A whole new world)
That’s where we’ll be (That’s where we’ll be)
A thrilling chase
A wondrous place
For you and me

[Songwriters: Alan Menken / Tim Rice
A Whole New World Aladdin Lyrics © Walt Disney Music Company]

 

Aladdin –  Animated vs Stage vs Live Action

Dumbo – Lyrics and Video to the Original Disney Classic Song Baby Mine

Movie Review – Dumbo – A live action remake your kids will enjoy

Movie Review – Beauty and The Beast (live action version)

Movie Review – UglyDolls – Best for toddlers, but a good message for all children


Movie Review - UglyDollsUgly Dolls is 87 minutes of bright color, almost constant motion, and singing — so much singing — which will make your toddler dizzy with delight. Parents will need to go to the nearest Starbucks for a jolt of caffeine before driving home.

The theme of the movie — learning to love yourself for who you are — is easily understood by the parents and kids over 6. However, the younger set, all the way down to the ‘still in diapers’ stage, won’t care, because they’ll be glued to the movement and color on the screen.

The songs all had messages in their lyrics, albeit with mixed messages. One sings about how if you’re ugly you’re not worthy of love; another has a happier message telling the listener that being ‘different’ only means you are “special.”

Again, it doesn’t matter — toddlers like sounds, not words. For all they care, the Ugly Dolls could be singing about tax reform, as long as it’s loud and strident.

Parents, here’s my suggestion: wait for the video. For under five dollars you can rent this movie and avoid the cost of tickets and the gold plated popcorn. And here’s the bonus; you can sleep through it.

Grade: C-

About The Peetimes: There’s so much color/action/song going on in this short film that I had to use one of the songs as a Peetime. Since the movie is only 87 minutes long, I felt that one Peetime, coming near the midway point in the story, should be adequate.

There are extra scenes during, or after, the end credits of UglyDolls. (What we mean by Anything Extra.)

Rated (PG) for thematic elements and brief action
Genres: Adventure, Animation, Comedy

Movie Review – Missing Link – Fun, will appeal to all ages

Movie Review - Missing LinkLaika Animated Studios has given the fans another film to add to their collection of ‘Must See’ stop-motion movies.

Hiring Zach Galifianakis as the voice of Susan, the missing link, was a stroke of genius. Even though Susan is a large, frightening creature, Zach provided a voice that took away the fright, and replaced it with a calm, gentle, and innocent demeanor that makes us fall in love with the big guy.

Hugh Jackman and Zoe Saldana brought their ‘A’ game, bringing the two main human characters to life with just right amount of attitude, charisma, and love-ability.

The plot of Missing Link is for Susan to find his own kind of species, which takes him on a global search along with Lionel, a self-proclaimed explorer, and Adelina, a strong determined widow and former girlfriend of Lionel’s. Add all of this together, and you’ve got a fun-filled movie that will appeal to all ages.

Grade: B+

About The Peetimes: From opening credits to the end of the movie, is only 1 hour & 25 minutes, so I made a judgment call and felt that only 1 Peetime was needed.

There are extra scenes during, or after, the end credits of Missing Link. (What we mean by Anything Extra.)

Rated (PG) for action/peril and some mild rude humor
Genres: Adventure, Animation, Comedy

Dumbo – Lyrics and Video to the Original Disney Classic Song Baby Mine

animated dumbo 1941 classic
Such a cutie. But the classic makes you cry. A lot.

If you don’t mind a having a little cry, watch this original 1941 version of the scene where infant Dumbo is too briefly reunited with mother Jumbo, locked in chains for the crime of protecting her only baby.

I can barely type this without tearing up, but it’s one of the most beautiful moments in Disney cinematic history. (Although the rest of Dumbo has some SERIOUS problems.)

But, anyway, here are the original video and lyrics of this film from Disney’s Classics Vault.

Seriously, I can’t write any more here without sobbing my heart out. But it’s breathtakingly worth it. I hope the Dumbo remake does it justice. But, hey, it’s Disney. They surely will. And it will probably make us cry. 🙂

Video and Lyrics to the 1941 Dumbo Classic, Baby Mine

Lyrics to the Original Version of Baby Mine

(Sung by Betty Noyes)

Baby mine, don’t you cry
Baby mine, dry your eyes
Rest your head close to my heart
Never to part
Baby of mine

Little one, when you play
Don’t you mind what they say
Let those eyes sparkle and shine
Never a tear
Baby of mine

From your head to your toes (Baby mine)
You’re so sweet, goodness knows (Baby mine)
You are so precious to me
Cute as can be
Baby of mine

Baby mine
Baby mine

(1941. Songwriters: Frank Churchill / Ned Washington
Baby Mine (Dumbo) lyrics © Bourne Co.)

Be happy, RunPee fans. I’m gonna go now and wipe these darn tears off my face.

Dumbo Review – The Original 1941 Animated Classic: High Time for a Remake

Movie Review – Dumbo – A remake your kids will enjoy

Dumbo Review – The Original 1941 Animated Classic: High Time for a Remake

animated dumbo 1941 classic
Such a cutie. But the classic is off-putting and makes you cry. A lot.

The original 1941 Dumbo is a strange little movie. Not only is only an hour long (it’s almost a long “short”, if you get my meaning), but has many weird scenes of mostly padding (which would make for great Peetimes, BTW).

It’s also…um…wildly racist (there’s no other way to say this, and not in just the scene with the jeering crows — don’t even get me STARTED on Song of the Roustabouts). And Dumbo is so casually, completely inhumane. The moniker “Dumbo” alone is intended as a cruel nickname by his own fellow elephants — his actual birth name is Jumbo Jr, in case you wondered.

But much worse, Dumbo the film depicts the massive abuse of circus animals, with harsh whips, cruelly binding leg chains, and minuscule cages. Circus performers are willing to toss baby animals a thousand feet off of rooftop platforms, because they reason the higher the fall, the more money they will make…and so what anyway, because “Elephants are made of rubber.” (Listen to the clowns talk this over. Seriously.)

Also, a crucial plot point features the main character, an infant, getting massively drunk. The ‘pink elephants’ sequence is played for laughs, but, you know what? I’ve been drunk, and I don’t hallucinate. That watered-down champagne must have had something much more hard-core in it. The scene is weird as hell, and if I was a child, it would give me nightmares.

These things just wouldn’t ‘fly’ today – pardon the pun.

From the get-go, I honestly thought Dumbo was a strange choice for one of the first live-action remakes from the Disney Vault. There are a whole lot more bigger hits to choose from, and at least a dozen Disney Princesses to get through.

But. It’s not all bad: Dumbo has Disney Classic status after all.

So, I re-watched the original to prepare for the 2019 Dumbo redo and, yes,  I sentimentally cried. A lot. Granted, I’m an easy crier, but the mother-child scene set to the tune of “Baby Mine” had me really blubbering. Dear lord. Much as I complain about the unforgivable inhumanity of the 1941 Dumbo, this is absolutely a moment I want to see in the remake.

There’s other good stuff too. The unnamed mouse deserves a medal for going above and beyond in being a true friend. We should all be so lucky to have such a “mouse” in our lives. Compassion, as a concept and in execution, is where Dumbo shines.

I’ll talk about that below the video of the original trailer:

So I wondered about the Dumbo remake. Maybe the general theme of love and kindness is enough of a reason to drag this out of the Vault.

The aforementioned kindly mouse who befriends poor baby Dumbo contains a great message: even one small person can make all the difference in someone’s life.

And Dumbo reminds us that taunts hurt, especially about body image: it’s not just about teenage girls. There is tremendous pressure to be a perfect physical specimen. This is certainly timely in our modern era.

And the crows do come around and help transform Dumbo’s life. Their song is a showstopping standout (“When I See An Elephant Fly“) with the bestest puns, and I hope this is retained — minus the off-putting racism.

Ultimately, my hope is the new Dumbo will increase awareness about the plight of elephants in worldwide circus acts and zoos. And in the wild, if one can dream. I was heartened to learn  PETA contacted Tim Burton to change the ending of the new Dumbo — and Burton did! —  in a way that should be very satisfying and maybe give us a few tears of joy in an iconic film, for once.

You will believe an elephant can fly.

Flying is, of course, a metaphor for finding one’s own path to happiness and meaning. And I say YAY, with fingers crossed, that the remake will give us exactly that transcendence humans can achieve if we care enough.

Soapbox off.

(PS: Extra note: Dumbo won the 1941 Academy Award for Best Original Score. I’m adding the videos and lyrics to some of the iconic songs to RunPee already — see below.)

Movie Grade: I can’t even grade Dumbo without overthinking it. I like the idea, and there are lovely grace notes, but man, is this film is so bizarre for today’s audiences. I wouldn’t let children watch it without a lot of discussion. Maybe give it a C+ for what they attempted to do, within the mentality of the 1940s. Buried under all the uncomfortable weirdness and unpleasantry, there’s a good message and a lot of heart.

Dumbo – Lyrics and Video to the Original Disney Classic Song Baby Mine

Movie Review – Dumbo – A remake your kids will enjoy

The Biggest Upcoming films of 2019 – Get Excited!

Zero Song – Video & Lyrics from Ralph Breaks the Internet

ralph breaks the internet and princess venelope
Wreck-It Ralph himself – proof one can be both zero and hero.

Ralph Breaks the Internet, the lovable sequel to Wreck-It Ralph, plays almost like a Disney princess musical, which it kind of is, as an affectionate parody Disney surprisingly put forth in a very meta manner. (Disney having a sense of humor about themselves floored me in almost every way.)

It’s pretty catchy, but not the worst earworm ever: that award has to go to the aptly-named Catchy Song from The Lego Movie 2: The Second Part.

Here’s the charming 8-bit end credit video and movie lyrics from Zero, by Imagine Dragons:


Zero

(Sung by Imagine Dragons)

I find it hard to say the things I want to say the most
Find a little bit of steady as I get close
Find a balance in the middle of the chaos
Send me low, send me high, send me never demigod
I remember walking in the cold of November
Hoping that I make it to the end of December
27 years and the end of my mind
But holding to the thought of another time
But looking to the ways at the ones before me
Looking for the path of the young and lonely
I don’t want to hear about what to do
I don’t want to do it just to do it for you

Hello, hello
Let me tell you what it’s like to be a zero, zero
Let me show you what it’s like to always feel, feel
Like I’m empty and there’s nothing really real, real
I’m looking for a way out
Hello, hello
Let me tell you what it’s like to be a zero, zero
Let me show you what it’s like to never feel, feel
Like I’m good enough for anything that’s real, real
I’m looking for a way out

I find it hard to tell you how I want to run away
I understand it always makes you feel a certain way
I find a balance in the middle of the chaos
Send me up, send me down, send me never demigod
I remember walkin’ in the heat of the summer
Wide-eyed one with a mind full of wonder
27 years and I’ve nothing to show
Falling from the doves to the dark of the crow
Looking to the ways of the ones before me
Looking for the path of the young and lonely
I don’t want to hear about what to do, no
I don’t want to do it just to do it for you

Hello, hello
Let me tell you what it’s like to be a zero, zero
Let me show you what it’s like to always feel, feel
Like I’m empty and there’s nothing really real, real
I’m looking for a way out
Hello, hello
Let me tell you what it’s like to be a zero, zero
Let me show you what it’s like to never feel, feel
Like I’m good enough for anything that’s real, real
I’m looking for a way out

Let me tell you ’bout it, well let me tell you ’bout it
Maybe you’re the same as me
Let me tell you ’bout it, well let me tell you ’bout it
They say the truth will set you free

Hello, hello
Let me tell you what it’s like to be a zero, zero
Let me show you what it’s like to always feel, feel
Like I’m empty and there’s nothing really real, real
I’m looking for a way out
Hello, hello
Let me tell you what it’s like to be a zero, zero
Let me show you what it’s like to never feel, feel
Like I’m good enough for anything that’s real, real
I’m looking for a way out

(Songwriters: Benjamin Arthur McKee / Daniel Coulter Reynolds / Daniel James Platzman / Daniel Wayne Sermon / John Hill Zero lyrics 2018 © Sony/ATV Music Publishing LLC, Universal Music Publishing Group, Walt Disney Music Company)


By the way, Ralph Breaks the Internet is up for an Oscar for Best Animated Picture for the 2019 Oscars. It’s a very enjoyable romp, even if you never saw the original movie. Also up for consideration: The Incredibles 2, Isle of Dogs, Mirai, and Into The Spider-Verse. My money is on Spider-Verse, because it is that awesome, but each one of these are absolutely worthy.

Related RunPee posts, for your consideration: 

Movie Review – Ralph Breaks the Internet

Movie Review – Wreck-It Ralph

RunPee and the 2019 Oscars – Predictions for the 2018 Movie Awards

Movie Review – Spider-Man: Into the Spider-Verse

Movie Review – Alita: Battle Angel – Lighter, more Enjoyable than Ghost in the Shell

 

Movie Review - Alita: Battle AngelAlita: Battle Angel is a sort of YA version of Ghost in the Shell, and I’m not exactly thrilled to see the same thing re-done in so short a period of time. At least this one was more enjoyable, with better humor, more likable characters, and a universe that might be more interesting to explore if a sequel happens. And let it be clear: a sequel isn’t just hinted at in Alita. A sequel is guaranteed, if the movie’s ending is to be understood. It’s a cliffhanger, ya’ll. You should know this going in.

What’s good? [pullquote]The animation is seamless, and the battling Alita herself looks great, giant eyes and all. The Uncanny Valley is not even an issue here: “cute” bypasses the Valley entirely.[/pullquote] And cute Alita is. So is her boyfriend. And her ‘dad.’ It’s not a depressing film, unlike Ghost in the Shell, so it’s got that going for it.

I’m not even sure what else to say about this film because I wasn’t as impressed as I wanted to be. I saw a special early showing that was entirely sold out (my seat was in the literal front row, lending the 3D glasses a terrible viewpoint).

Clearly, the anime excitement and interest was there for this series, even if the presentation wasn’t as freshly new as I’d hoped. Also, while Rosa Salazar is adorable as Alita, she’s no Scarlett Johansson.

What is it about waifish cyborg girls and a future of augmented human bodies? Are we just our brains?[pullquote position=”right”] Can a brain-in-a-jar still be human? These are questions our progeny will have to address, and it comes up fruitfully here.[/pullquote]

I’m giving Alita a good B grade — it’s worth seeing on the big screen, and there’s potential for a decent franchise here. I smiled and laughed, and wanted to know more about the air city above the space elevator.[pullquote] Is the Earth used up? Is humanity lost and debased? And, ultimately, can a few good people influence the course of the future?[/pullquote] According to Margaret Mead, that’s all that ever can. Alita: Battle Angel seems to think we can too.

Grade: B

About The Peetimes: Here are 3 Peetimes of 3 minutes, nicely spaced apart. The 2nd and 3rd Peetimes are better. There’s a lot of action in Alita, so you’ll want to pick a Peetime to not miss the better scenes.

There are no extra scenes during, or after, the end credits of Alita: Battle Angel. (What we mean by Anything Extra.)

Rated (PG-13) for sequences of sci-fi violence and action, and for some language
Genres: Action, Romance, Sci-Fi

Movie Review – Ghost in the Shell

 

Quiz – Scarlett Johansson – Not Just a Pretty Face

What is Animated versus Live Action in Alita – Battle Angel

Movie Review – Mortal Engines

Movie Review – The Terminator

Movie Review – Justice League (RunPee Jilly’s POV)

 

 

 

Lego Movie 2 – Video and Lyrics to Everything’s Not Awesome

Elizabeth-Banks-as-Lucy
Lucy, being moodily awesome.

I was surprised how pleasantly musical the second official Lego movie was, with at least three, and perhaps four, really cheerily/moodily stand-out hits. The original Lego Movie only had the one notable Everything is Awesome tune. It was such an earworm that WB execs clearly decided to build on that base for the continuing adventures of Emmet and Gang.

The sweetest, least potentially irritating Lego song is this new version of the original Awesome pop hit. (Unlike, say, Catchy Song…)

Here’s a video to the Lego sequel’s soulful reprise of Everything is Awesome, both stirringly bleak and sneakily hopeful.  (So far I only can find an audio version, as the movie JUST came out. I’ll add a movie clip when it’s available):


Lyrics to Everything’s Not Awesome

 

[Chorus] Everything’s not awesome
Everything’s not cool
I am so depressed
Everything’s not awesome

[Verse] Whoa, I think I finally get Radiohead
Bro, you should check out Elliot Smith
What’s the point? There’s no hope
Awesomeness was a pipedream
Aye, my spirits be at the bottom of the sea
Love’s not real, I just wanna eat carbs, pass the ice cream
I am not a thing you can just use to fill emotional voids with
Stop, everyone, okay, just listen

[Chorus] Everything’s not awesome
But that doesn’t mean that it’s hopeless and bleak
Everything’s not awesome
But in my heart, I believe (I believe)

[Bridge] We can make things better if we stick together (If we stick together)
Side by side, you and I, we will build it together (Yeah, we’ll be together)
Build it together (Together forever)
All together now

[Refrain] This song’s gonna get stuck inside your
This song’s gonna get stuck inside your
This song’s gonna get stuck inside your
This song’s gonna get stuck inside your
Heart

[Chorus] Everything’s not awesome
Things can’t be awesome all of the time
It’s an unrealistic expectation
But that doesn’t mean we shouldn’t try
To make everything awesome
In a less idealistic kind of way.
We should maybe aim for not bad
cuz not bad right now would be real great

[Bridge] Everything is better when we stick together (We stick together)
Side by side, you and I, we will sing it together (Always together)
Party forever (Together)

[Refrain] This song’s gonna get stuck inside your
This song’s gonna get stuck inside your
Heart…

(Written by James Rushent, Shawn Patterson, and Jon Lajoie. 2019. 
WaterTower Music: sang by Richard Ayoade, Chris Pratt, and Elizabeth Banks. Interpolates Catchy Song by Dillon Francis — Ft. That Girl Lay Lay & T-Pain)


The Lego Movie 2 – Video and Lyrics to Catchy Song (This is song is gonna get stuck inside your head)

The Lego Movie 2 – Video and Lyrics to Not Evil (by Tiffany Haddish)

The Lego Movie 2 – Super Cool Song by Beck (video and lyrics from the end credit scene)

 

The Lego Movie 2 – Super Cool Song by Beck (video and lyrics from the end credit scene)

Stephanie-Beatriz-as-Mayhem
General Mayhem, living up to her name.

One of the fun surprises about The Lego Movie 2: The Second Part is how it became a full-blown musical ensemble, unlike in the three previous Lego films, which had only the one notable song (Everything is Awesome). In Lego 2, there was a moody reprise of Everything is (Not) Awesome, a show stopper bringing down the house from DUPLO Queen Whatvra Wa’Nabi (Tiffany Hadish, having a great year), the insanely irresistible “Catchy Song” — the plus this final credit sequence song Super Cool by Beck, featuring Robyn and the Lonely Island. I found myself bopping along to the beat during the end credits. I see a lot of movies for RunPee each year, and few films inspire a whole ‘seat-dancing’ routine on my end, like this did.

META NOTE: The Super Cool lyrics are innovative on a whole other level –> they’re actually about how amazing it is to be the end credits song itself. They say it’s the best spot to be a song in any movie: “I roll into the theater about 90 minutes late, skip the whole dang movie, ’cause the credits are great. Now if you’re gonna be featured on a movie song, the credits is the part that you wanna be on.” I’ve before never seen or heard any film song break the 4th wall in a self-aware way. Have you?

This is a good little tune. (The actual end credits scene is not available yet on YouTube, but this will get you hyped to dance around to the beat. If you find a better video, please tell me in the comments.)


 Lyrics to Super Cool in The Lego Movie 2: The Second Part

(Song by Beck)

Unbelievable, super cool, outrageous and amazing
Phenomenal, fantastic, so incredible, woo-hoo!
Unbelievable, super cool, outrageous and amazing
Phenomenal, fantastic, so incredible, woo-hoo!

We gotta bring both sides together
Like champagne and leather
Like birds are with feather, we’ll fly
Like rain on a sunny day
Like a million dollars that you’re givin’ away
Like a stray dog on the freeway, we’ll fly

‘Cause we’re all like a team
Livin’ inside a dream

You and me doin’ our thing
And we’ll fly, woo-hoo

Unbelievable, super cool, outrageous and amazing
Phenomenal, fantastic, so incredible, woo-hoo!
Unbelievable, super cool, outrageous and amazing
Phenomenal, fantastic, so incredible, woo-hoo!

It’s the credits, yeah that’s the best part
When the movie ends and the reading starts
You can keep your adventure and all that action
‘Cause the credits of the film are the main attraction
And don’t even think about try’na leave
Or you might miss a name like Pam and Steve
Both incredible names, so let’s stay in our seats
And read incredible lists of their incredible feats

‘Cause we’re all like a team
Livin’ inside a dream
You and me doin’ our thing
And we’ll fly, woo-hoo

Unbelievable, super cool, outrageous and amazing
Phenomenal, fantastic, so incredible, woo-hoo!
Unbelievable, super cool, outrageous and amazing
Phenomenal, fantastic, so incredible, woo-hoo!

And we’re back, and still lovin’ the credits
Can’t wait to see the one about the person who edits
And even better than that is who edits the credits
I bet I’ll never forget ’cause once I read it then I’m ready
I roll into the theater about 90 minutes late
Skip the whole dang movie, ’cause the credits are great
Now if you’re gonna be featured on a movie song
The credits is the part that you wanna be on

Unbelievable, super cool, outrageous and amazing
Phenomenal, fantastic, so incredible, woo-hoo!
Unbelievable, super cool, outrageous and amazing
Phenomenal, fantastic, so incredible, woo-hoo!

Everything is super cool right now
Everything is awesome here right now
Everything is super cool right now
Everything is awesome here right now

Everything is super cool right now
Everything is awesome here right now
Everything is super cool right now
Everything is awesome here right now…

(Beck, featuring Robyn and the Lonely Action.  2109.)

The Lego Movie 2 – Video and Lyrics to Catchy Song (This is song is gonna get stuck inside your head)

The Lego Movie 2 – Video and Lyrics to Not Evil (by Tiffany Haddish)

Lego Movie 2 – Video and Lyrics to Everything’s Not Awesome

Everything is Awesome – Video and Lyrics to The Lego Movie Theme Song