11 Raunchy Comedies You Should Watch Now

superbad actors and seth rogen
Superbad is Supergood. And super raunchy!

The extremely R-rated Good Boys is helping close out the summer movie season this week.  I’ve been looking forward to Good Boys for months, ever since the trailer dropped.  They had me at Jacob Tremblay.  What could be more wickedly subversive than casting the sweet little boy from Room and Wonder in a teen sex comedy?

If you’re also chomping at the bit to see Good Boys, here’s something to help tide you over.  It’s a list of my favorite raunchy comedies.

The Kentucky Fried Movie

The title of the movie is a misnomer as it has nothing to do with The Bluegrass State.  This is an early film from the minds that would go on to make Airplane and The Naked Gun series.  The movie is composed of a series of sketches, the film’s centerpiece being a parody of kung-fu films.  I recently got to witness my girlfriend’s reactions to the movie as she watched it online.  For a movie made in the ’70s, a lot of the humor and shock value stand up.

 

 

Mallrats

It was difficult choosing which Kevin Smith film to include on this list.  Clerks was groundbreaking and battled against censorship.  Chasing Amy and Dogma are dear to my heart.  I adore Jay and Silent Bob Strike Back but it’s not as iconic as Mallrats to me.  And while Clerks 2 is certainly offensive, it’s not as classic.  There’s just something about the running gags in Mallrats that I really love.  (“Like the back of a Volkswagen?”)  From the fortune teller to the chocolate pretzels, there are plenty of raunchy moments.

There’s also a Stan Lee cameo before that kind of thing became common.  And he gets a speech.  And it’s a good one.

 

 

There’s Something About Mary

By the time I saw this one, most of the best laughs had been ruined by previews or my friends.  However, screenwriting guru Robert McKee gave me a new appreciation for the opening scene.  He used as an example in his comedy writing seminar.

Ben Stiller’s character goes to pick up his prom date and while in the bathroom, he gets stuck in his zipper.  The Farrelly Brothers take what could be a one-note throw-away gag and turn it into comedy gold.  I forget exactly how the scene goes.  But more and more neighbors keep stopping by the house or passing by the window and trying to help, just making Stiller’s embarrassment that much worse.  The stuck zipper is like a laugh button.  And every time another character shows up, the Farrelly’s press it.

Watch the scene and you’ll see what I mean.  They milk about seventeen laughs from the audience out of a single gag.  (And just when you think you’re safe, they actually cut to a shot of it!  So gross!)  Definitely a masterclass in writing raunchy comedy.

Plus, the end credits has one of the most joyous sing-alongs of any movie.

 

 

Superbad

This is the Judd Apatow produced forefather to Good Boys.  If you haven’t seen it, I don’t want to ruin the joys of it for you.  Michael Cera, Seth Rogen, Jonah Hill, and Christipher Mintz-Plasse are hilarious in this teen comedy about friendship, and trying to acquire booze for a party.  This movie introduced Emma Stone to the world.

Seth Rogen and Bill Hader play possibly two of the worst cops in history.  This is the movie my ex-girlfriend took me to right before she dumped me, and I still love it.

 

 

 

Booksmart

Booksmart is Superbad for smart girls.  Two brainiacs try to cram four years worth of partying into one night before they head off to college.  Kaitlyn Dever and Beanie Feldstein bring the funny in Olivia Wilde’s directorial debut.

This is one of my new favorite comedies.  It didn’t get a fair shake in the theaters and I hope it gets embraced on digital, streaming, etc.  The drug and sex jokes are funny, but even the innocent stuff, like just watching their nerdy dancing on the way to school, made me laugh so hard.

 

 

The Sweetest Thing

Selma Blair has several moments in this film that still make me laugh just to think of them.  Only Christina Applegate and Cameron Diaz would be good enough sports to round out the cast for a romantic sex comedy like this.  This movie really must be seen to be believed.

Below is an impromptu musical number from the film.  It is NSFW.

 

 

A Dirty Shame

I’ve only seen a few John Waters’ films.  This one again features Selma Blair as a promiscuous character that Waters saddled with a giant pair of fake breasts.  Which is really all you need to know about the film.  It deals in sexual extremes.  Waters tried to fit as many sexual fetishes into the movie as he could.

I only saw this once in the theater 15 years ago.  But I remember laughing hard the entire time.  PSA: This is the only movie on this list with an NC-17 rating.

 

 

American Pie

First things first: parts of this movie haven’t aged well.  Privacy and consent are very important, everyone.  That aside, this movie is still dear to me and reminds me what it felt like to be a teenager.  The screenwriter abstained from masturbating while he was writing the script, so he’d feel the characters’ frustration. 

This movie introduced most of America to the term “MILF” and popularized the phrase “This one time, in band camp…

 

 

EuroTrip

This lesser American Pie wannabe makes the list for one major reason:  an early surprise cameo from Matt Damon singing the cruel, heartbreaking, and utterly catchy “Scotty Doesn’t Know”, during which Scotty finds out his girlfriend is cheating on him.  It’s a totally rewindable moment that redeems the whole film.

 

 

 

Austin Powers: Goldmember

The Austin Powers trilogy concludes with this film.  It’s my favorite for several reasons.  It has the star-studded Austin Powers parody/film-within-a-film that includes John Travolta and Danny DeVito among others.  It also features Michael Caine and a young Beyonce.

All the sex jokes and scatalogical humor are there as well.  The first two movies are fun entrees, but this is pure dessert.

 

 

Bridesmaids

What a gift Bridesmaids is!  It really set Melissa McCarthy‘s movie career on fire.  And it gave us Chris O’Dowd.  The dress shop scene proves women can do gross out comedy just as well as the men.

 

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Movie Review – Booksmart – Whipsmart Nerd High School Anthem

Quiz – Melissa McCarthy – The Funniest Woman in Hollywood

The Top Six Richard Linklater Movies You Need To Watch Now

The Essential Tarantino – What to watch before Once Upon a Time in Hollywood

The Bourne Identity Song by Moby – Extreme Ways Lyrics and Video

matt damon in the bourne identity with extreme ways by moby
You gotta admit: the man does know some extreme ways to kill people.

Extreme Ways is one of the first songs I really noticed at the end of a film that I felt a need to go home and look up  — it was that good, and that arresting. It haunted me the whole drive home after viewing The Bourne Identity and I became a big fan of Moby after that.

On my research, I was pleased to note a Moby song was also a major component of one of my all-time favorite episodes of The X-Files:  All Things. Again with the lyrical haunting sound. I was Moby-hooked. (The Wikipedia states: The episode makes heavy use of The Sky Is Broken, a song from Moby‘s 1999 album Play, as well as a gong. The episode has been analyzed for its themes of pragmatism and feminist philosophy.)

Here’s the video of the end credit segment of The Bourne Identity, followed below by Moby’s lyrics to Extreme Ways.  It’s got a really good beat, too. Enjoy!


Lyrics for Extreme Ways

(Song by Moby)

Extreme ways are back again
Extreme places I didn’t know
I broke everything new again
Everything that I’d owned
I threw it out the windows, came along
Extreme ways I know move apart

The colors of my sea
Perfect color me

Extreme ways that help me
That help me out late at night
Extreme places I had gone
But never seen any light
Dirty basements, dirty noise
Dirty places coming through
Extreme worlds alone
Did you ever like it then

I would stand in line for this
There’s always room in life for this

Oh baby, oh baby
Then it fell apart, it fell apart
Oh baby, oh baby
Then it fell apart, it fell apart

Extreme songs that told me
They helped me down every night
I didn’t have much to say
I didn’t get above the light
I closed my eyes and closed myself
And closed my world and never opened
Up to anything
That could get me along

I had to close down everything
I had to close down my mind
Too many things to cover me
Too much can make me blind
I’ve seen so much in so many places
So many heartaches, so many faces
So many dirty things
You couldn’t even believe

I would stand in line for this
It’s always good in life for this

Oh baby, oh baby
Then it fell apart, it fell apart
All day, all day
Then it fell apart, it fell apart
(Falling apart)
It’s a Monday morning, it’s everywhere
Oh no I can’t

All day, all day
Then it fell apart, it fell apart
All day, all day
Then it fell apart, it fell apart
All day, all day
Then it fell apart, it fell apart
All day, all day
Like it always does, always does…

(Songwriters: Richard Melville Hall
Extreme Ways lyrics, 2002 © Kobalt Music Publishing Ltd., Warner/Chappell Music, Inc)


Movie Review – Downsizing

I’m a little annoyed at Downsizing. The trailers presented this as a lightweight, fluffy comedy about being resized to five inches tall (in order to use less planetary resources). Great! Except this isn’t actually a comedy, and you barely get the sense of being shrunk. After the first half hour, it may as well be a drama about regularly sized people. The funny elements come to a screeching halt and never resume.

[pullquote]I feel like Matt Damon tricked me into seeing an environmental polemic[/pullquote], with little-to-no sci fi elements. Not my idea of fun tonight. I expected a story about how unusual life would be in a really different, unique scenario. What a cool idea — you can live like a prince with the abundant resources now available to you! A little heads up from the studio would have been nice, letting us know this was a serious story about politics. Gotta mentally pick movies for the mood! Grrr.

Kudos for presenting scenes in the film with forced perspective, to make the viewer feel disoriented. Some of the sets looked like toy models, which was no accident. I noticed a lot of interesting filmation choices, and props obviously made to give viewers the sense of normal proportions being off. Some places looked like adorable miniature sets, which worked well.

There were also (mostly) scenes where nothing seemed small at all. Those were frustrating, since the plot became, out of nowhere, all about race and poverty. Again, great if you’re in the mood. I prefer my entertainment to lift me out of sad reality, and make me smile a while. This film WON’T.

NOTE to Mr. Damon: please stop it. I’m happy to see your movies if the studios present them accurately. No more pet satires to make us ‘think”, disguising themselves as light fare. This isn’t the first time this year (Suburbicon comes to mind).

Anyway. This film didn’t go near where it should have gone, and I’m kind of leery of Damon now. It seems he’s doing a lot of sardonic projects examining senseless violence, race issues, or some other meaningful, topical theme. I could have seen one of the many comedies out this week, and gone home happy instead.

Movie Grade: C+

Movie Review – Suburbicon

Ominous, paranoid, depraved, slow, violent, pessimistic, foreboding, and dark — both metaphorically and visually. Racist, and rather evil. None of the named characters are likable. If these traits sound like movie accolades to you, you’ll enjoy this film.

I didn’t. It was vile. If I wasn’t seeing it for work, I would have walked out. I felt grimy afterwards.

I was thinking it might be something like *Pleasantville*, another grim portrayal of mid-century bland suburbanite fantasies. *Pleasantville* at least was a good story. *Suburbicon* is the kind of film you’ll probably love or hate, depending on your tolerance for demented imagery and disturbing humor. There’s some deep stuff with the overtly racist storyline treated as an afterthought (interesting choice), framing the grisly hidden reality of the apparently squeaky-clean, whiter than white Lodges a few feet away, next door. I can see where the Coens were going with this, but they just didn’t get there satisfactorily. There’s no real payoff. At least the film is short.

I will give this a C+, which is more than I want to, because director George Clooney clearly had a vision for how he wanted to tell this story: he used a very stylized tone/color palette, with a restrained soundtrack, to accomplish a certain look and feel. It’s quirky in a vulgar way, and there are filmatic callbacks to the old Hitchcock films. Some of the camera work made me nauseous, and I’m sure that was intended. So there was this.

The acting? Oscar Issac has the best lines and energy, and the mostly listless film picks up some zing in his brief scenes.

Matt Damon does his role reasonably well, and so does Julianne Moore. Even if you can’t like them (or anyone else).

 

Movie Rating: C+

Movie Review – The Martian

Movie Review - The MartianMatt Damon is at the top of his game. It’s an enormous challenge to ask an actor to spend so much of the movie acting in a vacuum (no pun intended), with few opportunities to interact with other characters. Matt’s charm and charisma make every scene he’s in shine.

Some critics commented that this movie is “One big promotional campaign for NASA.” (Like that’s a bad thing.) You won’t just be entertained; you’ll be educated. And by all means, take your adolescent kids to see it. They’ll certainly learn something, and hopefully be inspired to come home and do more research on the various topics covered in the movie.

Grade: A

About The Peetimes: My focus was to have Peetimes with as few scenes as possible with Watney (Matt Damon) in them. The scenes that Watney are in are mostly montages, with little or no dialog. #1 A good Peetime. There’s an important story development, but it mostly involves long stretches of Watney driving and digging. #2 You should leave as soon as the above line is spoken. Nothing else important is said during their conversation. A new character is introduced right at the end of this Peetime. #3 A good Peetime with little dialogue to miss. This is mostly a process scene that leads into an increase in tension. #4 There’s no dialog during this Peetime, but it’s also only 3 minutes long, and important action happens shortly afterward.

There are extra scenes during, or after, the end credits of The Martian. (What we mean by Anything Extra)

Buy the movie from Amazon.com on DVD or Blu Ray