I love the song Bohemian Rhapsody, and sing it out loud with glee every time I go backpacking (in the woods, no one can hear you sing). But, I have to admit: I don’t understand a lot of the bizarre words in the song. With the new film about Queen, fittingly titled Bohemian Rhapsody, I decided to use the interwebz for a long look at the meaning of this iconic song.
According to the Wikipedia, Bohemian Rhapsody was written by Freddie Mercury for the band’s 1975 album A Night at the Opera. It’s a six-minute suite, consisting of several sections without a chorus: an intro, a ballad segment, an operatic passage, a hard rock part, and a reflective coda.
Somehow, this random assortment of music genres works brilliantly. But what’s the story about?
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Let’s start with the obvious aspects: a young man killed someone, and he’s apparently about to pay for it with death. That’s plain. He’s telling his mother goodbye, and feeling like the devil is waiting for him. (Beelzebub has a devil put aside for me…for me…FOR MEEEEEE!!!)
- Right then. We’ll start here. Who exactly is Beelzebub? It’s something to do with the devil, sure, but what’s the exact story?
Here’s what Dictionary.com has to say:
Old English Belzebub, Philistine god worshipped at Ekron (2 Kings i:2), from Latin, used in Vulgate for New Testament Greek beelzeboub, from Hebrew ba’al-z’bub “lord of the flies,” from ba’al “lord” + z’bhubh “fly.”
Apparently Freddy Mercury is using this name to signify Lucifer himself, or his demonic equivalent.
- How about Scaramouch? (Scaramouch, scaramouch, will you do the fandango?)
SongFacts says the word “Scaramouch” means “A stock character that appears as a boastful coward.”
The Wikipedia goes on to say a bit more: Scaramouche (from Italian scaramuccia, literally “little skirmisher”), also known as scaramouch, is a stock clown character of the commedia dell’arte (comic theatrical arts of Italian literature).
- The Fandango is not just an online movie ticket outlet. The meaning here is that Fandango is a fast Spanish dance. In the song, it’s probably referring to “the hemp fandango,” a delightfully ghastly euphemism for being hanged.
- Next, what’s with Galileo? Does this refer the the early astronomer? Or is a Galileo Figaro Magnifico something else entirely?
The best explanation I’ve seen is in this music forum, by a poster called, fittingly, Galileo:
“I’ve read somewhere that the line “Gallileo figaro magnifico” in the middle of the “operatic” section of the song, actually, is a slightly corrupted Latin phrase, “Galileo figuro magnifico”, translated as “Magnify the Galilean’s image“.
“It’s a key phrase, which reveals the entire meaning of the song, and usually it isn’t translated by the researchers.
“In fact, “Galileo” was the name of Jesus Christ in the ancient Rome. In other words, the only way to get out of the demonic nightmare of the song is to magnify Jesus Christ and ask Him for help. But the boy can’t believe that God is concerned about him, and refuses the salvation (“Nobody loves me”).”
“But why “Galileo” is repeated five times? In The Barber of Seville by Gioachino Rossini the crowd calls to the town barber five times: Figaro, Figaro, Figaro, Figaro, Figaro! So it’s not difficult to see the analogy.
“Plus, as everybody knows, Galileo is the name of the an Italian physicist and astronomer, who made in the early 17th century the first telescopic observations of the planet Mercury…
“If this is true, what kind of GENIUS Freddie was?”
- Bismillah….okay: the Wikipedia reports that this is a phrase in Arabic meaning “In the name of God”, and is the first word in the Qur’an, referring to the Qur’an’s opening phrase (named the basmala).
Let’s back up a little bit and see the entire picture Mercury was trying to evoke.
Quora says this about the song’s title:
It is called “Bohemian Rhapsody” because it depicts the life of a ‘bohemian‘, whose original meaning is ‘artist’ while ‘Rhapsody‘ is a fantasy (literally, it could play in his head) or a vision; within this song Freddie Mercury foresees his life in a symbolic way.
Below are the lyrics for the operatic section of the song — the part that trips everyone up. You can look at it now and understand a little better what Mercury was going for. I think he used macabre themes from old plays and operas to cast an image that was delightfully off-kilter and evocative. He’s talking about death, mostly. Isn’t it strange that so…well…FUN a song is so wrapped up in death and killing? Perhaps in a weird way, Mercury is singing about himself and his own life through this narrative metaphor.
It’s possible that Mercury’s songs Somebody to Love and Under Pressure are also about his inner demons. I’m not the only one thinking along these lines.
Tim Rice, co-creator of Jesus Christ Superstar and Evita, as well as a collaborator of Mercury’s, once said, “It’s fairly obvious to me that [‘Bohemian Rhapsody’] was Freddie’s coming-out song.” (From Into.)
Making a bit more sense, now?
I see a little silhouetto of a man
Scaramouch, scaramouch, will you do the fandango
Thunderbolt and lightning, very very frightening me
Galileo Figaro – magnifico
But I’m just a poor boy and nobody loves me
He’s just a poor boy from a poor family
Spare him his life from this monstrosity
Easy come easy go, will you let me go
Bismillah! No, we will not let you go – let him go
Bismillah! We will not let you go – let him go
Bismillah! We will not let you go – let me go
Will not let you go – let me go (never)
Never let you go – let me go
Never let me go ooo
No, no, no, no, no, no, no
Oh mama mia, mama mia, mama mia, let me go
Beelzebub has a devil put aside for me, for me, for me…
Co-Creator of RunPee, Chief of Operations, Content Director, and Managing Editor. RunPee Jilly likes galaxy-spanning sci fi, superhero sagas, fantasy films, YA dystopians, action thrillers, chick flicks, and zany comedies, in that order…and possesses an inspiringly small bladder. In fact, that little bladder sparked the creation of RunPee. (Good thing she’s learned to hold it.)