Movie Review – Black Christmas

 

Movie Review - Black ChristmasI was so excited to find out I was going to get to see Black Christmas on Friday the 13th! It’s always been a lucky day for me, until today. Today …that trend ended. I was so disappointed with Black Christmas.

Let me first state that I have not seen the original. I didn’t even know this was a remake until I read the trivia on IMDb. I’m ashamed to admit that, since I’m a huge horror movie fan.

The plot sounded good, the trailers were enticing, but the main thing that dragged it down for me was the actors themselves. I didn’t feel anything for them. Riley, the main character (Imogen Poots), is a pretty good actress, but in this she seemed to fall flat. Her backstory was a good starting point, but they didn’t make me feel bad for her. She seemed stiff and emotionless. That irked me right away.

The supporting cast was the same. There were a few I was actually looking forward to seeing their untimely demises. That sounds harsh, but it’s the truth. This leads me to the directors…was it their fault? Perhaps, but nonetheless I didn’t really care for it.

I’m being generous, giving it a C- purely for the fact that I loved the sets. They were great, they did a really good job on the location.

Grade: C-

About The Peetimes: This is a super short movie so hopefully these 2 Peetimes should do it for you.

There are extra scenes during, or after, the end credits of Black Christmas. (What we mean by Anything Extra.)

Rated (PG-13) for violence, terror, thematic content involving sexual assault, language, sexual material and drinking
Genres: Horror, Mystery, Thriller

What is the best all-time series franchise?

harry-potter sorcerers stone
It started well and kept getting better. Congratulations, Harry!

So many movie franchises, so little time. While it’s easy for producers to add yet another movie to any long-running series, it’s not so easy to have every one of them qualify as good, quality films. And in some series, all are decent, but none are outstanding. How to decide who gets the top spot for film series narratives where everything is both above average and don’t contain a clunker?

Definition: What’s a movie franchise?

We figure anything beyond a trilogy counts as a true series. Also, I’m looking at stories with an element — any element — of cannon material.

We fudged a few times here. Riddick only makes four films by including Dark Fury, an animated but CANNON inclusion to the series. The Matrix (at least through now, since a 4th movie has been recently announced, but hasn’t been filmed) has an entire cannon series of Animatrix anime. We’re going to take a leap and include those.

So, we’ve decided we have to draw a line somewhere, since linear story-telling material in so many series are all over the map.

Here we go: Soft Reboots are included…Hard Reboots are not. In other words, if the series nods to any previous incarnations and characters, that’s a Soft Reboot (ie – the Kelvin Timeline in Star Trek that refers to our Classic Timeline and has Old Spock and New Spock as continuous characters), but Hard Reboots are out (removing something like Evil Dead from the equation, for example, since the new version goes back to the beginning and erases the entire previous trilogy).

James Bond films are tough that way, and might be based on who was Bond when. Probably. We’re mulling over whether each Bond series has any connective tissue to the last. But clearly with each Batman version, it’s a Hard Reboot from the ones that follow. Which makes detangling DC an issue.

Note: We can’t say we’ve covered every series out there, especially those in the horror genre, which can malinger like old laundry. We see a lot of movies, but aren’t superheroes here. Let me know what I left out in the comment section below. 

Interesting “leading” actors note:

Vin Diesel, Harrison Ford, The Arnold, and Sylvester Stallone each have two entire lead role franchises on this list. Wow! We could possibly, maybe, conceivably, say so do Patrick Stewart and Ian McKellen, but those are “starring” roles in large ensemble films, instead of clear leads.

What do you think? We aren’t sure where to draw the line on this, so feel free to chime in to the comments with your opinions. We realize people can get worked up about their favorite movie series, and we want to hear all about it!

So, let’s get to it. Here are the franchises we’re looking at, and our personal, very opinionated comments as we go.

  • Aliens — Pure disaster from 2 onward. What not to do. ARGHHHH. So much original goodness, so, so wasted. After the first and the sequel, which ROCKED, we can’t recommend anything else. And they keep on trying…to no avail.
  • Terminator —  None actually suck, but it’s very uneven. A good effort. Also, with all the timelines, working out what is a Soft Reboot vs Hard Reboot is problematic. This would have been worth consideration as a winner, especially with the new Dark Fate offering, if Genisys wasn’t so damned dumb.
  • Predator —  All of them are rather good, if you don’t throw the Aliens vs Predators into the mix. That 2nd AvP is one of the worst movies I have ever sat through. And, to be honest, I don’t like Predator 2 much at all either, except for the fun spaceship ending. It felt like a gangster film and was not very sci fi. Bummer.
  • Resident Evil — Jeez. Past the first, are any good? There are six live action films to date, and a few animated ones. Did you realize six movies even happened? I remember really liking the first one a whole lot, with the brand new Alice and Raccoon City. Then the Resident Evils seemed to blend into a massive zombie mess, and can’t recall anything important, except for a cool scene with a motorcycle crashing through a church stained glass window. Which movie was that? I sure don’t know. Oh, wait, and didn’t one film have the remnants of humanity in Alaska? I really tried to keep up…
  • Harry Potter — Most consistently above par as a series. Each one is great-to-excellent. Probably the All_Over_Series Champion for this article’s purposes. So far, the Fantastic Beasts films are pulling it down a little, but not by much. None of these suck. The first two are juvenile….because the intention is that the audience will grow up with the series.  And the juvenile ones even knock my socks off, by introducing a magical ambiance and the firm foundation of a wizarding wish fulfillment fantasy. You know you want to get an acceptance letter to Hogwarts too. Don’t deny it. 😉
  • Twilight — Oooo boy. Best case: they are consistent…consistently bland. Next…
  • Star Wars. Yikes. It’s really too bad how uneven this series is. Even if you love the prequels, you’ll argue about the new films. No one agrees here with any of this. It’s really too bad. How did this happen?
  • Star Trek / original and Abrams — More yikes. Do you prefer Kirk or Picard? And which Kirk do you prefer? It doesn’t really matter, since each series has some great highs and some low, low, lows. Somehow, each movie manages to keep the continuity going (the Kelvin Timeline of JJ Abrams is a borderline Soft Reboot because of the alternate timeline including Old Spock). But the classic Kirk stories have their greats (Wrath of Khan, The Voyage Home) and their losers (The Motion Picture, The Final Frontier). And the Patrick Stewart efforts are also up and down (Great: First Contact, Awful: Nemesis). I’m not going to argue about Nu-Trek. The big issue: no matter how you slice it, none of the parts of the series are consistent enough to come close to winning this prize. Sorry, Trek fans.
  • Indiana Jones — Sigh. Yep, uneven…I doubt I need to elaborate. Honestly, I only love the original. The rest are good-to-poor in execution. And it’s not Harrison Ford’s fault. I don’t know what happened with such a great premise.
  • MCU — Sooooo close to perfection. None are bad. The Hulk isn’t exactly good (it gets by with a ‘fair’). We think after the Harry Potter series, this is the Runner-Up Winner in terms of being consistently excellent. One could say the MCU should win by default, however, since after a WHOPPING 23 films, they are almost uniformly excellent. Should we allow one ‘fair’ Hulk film to drag this amazing feat down? (This Hulk was definitely better than the Ang Lee Hulk, which is frankly unwatchable). Seriously, none of these films are bad. But not all of them rank as good. This is a toughie. Also, Agents of SHIELD, Peggy Carter, and a few other one-offs with good material count as cannon. (Not sure if Thor’s adventures with his roommate Darryl count, but I don’t see why not. It’s even a trilogy in itself!)
  • X-Men/Wolverine/Deadpool — Part of the fun here is even the characters don’t know what is or isn’t cannon. Personally, I think this is an example of Marvel working out the bugs in making a contiguous franchise. Even their most recent X-Men movie this summer shows how awfully bad things can get when the writing isn’t planned well. I’m as confused as Wade Wilson when it comes to the X-Men.
  • DCEU — OH DEAR GODS. I’m going to just disqualify the DC universe until they figure out what the heck they’re doing. Some of it is cannon. Some are quite enjoyable (for me: only Wonder Woman and Shazam). Some of the DC films are hard reboots and some are soft reboots, and some suck no matter how you slice them.  Even after the successful new Joker film, I think they still don’t know what they’re doing. I hope James Gunn’s Suicide Squad 2 will be great, but even that is supposed to be a soft reboot. Will Birds of Prey fit in? Do we even care?
  • LOTR/Hobbit — It’s really too bad about that last Hobbit film. Our trips to Middle Earth could have swept all the wins. Battle of Five Armies was just awful. Damn.
  • Lego Movies — These are almost all pretty good. But the Ninjago one isn’t worthwhile. Sorry, Lego fans. Alllmost. It’s too bad. The other three are excellent. One clunker ruins the score.
  • Men In Black — Only the original is GREAT. The other three are…fine. Even the new one is…no better than fine. My personal ranking is 1, 3, 4, and then 2. Pass.
  • Toy Story —  Quite good as a series. 2 is kind of a clunker and brings the series down, which is too bad. This is almost a winner.
  • Shrek — Do you know there are four Shrek films out there? Me neither. And that boots this off the list. Sorry, Mike Myers. Were the last direct-to-video? I have no idea where this went.
  • Despicable Me + Minions — A fairly even series, I’ll grant it that, and a lot of fun. Not one is a clunker. But if Despicable Me wins this contest, I may have to eat someone, like a random Grip or Best Boy or Foley Artist…please, don’t make me do this. Cute, cute, cute. But seriously amazing storytelling? This might be a runner up. Seriously, for being a silly premise, this is kind of a winner. Banana!
  • The Matrix — The first movie redefined action movies. On the DVD box set there’s an option to watch the movie while three movie critics (yes, movie critics) commentate on the movie — how brave of the directors! One of the critics commented: “I realized while watching this movie that I was witnessing a watershed moment.” Then the other two movies came out — Reloaded and Revolutions — a few years later, to less than critical acclaim. As a huge Matrix fan, I didn’t know what to think, but upon rewatching, and rewatching, I understand that the story couldn’t have been better. Even the universally panned Burly Brawl fight scene in Revolutions served an important plot point than few people understand. (There’s a reason the fight went on, and on, and on.) Between Reloaded and Revolutions, we had the collection of animations –in the Animatrix. While it’s probably only appealing to uber-fans, the stories are all entertaining and are artfully done. Well worth watching, and they help fill in much of the back story, and even introduce a character who later shows up in Revolutions.
  • Riddick — All are good. Two are great. But having only half be amazing isn’t enough to win the franchise prize.
  • The Monster U/Godzilla — This series is ongoing, so the jury is still out until we see King Kong vs Godzilla. So far, the series is enjoyable, but far from great. I remember thinking during the first Godzilla movie that there wasn’t nearly enough Godzilla. Mostly, watching any of these movies just makes me crave watching Pacific Rim again.
  • Mission Impossible — Most of these mush together in my head. I can recall it around the stunts…as in, “This is the one where Tom Cruise does a Halo Jump.” Some of these are really very good, and some (early on, mainly) are mediocre.
  • Fast & Furious/H&S — None of these are bad, but it’s a pretty uneven series. Like with Mission Impossible, it gets better as it goes, and I remember them by stunts (“This is the one Vin Diesel flew a car between skyscapers in Abu Dhabi…”).
  • Rocky/Creed — The first movie was pretty amazing, and I don’t usually like fight plots. But then each following film focused more on fighting and less on story. Things got mediocre fast, even with the Creed films bolstering the narrative.
  • Rambo — I hate to say this, but I’ve never watched a single Rambo film. Feel free to add your thoughts in the comments below.
  • Jaws — HA!  The first two have some decent continuity and are worth viewing…but then things dwindle fast. Do you know how many Jaws movies there are? (Hint: officially, 4. But with the ‘bad shark franchise’ being so fat and happy, you’d think there were more.)
  • Bond — Very uneven, if you look at all the Bonds in all the years. Some Bonds are more consistent than others. But since each one is a Hard Reboot, this makes it hard to grade. I don’t think any new Bond character acknowledges a prior Bond storyline. But I might be wrong. If you have some thoughts, share them in the comment section. I’d love to know if any Bonds refer to prior incarnations.
  • Die Hard — Did  you realize there are five films in this series? Poor John McClane, running barefoot through glass shards every Christmas. So to speak. I love him and the original film, but  this series is still too wobbly to win the Ultimate Franchise award. A+ plus for the original. then thing get mediocre quickly.
  • Mad Max — With Fury Road, this is 4 films and thus enters our competitive list. And I hate to say this….but I have NOT seen Fury Road. (Man, I know. I suck.) Even so, I think this is a consistent series, and each one is worth a watch. But they aren’t AMAZING, no matter how you slice it. So it’s not a win, not compared to Harry Potter.
  • Hunger Games — Decently consistent, but the 3rd is sort of lame and drags the series down. It’s too bad — this really could have been a contender. All it takes is one bad movie…
  • Transformers — Let’s face it:  that any single one of these movies is watchable is a win. The best I can say about any of the Transformer movies is that they make great films to play in the background for cleaning the house.
  • Halloween — There are 11 movies in this series. The most recent brought Jamie Lee Curtis back in a true sequel (and Soft Reboot) that continues where the first film left off, discarding the rest. Thankfully. This is how to do a follow-up, and it performed very well at the box office. There are two more films on the pike to continue this narrative.
  • Jurassic Park — The original is an A+ film and Lost World was a pretty good sequel. Then we got the abyssal Jurassic III, which should be taken out behind the shed and shot. It’s that bad. It took a long time to revive the series with Jurassic World, and the 4th movie is quite charming — a great relief for dino-philes like me. The 5th film is good, not very good or great, but certainly isn’t a dog like HP 3. It’s too bad 3 happened at all: JP could have been contender. JP 3 is THAT BAD.
  • Pirates of the Caribbean — Although there are four movies in this series, the only one to be taken seriously is the first. While the original was ground-breaking and fresh, everything that followed seemed like a live-action cartoon. FAIL.
  • National Lampoon’s Vacation – All, at least in the 5 films, (American Vacation, European Vacation, Xmas Vacation, Vegas Vacation and Vacation) are watchable. None are above a B grade, however. Just because all are watchable doesn’t mean any are great.
  • The Bourne movies – There are 5 of these! But the quality is up and down. Bummer.
  • Saw, Chucky, The Conjuring Universe – I’m just not a horror fan. I’ve seen exactly zero of these films, so I can’t comment on them. We’re hoping RunPee Sis, our resident horror fan, will make her own franchise list. I do have the sense that all have a very uneven quality. Feel free to tell me what you think in the comment section below.

I don’t pretend to cover every series. I’m not that awesome. But from this list here, it’s clear who wins, and who just misses the cut.

Winner: Harry Potter (even including the 2 Fantastic Beasts films), with 10 films of good to ‘fantastic’ quality that all easily make the ‘film classics’ list. Congrats to Harry, Ron, Hermione, and Newt!

Runner Up: The Marvel Cinematic Universe. I really want to give this series the win. It’s hard to have 23 movies (plus two cannon TV shows and several one-shots) all be amazing. And it’s not fair to have Hulk (and maybe Thor 2) drag the entire thing down. When they did Hulk they really didn’t have the MCU formula worked out — that was the same year as the original Iron Man, which was a long shot at best. But you know what? It created an empire that almost nothing could compete with. It’s just soooo close. MCU, we love you 3,000.

Honorable Mention: The Matrix. A lot of people just do not like the sequels, and haven’t even seen the Animatrix Collection. In fact, the sequels spawned some serious vitriol when they came out. But if you watch them now, 20 years later, and forget “all you know, and think you know”, you’ll actually enjoy what the directors have accomplished. This cinematic experience is really very deep, and the quality can’t be argued against. We only hope the previously announced four-quel will add to the story (unlike the new Men In Black: International).

Honorable Mention 2: Believe it of not, Despicable Me/Minions is right up there, and more consistent than the otherwise beloved Toy Story series. I’m shocked too.

Do you agree or hate my assessments? Comment below. I promise I’ll respond with respect. This is what makes films fun. 

7 Hidden Clues/Humor You Might Have Missed in Knives Out.[Spoilers!]

So far the RunPee Tamily watched Knives Out 7 times combined to do the Peetimes. Yes, it’s that hard! The movie is filled with clue Easter eggs. Like one of the characters says, “This guy pretty much lives in a clue board.”

Watching it the second time the next day, I noticed so many things I overlooked the first time. Some of them are just impossible to spot the first time because a significant plot distracts you. I can’t wait to share my findings, so let’s dive right into it!

#1 The Baseball
This is the finding that makes me most proud. The arc of the baseball contributes not to the main murder case plotline, but the “Linda-Richard” relationship. Here’s the trip the baseball took:

  • Richard first threw the baseball out of Harlan’s office window after finding out the letter he threatened to send to Linda is a blank paper — he felt played.
  • In the next scene, Detective Blanc notices the baseball and picks it up.
  • The next day, the dogs come to Blanc, drops the piece of wood from the wall frame, and bites on the baseball he was holding at the time. Blanc throws the ball for the dog to retrieve. But before the dog comes back, he notices the piece of wood and gets distracted.
  • The dog still has the baseball in its mouth a day later, at the family gathering requested by Marta. They thought she’s going to renounce the inheritance. The dog sits next to Linda. Linda recognizes baseball and takes it from the dog. She goes to put the baseball back to her father’s office. Notices the letter opened by Richard. Thus, finding out Richard’s affair.

See the full circle here? The director brilliantly made Richard bringing it all to himself.

Read more about the Baseball story here.

#2 The “Extra Bowl”
Remember the scene where Ransom (Chris Evans) and Marta sit down in a restaurant after the will is read? Ransom asked for an “extra bowl” from the waitress — for Marta to puke in later. I didn’t notice it even the second time, but Dan did.

#3 Where Is Marta from?
You probably get the symbolic immigrates subtext the first watch. But do you remember where Marta is from? Different characters describe her as from Ecuador, Brazil, and Uruguay — and perhaps a few others I forgot. The intention is clear: nobody of the Thrombeys’ family really cared.

Read more about the political subplot in Knives Out here.

#4 Secret Messages
Yes, it was revealed at the end of the movie, that it’s a father-daughter game to use invisible ink as Harlan and Linda’s secret form of communication. But the director had actually given us a clue before that. When Linda was in her room reading the letters from her father over the years, if you look closely, you will notice the burn traces.

#5 “Dogs are the best judge of characters.”
Yes, it’s so blunt that you won’t believe it the first time watching it. But it’s that simple. The movie starts with a scene of dogs running on the lawn. The dogs interacted with three main characters. Marta, Ransom, and Linda. They are very friendly towards Marta and Linda and aggressive with Ransom. If you look back at each of the characters, Marta is the kindest. Linda is the only one in the family that actually cares. (She looks down on her brother, but still protects him in front of the police) And Ransom? I don’t need to tell you about Ransom.

#6 What’s With The Donut?
The whole “Donut speech” delivered by Daniel Craig at the end of the movie is just so brilliantly funny. But why the donut? I have a wild guess. The director takes the genre — “whodunnit” — and turns it into a wordplay. “Dunnit”, “Donut”. Yes?

Maybe I’m reading too much into this, but since we’re having fun… The throne of knives forms a donut. When the detectives interview the characters they sit in the chair in front of the knives, ostensibly “filling the donut hole.”

#7 Stage prop
Last but not least. On the faithful night of Harlan’s death, as Marta gives him his medications he talks about his children and their problems. While talking about Ransom he picks up a knife and removes it from its sheath, and says, “There is so much of me in that kid: confident, stupid, protected. Playing life like a game without consequences. Until you can’t tell the difference between a stage prop and a real knife.” Then he stabs the knife into the tabletop. Of course in the climax of the movie Ransom tries to stab Marta with a stage prop.

Did you spot any other hidden clues? Let us know in the comments below.

Movie Review – Knives Out

 

Movie Review - Knives OutKnives Out is an absolutely delightful mystery about some really horrible people. The stellar ensemble cast works wonders together and Rian Johnson’s tale doesn’t cheat — the clues are all there. And even if you figure out WhoDunnit before the end, you’ll still be thrilled at the fun you’re having along the way.

Knives Out is clever, amusing, and really sings best when it showcases the awful members of Harlan’s dysfunctional extended family.

Chris Evans, in particular, seems to relish playing a jerk after all those years as Captain America. And Daniel Craig is just this side of ridiculous as a Kentucky Fried Detective. (You know he’s loving this. Not a hint of Bond to be seen.) Jamie Lee Curtis chews her nasty dialog with glee, and even Don Johnson (yes, that Don Johnson) is a lot of fun. Everyone brought their best game. I have a feeling a lot of actors wanted to get in on this film, which writer/director Rian Johnson apparently spent a decade trying to make happen.

While parts of the movie recall this year’s Ready or Not (with another amusingly abusive family and murder most foul), Knives Out also bring to mind the classic mystery comedies Clue (from the 80s) and Murder By Death (from the 70s). Note that all four of these films feature lush, iconic, and mildly creepy mansions.

And now I want to collect daggers and make my own Game of Thrones-style seating area. Really. That is some demented shit. I loved this movie and suspect you will too.

Grade: A-

About The Peetimes: This was very difficult to get Peetimes for, as there are a lot of characters whose names kind of flit by, and it’s hard to tell what will or won’t be a clue later. I have 3 Peetimes, nicely spaced out, that won’t leave you lost. I Recommend the final one.

There are no extra scenes during, or after, the end credits of Knives Out. (What we mean by Anything Extra.)

Rated (PG-13) for thematic elements including brief violence, some strong language, sexual references, and drug material
Genres: Comedy, Crime, Drama

Top 5 Whodunnits in Film

Movie Review – Ready or Not

Movie Review – 21 Bridges

Movie Review - 21 BridgesWow! If you are considering a life as a police officer, this year’s line up of movies do not make it an easy choice. You know how we are used to seeing “chick flicks” that male bash? Well, this year is all about calling out the pig in our men and women in blue. You see what I did there?! LOL

While the movie is somewhat predictable, the plot surrounding Officer Andre Davis was appealing, and created curiosity. Not to mention the contradiction where Andre was being ridiculed for his weapon discharging frequency in one area of the police department, but the same officers were also up to no good and not being called on the carpet for it.

Let me say that the first shoot out was great! I’m not a violent woman, but I enjoy a good, well-played out gun show with lots of action, twists and turns, a BMW get away ride, and excellent imagery and tone. You know, the kind you’ve seen in Rush Hour and Bad Boys. I love just about anything with Chadwick Boseman and J.K. Simmons. I will admit, just between me and you, I was imagining Chadwick turning into the Black Panther during a few of the action scenes. IJS, don’t judge me. Wakanda Forever pee-ple!!

Remember, as you make decisions in life, make sure your choice is the right bridge you want to cross over, as consequences are always on the other side.

Oh, if you plan on taking your kids because they want to see “the guy” that plays Black Panther in another movie, this reel has severe violence, gore, and profanity.

Grade: B

About The Peetimes: It wasn’t too difficult selecting Peetimes — except that none of them are very long — because the movie often cuts rapidly between scenes. I recommend the 2nd Peetime.

There are no extra scenes during, or after, the end credits of 21 Bridges. (What we mean by Anything Extra.)

Rated (R) for violence and language throughout
Genres: Action, Crime, Drama

Top 5 Whodunnits in Film

After months of positive buzz, Rian Johnson’s mystery Knives Out is finally being released.  It features an all-star cast with Daniel Craig playing the detective, and Michael Shannon, Chris Evans, and Jamie Lee Curtis among the suspects.  In case this new release whets your appetite for a good mystery, here’s my list of top five whodunnits.

1. Murder on the Orient Express (1974) 

This list would not be complete without a good Agatha Christie adaptation.  I wanted to to include one of the versions of Ten Little Indians/And Then There Were None but I’ve

Poirot explains it all.

never seen any of them.  I can highly recommend the novel, however.  Back to The Orient Express:  Detective Hercule Poirot is one of Albert Finney’s best roles.  And this is one of Christie’s greatest puzzles.  When a murder is committed aboard a train, a famous detective has until the train reaches its destination to solve the impossible mystery.  It’s such an irresistible story; it’s been adapted countless times, including as an American TV movie, starring Alfred Molina.  Most recently, Kenneth Branagh directed a 2017 adaptation, starring himself as Poirot.  It’s a quality production with some great performances, and it spawned an upcoming sequel I’m looking forward to.  If you’ve managed to never have this mystery spoiled for you, please seek it out at once.

2. Gosford Park 

Stephen Fry on the case.

In Robert Altman’s 2001 film, a murder occurs after a dinner party at a wealthy British estate.  Like most of Altman’s films, there is a huge ensemble cast.  The investigation is shown from both the guests’ and the servants’ perspectives.  The delightful comedian Stephen Fry plays the detective.  Julian Fellowes wrote the script.  He later created the TV show Downton Abbey, which was inspired by the film, and at one point was meant to be a sequel to it.  The movie received seven Oscar nominations.

3. Brick

Rian Johnson’s own debut film is a neo-noir, set in a high school.  After receiving a frantic phone call begging for help from his ex-girlfriend, and then finding her dead body soon afterwards, a teenage loner vows to solve her murder.  Joseph Gordon-Levitt plays the detective this time, in one of my favorite performances of his.  This film has a twisty plot and hip dialogue full of invented slang.  The podcast Filmspotting named their annual Golden Brick award for Best Film by a new voice after this movie.

4. Clue

Was it Col. Mustard in the library with the lead pipe?

Yes, Clue is based on the board game.  I watched this movie endlessly throughout my childhood on Showtime.  Six strangers are invited to a mansion for dinner.  When the host is killed, they have to work together to solve the murder.  Tim Curry is brilliant as the butler.  There’s a lot of fun humor in this one.  How can you resist a comic mystery, with a cast that includes Christopher Lloyd, Madeline Kahn, Susan Sarandon, Michael McKean, and Martin Mull?  One of my favorite things about this movie is that it has three endings.  When the movie was released theatrically, what part of the country you lived in/watched it in determined which ending you saw.

5. The Thin Man

If you’ve never seen The Thin Man series, you’re in for a treat.  William Powell and Myrna Loy trade barbs and imbibe alcohol as retired detective Nick Charles and his wife Norah.  They are accompanied by their faithful pooch Asta.  These comic mysteries are a joy.  The chemistry between Powell and Loy is amazing.  They made several other pictures together.  The Thin Man movies always end with an old school round-up of the suspects, where they build up the suspense before finally revealing who the killer is.

Don’t miss the most suspenseful part of a movie.  Always use the RunPee app when you go to the theater.  We have the latest PeeTimes for movies like Ford v Ferrari, Midway, Charlie’s Angels, Knives Out, and more.  You can also keep up with the latest movie news and reviews by following us on Twitter @RunPee and liking our Facebook page (www.facebook.com/RunPee/).

 

Disney announces release dates for upcoming MCU Phase 4 movies and Disney+ shows

Marvel StudiosOkay, deep breath. Thanos is snapped away along with his minions, and Ironman (luv u 3000) is hanging out with his daughter in the Soul Stone.

That’s the past. It’s time to create new stories, heroes, villains and get the MCU Phase 4 underway.

Here’s the movie/TV lineup Disney has announced:

2020

black-widow-may-2020May 1st, 2020 – Black Widow

What we know so far: the story takes place between the events of Civil War and Infinity War.

Stars: of course, Scarlett Johansson as Natasha Romanoff / Black Widow, and also introducing Florence Pugh (Angela in Malevolent, Saraya Knight in Fighting with My Family) as Yelena Belova, David Harbour (Jim Hopper in Stranger Things, Dexter Tolliver in Suicide Squad) as Alexei Shostakov / Red Guardian, Rachel Weisz as Melina Vostokoff…and oh yeah, this guy named Robert Downey Jr. may have a cameo as Tony Stark.

eternalsNovember 6, 2020 – The Eternals

What we know so far: It introduces the Eternals, a race of immortal beings who lived on Earth and shaped its history and civilizations.

Stars: Angelina Jolie as Thena, Richard Madden (Robb Stark in GOT) as Ikaris, Salma Hayek as Ajak, Gemma Chan (Astrid Young Teo in Crazy Rich Asians) as Sersi, Kit Harington (Jon Snow in GOT) as Dane Whitman, Kumail Nanjiani (Stu inStuber, in Silicon Valley) as Kingo, Lauren Ridloff (Connie in The Walking Dead) as Makkari, Barry Keoghan (George in Dunkirk) as Druig, Brian Tyree Henry (Jefferson Davis in Spider-Man: Into the Spider-Verse) as  Phastos, Lia McHugh (Jessica Nolan in American Woman) as Sprite, and Dong-seok Ma (Sang-hwa in Train to Busan) as Gilgamesh.

falcon-and-winter-soldier-show-disney-plusNovember 12, 2020: The Falcon and Winter Soldier on Disney+

What we know: Kari Skogland (The Handmaid’s Tale) will direct all six episodes of the series.

Stars: Anthony Mackie and Sebastian Stan will officially reprise their roles as Sam Wilson (Falcon) and Bucky Barnes (Winter Soldier) in The Falcon and The Winter Soldier. Daniel Bruhl and Emily VanCamp will both be joining the cast — reprising the roles they played in Captain America: Civil War.

2021

Shang Chi and the Legend of the Ten RingsFebruary 12, 2021 – Shang Chi and the Legend of the Ten Rings

What we know: an introduction of the Marvel Comics character Shang-Chi the Kung-Fu Master. In the comics Shang Chi’s main power was really just a skill: the ability to rapidly master forms of combat. Although in later years, he did gain the power to replicate himself, which could come in handy. It’s unknown if the MCU will duplicate that power from the comics.

Stars: Simu Liu as Shang-Chi and Tony Chiu-Wai Leung as The Mandarin.

wandavisionSpring 2021: WandaVision on Disney+

What we know: There will be six episodes that follow after the events of Avengers: Endgame. It’s unknown how they will explain Vision’s return after he was killed/unstoned by Thanos at the end of Avengers: Infinity War. We do know that the events of WandaVision will cross over into the events of Doctor Strange in the Multiverse of Madness, which premiers around the same time.

Stars: Elizabeth Olsen and Paul Bettany will reprise their roles of Maximoff and Vision. They will be joined by Kat Dennings as Darcy Lewis from the Thor movies and Randall Park as Agent Jimmy Woo from Ant-Man. In addition Kathryn Hahn (Afternoon Design, Bad Moms) will also be joining as a “nosey neighbor.” Teyonah Parris is cast to play the role of Monica Rambeau — the young girl introduced in Captain Marvel.

Doctor Strange in the Multiverse of MadnessMay 7, 2021 – Doctor Strange in the Multiverse of Madness

What we know: the plot is unknown but it will involve a crossover with the Disney+ show WandaVision.

Stars: Benedict Cumberbatch as Stephen Strange/Doctor Strange, Elizabeth Olsen as Wanda Maximoff/Scarlet Witch, Rachel McAdams as Christine Palmer (Strange’s girlfriend from the first Dr. Strange movie), Benedict Wong as Wong, Chiwetel Ejiofor as Karl Mordo, and a To-be-confirmed actor as Nightmare.

Who is Nightmare, you ask? In Marvel Comics, Nightmare is a Class 3 demon —equal to Dormammu, Shuma Gorath, and Cthulhu — who rules the Nightmare World, located within the Dream Dimension. Nightmare feeds off humanity’s collective psychic dream energy, and terrorizes humans and superheroes alike.

Loki on Disney+Spring 2021: Loki on Disney+

What we know so far: Tom Hiddleston will reprise his role as Loki, even though Thanos killed him in the first scene of Avengers: Endgame. But remember, later in the movie the Avengers go on their time travel adventures —  and Loki ends up holding the Tesseract and disappearing with it.

Hiddleston said: In the years since Avengers: Infinity War and Avengers: Endgame, which came out this Spring… Two questions I’ve been asked are ‘is Loki really dead?’ and ‘what’s Loki doing with that cube?’ It’s always the cube somehow. And this series will answer both of those questions.

Spider-Man-3July 16, 2021 – Spider-Man 3

What we know: not much. The good news is that Spider-Man is returning to the MCU at all. The bad news is this is likely his last solo movie in the MCU. The plot is unknown, but will likely pick up on the ending of Far From Home, where Spider-Man was revealed to the public to be Peter Parker. And since Sony and Disney aren’t playing very well with each other, this movie might reveal why Spider-Man won’t be continuing as an Avenger. Unless Disney buys Sony and makes this whole mess go away.

MCU What IfSummer 2021: WHAT IF…?

What we know: this is the first animated adventure in the MCU. The first season will have 23 episodes that explore what would have happened in previous MCU stories had things gone differently.

Stars: Jeffrey Wright (West World as Bernard, The Hunger Games: Catching Fire as Beetee ) stars as the Watcher, who narrates the series.

Thor Love and ThunderNovember 5, 2021 – Thor: Love and Thunder

What we know: Director Taika Waititi, who did Thor: Ragnarok, is back. So is Natalie Portman as Jane, only this time she’s going to level up and gain the powers of Thor herself. (50/50 odds that she cries at some point.)

Stars: Chris Hemsworth as Thor, Tessa Thompson as Brunnhilde/Valkyrie, Natalie Portman as Jane Foster/Mighty Thor, Taika Waititi (the director) as Korg.

hawkeyeFall 2021: Hawkeye on Disney+

What we know: The show will act as a passing of the baton as Clint Barton ( Jeremy Renner) passes the title of “Hawkeye” to a new character: Kate Bishop. Kate is rumored to be played by Hailee Steinfeld (True Grit, Enders Game, Bumble Bee), but that is not yet confirmed.

Note: Disney+ series for Ms. Marvel, She-Hulk, and Moon Knight are also in the works, and will debut after Hawkeye.

2022

October 7 – untitled movie

I’m going out on a limb to speculate that there will be more than one MCU movie released in 2022.

2023

February 17 – untitled movie
May 5 – untitled movie
July 28 – untitled movie
November 3 – untitled movie

Marvel Phase 4 Predictions – Some MCU Sure-Fire Guesses

Spoiler-iffic Review of Terminator – Dark Fate

Please don’t read this review if you haven’t seen Terminator: Dark Fate yet. You’ve now been warned.

So, I did a story where I neatly ranked every Terminator film from 1984 through 2015, and they slot themselves perfectly by year. As in the first being the best, T2 coming close on its heels…and then each one a little (or a lot) less good than the one before.

Now I have a big decision to make. Where does T6: Dark Fate (“no dark fate but what we make”) fit in? And what about that short-lived but underappreciated two season TV show, The Sarah Connor Chronicles? Now I have to rethink the whole thing. Way to mess up my ranking order, Hollywood.

Talking Dark Fate

Man, the fans loved it. Whoo-ee! Me, I like some things they did and am pissed off about the rest.

LIKED: Grace the augmented human was wonderful. She stole the movie and our hearts. Too bad this was a re-tread of the plot in Terminator: Salvation. I’ll return to this thought.

ALSO LIKED: Carl the Drapery Terminator. What does an out of work T-800 do? T2 established they can’t self-terminate. So once he fulfills his mission, the cyborg creates a family and a business, and sends encrypted messages to former nemesis Sarah. Why does he bother? He must have felt bad about things and joined the human race. Like Spike in the Buffy series, he grew his own conscience. I’m fine with this — actually, more than fine….really happy, actually. I never expected this plot pivot and find it super charming.

Arnold nailed it. The writers did good. This is a very neat turn of events, and we at RunPee would gladly watch a prequel TV show about T-Carl’s Drapery Business. Who wouldn’t?

Terminator Dark Fate - Carl
#ThereAreNoDrapesButWhatWeMake

Where Dark Fate Failed

So, yes, Mackenzie Davis as Grace was the main reason this film is so good. But having JUST watched the entire series for my ranking post, I’m annoyed that Grace, the augmented human-Terminator hybrid, is a retread of the Sam Worthington plot in T4: Salvation. T4 actually picks up quite well where T3: Rise of the Machines leaves off, with a pregnant Kate and the other remnants of humanity eeking out a post-Judgement Day life. I’m not sure why we had to have another go at an “augmented human” plot.

All I can think is Linda Hamilton wanted to return before her T-3 cannon “death” and the producers felt a soft reboot was the way to go…and — bonus — liked the idea they ran with in Salvation. So, a soft sort of re-telling had to happen to bring back Sarah. (And if you saw Terminator: The Sarah Connor Chronicles, you’d see another way to side-step this pesky issue, using time travel to just skip right over the…um…cancer.)

But, as I mentioned above, we are dealing with TIME TRAVEL in this franchise. There could have been many ways to bring Sarah back without ditching the storylines in T3 and 4. (Forget 5. That was entirely unnecessary). We could have also added Grace without ditching the 1-4 film cannon.

Although…I’m not certain at this point what’s considered cannon in this franchise anymore, or if we are to accept three or more timelines.

(REALLY,  STOP READING NOW IF YOU HAVEN’T SEEN  TERMINATOR: DARK FATE.)

Hasta La Vista, John Connor?

So, there’s my main beef. John Connor. Remember him? Well, forget about everything that mattered since 1991, because he’s unceremoniously offed in the first few minutes of Dark Fate.

That’s right. John’s gone. Out of nowhere, on a lovely beach. Poof.

What was the point of making me care about everything that came before? (Yes — I’m angry.)

I guess it’s better than where they took John Connor in 2015s  T: Genisys, which insulted everything ever done before and pissed all over the fanbase…seriously, who though that was a fine idea? Does anyone even remember what happened in Genisys, even just a scant few years ago?

More Pissy Thoughts

Lastly, I was rather bored by the new, spiffy Terminator in this outing, which was a real shame, in spite of Gabriel Luna’s earnest attempts to make it work. He just wasn’t as amusing as Robert Patrick’s T-1000. The Rev-9 was…made of tar? And had a skeletal drone? Was that really the best the writers could come up with over the last decade of thinking about this?

This just should have been better and more up to date, like something using nanotechnology. Or a pure internet-based intelligence that hunts and kills using our world-spanning interconnected cyber systems, tracking you like the “God’s Eye” in the Fast & Furious franchise. (If the F&F movies could come up with something more exciting, you know there’s trouble.)

Think about it. The liquid metal special effects looked better in 1991 than the the tar special effects in 2019.

Moving on.

Dark Fate: Girl Power Version

So, some gal in Mexico steps up as the new savior. Okay. Fine already. She’s not a womb; she’s the real deal. At least the real deal-to-be.

Except Dani’s kind of boring. I can’t remember a single significant moment she had. Do you?

sarah-connor-young-linda-hamilton
Come with her if you want to live.

Sarah Connor…is back

And the long awaited return of Sarah? Of Linda Hamilton reprising the iconic role?

Well, for one thing, she needs to lay off the cigarettes, since her vocal cords are shot. And she’s really, REALLY bitter. Not that I wouldn’t be too, after running away from several Terminators, losing her lover, losing her son, getting locked down in a facility for the criminally insane, and being wanted —  apparently — in all 50 states.

Hamilton does a great job in the role, fitting easily back into her Sarah Connor persona, but it kind of hurt to see how awful life treated her character, and how little she had left to live for. She is brittle, and so, so damaged. It’s got to suck when an ex-Terminator who killed your son has a nice home, a good job and loving family, and you’re alone and on the run…with nothing but hardship and a lifetime of regrets. While the Terminator franchise depicts an apocalyptic near-future and isn’t intended to be a happy story, it’s just not fun to see characters you care about living in such pain for so long. No wonder Sarah drinks herself to sleep every night.

At least she was up to date enough on her film history to realize the first “death” of the Rev-9 was bogus. That made me smile. Linda Hamilton wasn’t married to James Cameron for nothing.

I’m going to go back to the John thing. I understand it’s cool to see a woman herself being the hope of humanity vs a just another Mother Mary, but there really was no need to off poor John. It actually makes me angry that I cared about the series at all. It retroactively makes the first two wonderful Terminator movies pointless.

So, I had to see Dark Fate again

I saw Dark Fate twice to see if I’m just being too picky about all this. Well…the answer is no. I’m not. Right now I feel betrayed, like I did with Aliens 3, when they unceremoniously killed off Newt and Hicks. That STILL bothers me, and I can’t really appreciate this new Terminator entry until I come to terms with what they’ve done.

I’ll say this: Dark Fate is probably the third best Terminator film, but not as good as the Terminator TV series. Damning with faint praise?

It seems like it, but honestly, in spite of my annoyance, Dark Fate really is a good movie.

dark-fate-grace
Strictly human or not, she kicked some serious machine butt.

Judgement Day: Now What?

One final thing. It does seem the Terminator franchise posits that we’re going to have an AI apocalypse, in any possible timeline, no matter how we try to prevent it. Skynet, Cyberdyne, Legion, Google, whatever. As Thanos would say: Judgement Day is… inevitable.

Chew on that.

Movie Grade: B+

Ranking the Terminator Movies

Official Movie Review – Terminator: Dark Fate

Movie Review – The Terminator

Terminator TV Series: The Carlenator

In Defense of Terminator 3

 

 

Official Movie Review – Terminator: Dark Fate

Movie Review - Terminator: Dark FateAll things considered, I’d say Terminator: Dark Fate is a worthy successor to the 1991 Terminator 2. After 28 years, 3 other Terminator movies — plus a TV show — it’s hard to think of Dark Fate as the 3rd movie in a trilogy, but that’s where it belongs.

Dark Fate had the potential to be an A, even A+ movie. The bones are there, but the flesh has a few too many blemishes. However, I think it earned a good B+ grade.

The action scenes won’t disappoint; they come early and often, and really pack a punch. If anything, there was too much action early, because by the end it feels a little anticlimactic.

Hands down, the best thing about this movie is Mackenzie Davis as Grace. She steals every scene she’s in — which is most of the movie. Her action scenes are creative, and she has the physique to make her character believable.

Kudos to the writers for giving Sarah Connor’s character a great return. Her character arc from the end of T2 to now works, and Linda Hamilton rocks the gritty, sarcastic attitude of her aged character.

My single biggest complaint is that the new character of Dani Ramos has some problems. After seeing the movie with my wife and mother, we all agreed she was the weak link. Upon further consideration, I don’t think it’s the actress’s (Natalia Reyes) fault. The writing for her character was caught in a conflict that just wasn’t going to work well. I’ll get to that in more depth below in the spoilers section.

Spoilers For Terminator Dark Fate Below
I’m including this in the spoilers section because I’m not 100% sure everyone knows Arnold Schwarzenegger is in this movie. First, I want to point out that I love the direction the writers took Arnold’s Terminator character. I was expecting something fresh and got it. Arnold’s scenes with Sarah were pure gold. It’s really cool to see them come full circle.

Here’s the conundrum the writers created for the character Dani: as the story develops, the audience is lead to believe, mainly due to dialog by Sarah Connor, that Dani is the “new Sarah” and that she’ll give birth to the leader of the resistance. However, as we later discover, Dani is the leader of the resistance herself.

In a perfect world, when the twist is revealed, the writers want the audience to think: Gee, I didn’t see that coming, but now that you think about it, the clues were right there.

That’s a tricky plot twist to pull off, and quite a challenge for the writers to undertake. I think they at least deserve kudos for trying. And I’m not saying they failed miserably. They just didn’t do a great job.

The problem: if they make Dani’s character appear strong and competent,  it will be obvious she’s the resistance leader. Therefore, they have to hide those attributes. At the same time, if they don’t make Dani appear strong and confident, then when the twist is revealed, it feels unrealistic.

Early in the movie we see Dani as the leader of her household, inspiring her brother, giving her father chores to do. It’s simple, but it shows she knows how to manage. When she and her brother arrive at the factory where they work and discover that her brother’s job has been replaced by a robot, she tells her brother to do her job…while she goes and complains to the manager. She ignores her superiors along the way, who advise her it’s not her place to question management. That’s another subtle nod to her confidence and “take charge” style.

After that point, she does nothing but cry over the loved ones she lost, and continually puts herself at needless risk as she questions (and sometimes ignores) Grace’s  guidance.

But it could have gone another way. The writers could have chosen to skip the twist at the end, in favor of jumping all over it from the very start. Make it obvious that Dani is a natural leader right from the beginning and never let up.

When Sarah Connor shows up and assumes — because Dani is a woman and the resistance sent her a protector back in time — that Dani is the womb of the future, then Dani can turn the tables on Sarah, and point out that times have changed, and women don’t need to just be vessels anymore.

I get it; writers like to be subtle — especially good writers — but it’s not always the best choice. I think on this occasion, setting up a conflict between Dani and Sarah as the same (but different) would have worked better.

One twist I did like about this story is that Judgement Day isn’t caused by Skynet.  It’s a completely different AI — created for the same basic objective — that becomes the downfall of civilization.

Essentially…saying that one way or another, an AI apocalypse is inevitable. 

Grade: B+

About The Peetimes: This movie is really packed with action, but I made sure none of the Peetimes contained action scenes. Of the 3 Peetimes, I would recommend the 2nd one. It’s near the middle of the movie and nothing important happens. The 3rd Peetime isn’t bad, but it’s definitely the worst of the bunch. There are a few good one-liners that you’ll miss.

There are no extra scenes during, or after, the end credits of Terminator: Dark Fate. (What we mean by Anything Extra.)

Rated (R) for violence throughout, language and brief nudity
Genres: Action, Adventure, Sci-Fi

Read Rob Williams’ Terminator review: Grade A.

Ranking the Terminator Movies

sarah-connor-young-linda-hamilton
No fate but what we make. (Man, does Linda Hamilton look young!)

Well, cool, I just rewatched the entire run of Terminator movies and realized it will be easier to rank them in order of greatness than I thought. For each movie (I’ll get to the TV show later), the best to worst go in order of first to last created. That made it easy!  How often does that happen? Here we go, and YES THERE ARE TERMINATOR SPOILERS through Genisys, but not through Dark Fate:

The Terminator Movies, ranked from best movie to worst:

    1. The Original movie (1984) — I realize that T2: Judgment Day is most people’s favorite Terminator outing, but for me it lacks the excitement and character building — and pure 80s fun — of the classic first time. Here’s my enthusiastic rewatch review of the classic film where Arnold first promised he’d “be back.”
    2. T2: Judgment Day (1991) — Although I wasn’t fond of the young John Connor portrayal, this was the movie that made me ugly cry when Sarah was about to shoot Miles Dyson, before backing off when realizing he was a good man. I was glad she couldn’t do it. When Dyson sacrificed himself, I kept on crying. There’s a lot of humor in T2 (some of it a bit silly), and it’s a very exciting sequel. There’s still just nothing like the first thrill ride in 1984. Linda Hamilton and Arnold really sold Judgment Day, but the whole Hasta La Vista attitude and focus on a young John trying to teach an AI to be ‘cute’ was…well… a bit too cute. This wasn’t as thoughtful as the original, and the move of focus from Sarah/Kyle to a juvenile delinquent John was less gripping. I’m not sure why T2 is most people’s favorite, but feel free to tell me why I’m wrong in the comments below.
    3. T3: Rise of the Machines (2003) — I remember thinking this wasn’t as cool as the first two, but I think it was the lack of Linda Hamilton here, back in the early millennium. In my recent watch (all of them in one week, right after another), I now realize a few things: this is the best John Connor portrayal ever (TV show aside), Claire Danes was just lovely in the part, Arnold did a fine job in his three-quel, and the story ended up with an actual Judgment Day. All good stuff, as Golden Man wrote in his Defense of T3. If Hamilton had to bow out, I’m not going to complain about going after John’s best soldiers. My main problem is with the female Terminator. She was…fine. Not awesome, like Robert Patrick in T2. I’d have loved to see some of the sneaky wry moments Patrick imbued his T-1000 with. And he was a LOT scarier. Kristanna Loken as the third Terminator was frankly a bit dull. Sure, it was cool to have a female Terminator, but Summer Glau, in the Terminator TV series, showed that we could have had a lot more. Still, T3 felt like a Terminator film.
    4. T4: Salvation (2009) — I liked Salvation but it didn’t FEEL like the previous movies. There were nods to the previous films, but the tone was off. I think they should have added a half hour of character development & ensemble moments (like in Aliens, as a perfect example), added some more humor. It would have been just lovely. Another issue: it almost looked like T4 was filmed in black and white, which didn’t work for me. Everything was washed out or too dim. And a lot of great actors amassed for T4 were kind of wasted. For example: why get someone like Michael Ironside if you don’t write him some good lines? No wonder he didn’t even try to make anything of his part. I liked the film, I liked it….it just should have been a lot better. It did pick up with the character Kate from T3, which I appreciated, but most of the character writing felt lazy. One thing that does stand out now was how sad it to see a super young Anton Yelchin as Kyle Reese. I didn’t realize he was in Salvation. Awwww. 🙁  Yelchin did do a nice job coming across as a young scared-but-resolute soldier who John needed to train up. I could see the producers were going for a Terminator/Aliens/Matrix look, but it really didn’t go beyond moments of homage to better material.
    5. T5: Genisys (2015)  Well, this one hits the bottom of the Terminator barrel. I didn’t hate it, or even dislike it, but I can’t say it was good. I’m not sure it fit within the timeline cannon the others all followed so nicely, Dyson dad and son revisititations aside. And where was Kate, John’s wife? Going back to another timeline to follow Han Solo’s girlfriend was fine (ha! I only understand this reference from my re-watch), and ‘Pops’ was cool and all, but what the writers did with John Connor was inexcusable. Hello, WTF? The John actor didn’t look right, didn’t act the part, and his existence as a Terminator was a kick in the gut to anyone who cared about the franchise. I didn’t enjoy this one at all, although it wasn’t a ‘bad’ movie. It just didn’t sit well and made me a little angry. What were the writers thinking, crapping on the John Connor character? This was a misfire on so many levels, even though Arnold and Co gave it a good shot. Like I said, this wasn’t a bad sci fi film, and it was an okay “alternate timeline” for Sarah Connor, but it was too moody and…well, weird. I really hope the soft reboot of Terminator: Dark Fate returns to the adventurous tone and epic storytelling we saw in T1 and T2. 

Bonus extra: The TV Show: The Sarah Connor Chronicles (2008-09) —

The TV show used an alternate timeline, with yet other Sarah and John actors, but was so damn great that it was a joy to watch as a serialized story on TV. Summer Glau made a wonderful Terminator. I wasn’t thrilled with Lena Headley’s Sarah, but everyone else knocked my socks off, and I was very excited to see how the narrative would progress.

Unfortunately, we never got to see that. When it was cancelled, I was sad. Not as sad, mind you, as when Firefly (another Summer Glau show) was cast aside before its time, but still a bit adrift. I wish I’d known where the John Henry/Cromartie story was headed…and what the final trip to the future was about, and where the loyalties of Shirley Manson’s Terminator were leading us…but we’ll never know.

So how to rank the TV show?

Honestly, it had so much potential. I’d rank it after T2, personally, although it really only got exciting in the second season and left us hanging for the third. I’d watch it again, absolutely. At least this time I’d be prepared for the looming permanent hiatus status, and could appreciate what we did get.

Terminator: Dark Fate Well, howdy ho; I’m excited. I’ll be seeing this one shortly, and understand the story picks up right after T2, creating cannon waste to everything that came after 1991. I’m okay with this, since Sarah, in the timeline from T3 and on, is dead.

And now what?

I won’t hide that I dislike reboots in general (Ron Moore’s Battlestar Galactica aside), but if Linda Hamilton and Arnold himself are co-signing this new edition, I’m totally on-board. Where it will fit in the overall rankings remains to be seen. Soon, soon…

A bit older, a lot wiser.

What is your ranking of the Terminator franchise?