It was an amazing expose that has reignited the media and informed the public about this company and its subsidiaries.
I found this movie inspirational because it depicted the hard work of a lawyer who dedicated more than a decade of his life to see justice prevail.
It was eye-opening for me because so often, as consumers, we trust the government and corporations — believing that they would never intentionally harm us.
I think the take away from this is to be an investigative consumer, especially when it comes to things that affect our health.
Grade: B+
About The Peetimes:The filmmakers had to culminate many years of information into 2 hours, so there weren’t many irrelevant scenes. There were some awe-striking moments that I think viewers should watch and so I tried very hard to not select Peetimes that would cut into those scenes. Though not easy, I was able to get 3 Peetimes throughout the movie.
Watching movies in theaters is an indescribable experience for me. This, doing laundry, and visiting the Container Store bring me true joy. When I’m not watching movies or getting Peetimes, I like keeping up with the latest technology, learning to code, and building things. Career wise, my passion lies with improving access and equity within the health, tech, and social sectors.
I just smiled my ass off for 95 minutes. And you will too, if you’ve loved Galaxy Quest since it premiered in 1999. I’ve been telling everyone in earshot for decades that Galaxy Quest is one of the best “Star Trek” movies ever made. It was kind of fun to hear this exact sentiment expressed in Never Surrender: A Galaxy Quest Documentary, which played for one night at my AMC theater, to a packed and happy room.
If you’re a fan of The Orville and you haven’t seen Galaxy Quest, that’s a legit sin. On the other hand, if you decide to watch it now, you’re in for a special treat. In fact, I’d bet good money Seth McFarlane is a GQ fan. He’s managed to walk the narrative line between Galaxy Quest comedy and epic cannon Trek for two beloved Orville seasons already, with a third on the way.
As I said, the theater room for Never Surrender was packed with fans for the one-night engagement. People cheered, clapped, laughed, and shouted out popular lines from GQ. In fact, we clapped like Thermians. And if you remember what a Thermian is, you just might be a geek. 🙂
Nice touches in Never Surrender
Wil Wheaton (Wesley Crusher) and Brent Spiner (Data) are interviewed and showed a lot of enthusiasm for Galaxy Quest. That’s a bit of awesome. I hope you aren’t wondering who Wesley and Data are: I’m certainly not going to tell you. If you appreciated Galaxy Quest, you’re probably familiar with Star Trek: The Next Generation. (Ooops, I just gave it away.) Spiner even reported that Patrick [Stewart] said, “I love this film.”
BTW, Spiner does a pretty good Captain Picard impression.
It was also lovely (and sad) to see Alan Rickman behind the scenes. Apparently he was a lot of fun to work with. And since I had just watched A Beautiful Day in the Neighborhoodright before Never Surrender, I got to watch Enrico Colantoni in two movies in one day. I do like his work.
In another coincidence, the night before I watched an episode ofHercules: The Legendary Journeys, where Herc is in a labyrinth full of elaborate and deadly traps (season 2 episode 3: What’s In A Name). One scene is INCREDIBLY reminiscent of the “Who builds these things?” scene in Galaxy Quest, where the heroes have to pass a chamber full of gigantic metal posts bashing together. Again, if you’re a fan, you know this scene. I enjoyed seeing Hercules making a blatant homage.
And seriously, good point. Someone should make a list of all the vast, unexplained abysses in Star Wars movies, and weird dangerous chambers full of deadly grinding gears — one even made it into Guardians of the Galaxy, which the documentary revealed was partly inspired by Galaxy Quest.
How Galaxy Quest could have been
One thing I never knew: GQ was originally written as an R rated film. They had to remove some scenes and redub some lines to get it down the PG rating the studio wanted. In fact, in the aforementioned “Who builds these?” scene, Sigourney Weaver’s character said “F*ck this”….which was dubbed as “Screw this,” but you can see that her mouth is actually forming the original line. It’s funny either way.
Did you know genre favorite Harold Ramis was originally slated to direct Galaxy Quest? I’d have loved to see his version, but can’t complain with what we got.
It was also interesting to hear the extensive laundry list of A-level actors who turned down the captain’s role, eventually landed by Tim Allen. He was never anyone’s first choice apparently, but Allen did a wonderful near-Shatner portrayal.
The whole cast really clicked, and instead of being a cheap spoof movie, GQ became a real science fiction film with only gentle parody that offended exactly no one. It takes the storytelling a step above and beyond Mel Brooks’ silly Star Wars spoof Spaceballs. (Which I also enjoy, on a different level.)
I don’t think anyone dislikes Galaxy Quest. When Never Surrender: A Galaxy Quest Documentary comes out on streaming platforms, give it a watch…and by Grabthar’s Hammer, you shall be avenged!
Don’t deny it. You know you choked up during this scene:
Co-Creator of RunPee, Chief of Operations, Content Director, and Managing Editor. RunPee Jilly likes galaxy-spanning sci fi, superhero sagas, fantasy films, YA dystopians, action thrillers, chick flicks, and zany comedies, in that order…and possesses an inspiringly small bladder. In fact, that little bladder sparked the creation of RunPee. (Good thing she’s learned to hold it.)
I can’t think of another documentary I’d watch on purpose if’s not about science fiction (for example, later tonight I’m watching the Galaxy Quest retrospective <— see, that’s sci-fi).
But the Fred Rogers documentary is really something special. Partly riding on nostalgia, and partly posited as a wish fulfillment for adults who don’t like who they’ve become, knowing Mr. Rogers loved everybody makes all the difference. And “everybody” includes me. And YOU.
I cried like a baby during the documentary to be reminded that someone likes me. Just exactly the way I am.
So I was excited to catch Tom Hanks’ dramatized version of Fred Rogers. What did I walk away with? A complicated set of feelings.
First off, Hanks was just lovely in the part. At times he sounded a little more like southerner Forrest Gump than Fred Rogers, but the actor freely admitted he never intended to mimic Rogers. He wanted to capture the essence. And in that, I believed him.
When he talked to the camera and told me he liked me, I felt liked. I felt accepted and appreciated. And ultimately, though the film was ostensibly about a jaded reporter and his dysfunctional family — which would normally bore me silly — the message of loving acceptance came shining bright, shining through. The message was sincere and sorely needed in this era of intolerance and hate-mongering.
This is timely. This is needful.
What I didn’t like
I wanted more Fred Rogers. More Tom Hanks. He felt sidelined in his own movie. 75% of the film focuses on Lloyd Vogel (a sort of real, sort of fictional character). Way too much time was spent with Lloyd, his wife, his father, and various family members (the baby was super cute, though). I wasn’t caught up in the ‘reporter angle’. And I’ve been a reporter myself, although in my case that didn’t cause rifts in my family. This is a story ostensibly about Mr. Fred Rogers. I was expecting Lloyd’s tale to be a side-plot.
I realize the movie had to ramp up the drama to be a box office success, but what I didn’t expect was that meant taking the spotlight off Mr. Rogers and his fantasy neighborhood. I am deeply grateful I watched the documentary first, to reacquaint me with Trolley, Picture Picture, King Friday the XIII, and of course Daniel Tiger, since the Tom Hanks film didn’t go there enough. Those too few segments taking place on Fred Rogers’ show were weirdly positioned as a dreamscape. And now it seems I must find those old PBS episodes to feel loved and cherished again.
31 seasons of loving acceptance, crossing several generations
The best moment on Neighborhood was — of all things — on a New York subway. Fred Rogers, recognizable TV star and all, loved taking the Subway. In one scene, people in the subway car gave him the side eye at first, wondering if this was actually Rogers himself. Quickly deciding he was, everyone (including two hardened NYC beat cops) sang his famous Won’t You Be My Neighbor song out loud to honor him. I’ve read this actually happened.
You could see Hanks channeling the joy and gratitude of this beautiful experience. Rogers touched so many, in several generations.
Do you realize the show ran for a mind boggling 31 seasons? How many mothers, fathers, and children grew up hearing his message of tolerance and self-forgiveness? Grew up realizing we are not broken, and are all deserving of unconditional love? That we are liked for who we are.
Did anyone tell you this lately? Do you tell this to the people YOU love?
As I said above, I didn’t care for the focus on the reporter and his family. I realize part of this was based on a real-life experience, but it was just your basic family drama, seen a gazillion times before. Yawn. I’m glad Lloyd learned what heroism really is, but it was all so telegraphed. Yes, he forgives his father. His family comes to realize familial love and ends up happier.
But could we get back to the Kingdom of Make Believe now?
Full Disclosure:
It hurt to see Lloyd’s relationship with his dying father. It hit a little too close to home. My father has a disease that steals him from me day by day. He was always my hero, and now he’s a shell of a person who needs more care than my mother and I can handle. I wish I had Mr. Rogers around to tell me how to handle the difficult emotions this brings up.
Sorry. Maybe that’s too much to share. But, as Mr. Rogers makes a point of telling us in this film, being open, honest, and accepting of things like death is one of our greatest challenges. What he says, actually (and this is deeply hopeful), is that “anything mentionable is handle-able.”
I hope so. As Mulder would say, ” I want to believe.”
And yes, I did cry at the end. I was moved by this singular, loving, kind man. I’m a sucker. I just wished there was more Fred Rogers in it.
Noteworthy observation:
I wouldn’t have noticed this if I didn’t just watch the documentary, but Joanne Rogers (Mr. Roger’s real life wife) makes a brief cameo in the food diner scene. I almost expected her to say, “I’ll have what she’s having,” but that’s another background story for a different type of movie.
Co-Creator of RunPee, Chief of Operations, Content Director, and Managing Editor. RunPee Jilly likes galaxy-spanning sci fi, superhero sagas, fantasy films, YA dystopians, action thrillers, chick flicks, and zany comedies, in that order…and possesses an inspiringly small bladder. In fact, that little bladder sparked the creation of RunPee. (Good thing she’s learned to hold it.)
First of all, big kudos to the writers, Micah Fitzerman-Blue, and Noah Harpster. They put together an amazing story which showcased the brilliance of the beloved Fred Rogers. Although the story was only partially true (the character of Lloyd Vogal was based on writer Tom Junod) the embellishments were there to emphasize the true nature of our….hero.
Tom Hanks, of course, did a spectacular job of capturing the essence of Fred Rogers. The tone of Tom’s voice was a little off, but every inflection and nuance was shown respect by this talented actor. For me, it was in the eyes of Tom Hanks that revealed the absolute perfection in which he portrayed Mr. Rogers. It has been said that Tom has the kindest eyes in Hollywood, and this characteristic translated beautifully into the eyes of Rogers. So beautifully that it should garner, at the very least, an Oscar nod for Supporting Actor.
This is not a children’s movie; they’d be bored senseless. Instead, I believe the target audience are those who grew up watching Mr. Rogers. Or, as it is in my case, had children who watched the show.
I give A Beautiful Day in the Neighborhood a solid ‘A’.
Grade: A
About The Peetimes:I was able to get two good Peetimes in this movie. Both Peetimes have protracted scenes of very little dialog or complete silence as the characters have moments of deep reflection.
There are extra scenes during, or after, the end credits of A Beautiful Day in the Neighbourhood. (What we mean by Anything Extra.)
Rated (PG-13) for some strong thematic material, a brief fight, and some mild language
Genres: Biography, Drama, True life story
RunPee Mom is our emotional bedrock. Without her, RunPee never would have lasted a decade as an app (which is since the dawn of time in internet years). She’s our biggest cheerleader and an unending source of unconditional love. She works cheerfully and tirelessly, seeing any movie we ask of her, writing interesting reviews, and being our…well…MOM. Her genres of choice: kiddie flicks, animated movies, emotional dramas, historical features, war films, diverse biographies, and even dense, diabolically plotted thrillers. She knows more about famous and infamous figures in history than said figures probably knew about themselves. She’s the Quiz Manager for the RunPee.com blog, and our resident movie celebrity/trivia expert. If you’ve taken a RunPee Quiz, you’ve most likely been given a virtual hug by RunPee Mom.
This was a nice way to spend an hour and (nearly) three quarters. Lots of lovely visuals, chemistry between the cast, and a few thrills thrown in for good measure.
I’m not sure how much of the visuals are CGI, but a good proportion of them are. Nothing in London is taller than the Clock Tower of the Palace of Westminster. (Big Ben for you non-pedants!) The air is quite clear, and there wasn’t one aeroplane, so there couldn’t be much live footage. Also the actual ballooning was done in the Midlands so they wouldn’t accidentally splash down in the Thames. Still, it was all very pretty and nicely done.
The cast seemed to work well together, but then Felicity Jones and Eddie Redmayne proved they can work together on The Theory Of Everything.
One slight niggle is that Himesh Patel seems to have a lot of presence in the publicity but his actual screen time is quite low, perchance a case of cashing in on the success of Yesterday?
The thrills come from the fact that it is a (partly true) story of the early days of aviation meteorology, when they didn’t know how atmospheric pressure, temperature, and content varied when you went so far up, but I’ll say no more on that subject.
It deserves to be seen at least once on the big screen to appreciate the visuals, but it will have a longer life as a passably pleasing way of passing a wet Sunday afternoon.
Grade: B
About The Peetimes:This movie has some stunning scenery, and a lot of it. I did my best to avoid the pretty bits in the Peetimes.
Former teacher, lecturer, homelessness administrator, pharmacy dispenser now happily retired, happily married, and a very happy granddad. I live next to the Mersey but on the side Daniel Craig and Taron Egerton come from rather than the side the Beatles came from!
As many of you know, I am a fan of biopics. I said to myself, “Self, is Hollywood going to mess this story up?” But, surprisingly, they didn’t let me down. Harriet is a must-see for sure. Given that many people may not know the full story about Harriet Tubman, this movie does a good job with the golden nuggets about who she was and how she became one of the most renowned conductors of the Underground Railroad.
While watching, I didn’t feel as if the scenes were over dramatic or over saturated with the use of the N-word. The drama, location, and subtle use of humor were blended nicely for such grim subject matter.
The actors did a great job! I can never get enough of Janelle Monáe.
Cynthia Erivo played an excellent Harriet, although many of us may still be partial to Cicely Tyson in that role in 1978. Cynthia also sang one of the songs on the soundtrack — Stand Up. It will raise the hairs on your skin. Speaking of the soundtrack, you might add this one to your musical playlist; it’s hella good.
A couple of quick things that resonated for me. There’s a part in the movie where Harriet makes up her mind to go back to rescue others. Marie, played by Janelle Monáe, teaches Harriet how to blend in and not look or sound like a slave. That scene validated what I tell the women I mentor all the time. Don’t dress like the job you have; dress like the job you want.
The last thing that was paramount in Harriet’s journey was her realizing what her journey was all about. She went back with one mission, but she quickly had to shift gears when she learned that wasn’t her mission at all. That was the moment her real transformation into a courageous, strong-minded, ingenious hero began.
There’s a lot more I can say about this movie but I’ll stop here for now. Feel free to share your thoughts below. I want to know what resonated with you about the movie.
Grade: A
About The Peetimes:It wasn’t too difficult selecting Peetimes. This is a biopic about a well-known figure in American and Canadian history; therefore, sensitivity to the plot was imperative. There are 3 Peetimes. I recommend the 2nd Peetime.
Rated (PG-13) for thematic content throughout, violent material and language including racial epithets
Genres: Biography, Drama, History, True life story
DanaSimone!’s love for movies and AMC Theaters started when she was a youngster in Detroit. By day, she saves the world from financial ruin, and by night wears a superwoman cape (literally) as a mom, wife, speaker, philanthropist, travel agent, and up-and-coming social media influencer. She’s the creator of the #FemaleMasterpiece empowerment movement and a former talk show host. Stalk her on YouTube channel “DanaSimone!”and check our her cool app.
Unless there’s some compelling reason you have for seeing this movie in the theater, I think it would make an excellent movie night at home when it’s streaming online, or on DVD.
The only negative thing I have to say about this movie is that the pacing goes way too fast. The scenes cut back and forth between settings way too fast. A long scene in this movie is probably only 3 minutes long, and there’s few of them.
I think this movie could have been much better if it were 30 (or even 45) minutes longer. I felt like I was watching a movie and not experiencing a movie — if that makes any sense.
The casting and acting were good, but not great. It was cool to see Dr. Strange and Spider-Man side by side for a few scenes. But honestly, I think the character of Mr. Insull was totally wasted on Tom Holland. Not that Tom did a bad job — there just wasn’t anything in the script for him to work with.
If there’s one place the movie totally fails, it’s that they focus on the main characters and plot at the expense of establishing just how profoundly impactful electric lights were to the common man.
Can you remember that feeling the first time you used a smartphone? Now take that and multiply by a billion. Humanity had lived forever in darkness, minus a candle or campfire, until the advent of electric lights. (Yes, there were oil lamps on streets in select cities, but even that was ultra new.)
Electric lights, along with the phonograph and telephone, were nothing short of the introduction of magic. They just scratched the surface of expressing that in the movie.
Grade: C+
About The Peetimes:It was hard to get Peetimes for this movie because it cut from one short scene to another fairly consistently. Most of the longer scenes were too important, and full of dialog, to use as Peetimes. I have three Peetimes spaced through the movie. I can’t really say than any one of them is better or worse than the others.
Creator and developer of the RunPee app. When something doesn’t work right in the app it’s pretty much his fault. 🙂
Aspiring author. Would like to finish his “Zombie Revelations” trilogy if he could break away for working on RunPee and the cottage he’s building for RunPee Mom.
I was sitting in the theater watching Judy when I realized I’m the target audience. I grew up idolizing this gifted woman and was well aware of her continuous struggles to rid herself of the demons that seemed to dictate her life. So I feel most qualified to review this movie.
When you see Renee Zellweger’s interpretation of Judy Garland, you’ll see why everyone (that matters) is raving about her performance. Some people (who really don’t matter) are panning Renee’s performance as over-exaggerated and off-key.
I think perhaps these people didn’t grow up knowing the real Judy Garland — they only know Dorothy Gale. Renee’s gesticulations were spot on. And because Renee’s voice didn’t reflect the golden tones of a sixteen year old girl singing about rainbows and such, she was unduly criticized. Director Rupert Goold explained that during 1969, Judy’s voice was older, and the years had not been nice to her vocal cords, nor the rest of her body. In short, Renee nailed it. Move over Oscar #1, Mamma’s bringing home Oscar #2.
I have to say that in my theater the demographics were couples over sixty. I spoke with several couples who found, just as I did, that Renee’s interpretation was spot-on. I fear that movie-goers younger than fifty will not get the same enjoyment as the baby boomers will have. But this does not include folks under fifty who actually have very good cinematic taste.
In all respects, this is an excellent movie; well acted, directed, and written. Also, major kudos to the costume and makeup departments. I see an Oscar nod in their future. BTW, the ending alone is worth the price of a ticket.
Grade: A
About The Peetimes:About midway through the movie I’ve given you a 5 minute break. You may want to take advantage of this Peetime, because it’s the last one, and there’s still about another half hour of the movie left.
RunPee.com owes RunPee Sis a huge debt of gratitude. She sees any movie needed with no complaints and has done so for ten years (even basing Thanksgiving and Christmas family festivities around the seeing films). In 2015 Sis ran the entire RunPee enterprise herself, while RunPee Dan, Jilly and Mom went traipsing off to Europe. Sis is the spider in the web holding the RunPee family together — besides being a funny, well rounded person, and a joyous pleasure to be around. Her favorite films start and end with horror (which thank goodness she’s happy to see, since most of us don’t have the stomach for it) — but also likes silly comedies, sad dramas, and musicals of all types. If you’ve used a Peetime for a scary film, you probably have RunPee Sis to thank for it.
Favorite movie genre: Horror, horror, and more horror. The more disturbing, the better. Period.
I really love movies based on a true story. I’m always curious to see how the storyline will play out, and if it seems grossly embellished or not. Brian Banks is relatable and “reel” on so many levels.
Yes, this movie can be categorized into the files of the “MeToo Movement” for sure, but with a little twist, and intense and valid emotions throughout the whole movie.
The actors were very good, and I’m a huge fan of Morgan Freeman. Freeman is not one of the main characters; he is a catalyst to the transformation of Brian Banks. Morgan is never bad; he’s like the godfather of movies. He shows up and shows out at the most opportune moments.
Was He Like the Real Brian Banks?
I watched interviews with the real Brian Banks before going to see the onscreen depiction, just to be able to validate whether Aldis Hodge (Brain Banks) gave us a top notch reflection of the real guy.
And Aldis did. His movements, diction, and emotions were on target. Now, I’m not sure about seeing Aldis in another movie involving him in jail though, which comes out December 2019. I clutched my pearls with confusion when I saw the trailer for Clemency immediately before the Brian Banks Movie started. I thought Brian Banks had begun, and that I missed the cue to start my timer. LOL! But I digress…
The pace was good for one hour and 39 minutes. The use of flashback scenes were very effective, especially toward the end when Brian was waiting to hear the judge’s decision. All the critical moments in his life flashed before him as he awaited yet another moment that would change his life.
An Insightful Film
What I found very insightful was how the director explored the dynamics behind criminal law. He peeled a lot of the onion back to reveal crucial case law, how attorneys collaborate, and why some things are presented in the courtroom or not.
I especially liked that, because I know I sometimes ask myself, “Self, why didn’t they say this?” “Why wasn’t that important?” or “What in the heck was the judge thinking?”
So pay attention to the law narrative. I also liked how there were lots of plot pieces, but the director pretty much flushed them all out to the end;he didn’t leave me hanging.
Everyone had a connection to Brian’s struggle directly or indirectly, including his workout partner. Ultimately, I was tuned in to see if the plot was realistic and believable for such an event that happened to teenagers. And I was elated that the plot made you think and get watery-eyed; not frown and question the likelihood of the tragedy.
The use of light was very emotional; reminded me of an epiphany at its best. Another thing that resonated was the “tether.” The tether took me back to Jordan Peele’s movie Us. I admired how the director ended the movie at the exact location where the movie and Brian Bank’s dreams started.
Check it out for yourself, and take your teenagers, because when they know better, they will certainly do better. We have to teach/show our children how to stop and think about the “what ifs” on a daily basis, thus to matriculate through life without becoming a part of the existing societal problems — instead becoming an intelligent, good-natured, ethical citizen that’s part of the solutions.
(By the way, for those that may be running late, there were 24 minutes of previews in my showing.)
Grade: B-
About The Peetimes:It wasn’t difficult selecting Peetimes, given this is a biopic, and I knew a little about the back story — which gave me some perspective. I recommend the 1st Peetime.
DanaSimone!’s love for movies and AMC Theaters started when she was a youngster in Detroit. By day, she saves the world from financial ruin, and by night wears a superwoman cape (literally) as a mom, wife, speaker, philanthropist, travel agent, and up-and-coming social media influencer. She’s the creator of the #FemaleMasterpiece empowerment movement and a former talk show host. Stalk her on YouTube channel “DanaSimone!”and check our her cool app.
I had a hard time with this review. Rocketman is both extraordinary (in costuming, sound, and visual sequences) and by-the-numbers (a creative life plagued by inner demons).
Elton John’s musical biopic is a grand fantasy with exciting numbers that feel like a top notch Broadway extravaganza. It’s got great pacing, fun set-pieces, an ideal cast, and a very special find in Taron Egerton.
Egerton looks like John, acts like him — and best of all — sounds like him. Except for the original Elton John song played over the end credits, Egerton does ALL his own singing. That’s no small feat. He’s simply brilliant. Egerton more than inhabits the role.
Taron Edgerton is Elton John in Rocketman
Rocketman is also very depressing. John has exactly two people in his life who are nice to him — his grandmother, and his long-time best friend and lyricist, Bernie Taupin. Everyone else is either mildly abusive or veryabusive. That isn’t fun to watch. Almost everything between the rollicking tunes is about John’s sorrow, loneliness, obsessions, addictions, self-loathing, and an insane ability to absorb decades of personal torment…but somehow still be a beloved worldwide pop-culture phenomenon.
Was John’s life really this difficult? How much of this tale is true? Or did they make things so awful for John’s film character just to ‘liven things up’?
I don’t think you have to be a personal disaster to be a creative icon. But what do I know?
Since John’s alive (unlike, say, Freddie Mercury), these questions are askable. Reportedly John was so happy with Rocketman that he cried with joy to Egerton after his personal screening. I’d like to know specifically what parts gave him that joy. I just want to know if his life was/wasn’t that awful.
Our rocketman, in lights.
A friend told me no one wants to watch movies about creative happy people. I’d love to condemn that statement, but I’m also told I have an atypical POV on entertainment. I like to have a fun time at the theater. I want to go home feeling like a damn superhero. If I want turmoil and drama, there’s enough of that in the day-to-day. Or I could simply watch the news.
So, if you’re an emotional sponge who found A Star is Born and Bohemian Rhapsody dismaying, just stay home and watch all your favorite Elton John songs on You Tube. Eventually every cool musical performance by Egerton will appear too, so you can realistically catch 90% of Rocketman for free. (There were so many songs in Rocketman that finding even three non-musical minutes for Peetimes was a challenge.)
But should you see this? Almost every review of Rocketman RAVES on it. It’s super ingenious from start to end. Many sequences are absolutely in the realm of fantasy, but somehow it all works flawlessly as a biopic. The flick is probably destined to become almost as iconic as the legend himself. Rocketman makes Bohemian Rhapsody look like a documentary.
I’m giving Rocketman a solid A for being so lovingly, thoughtfully, gorgeously made. It’s a remarkable film on many levels — not the least being the framing sequences with John’s outrageous demon costume slowly shedding away, as the inner man reveals himself.
If you can handle intense drug and suicide themes, you’ll enjoy this Elton John tribute. It’s also worth it just for catching Egerton’s performance: there will be awards, without a doubt.
Finally, I’m genuinely happy Elton John is alive to see his film — and if the credit notes are true, things worked out happily in the end. 🙂
Grade: A
Fun with the RunPee #MovieMeme. Taron Egerton had literally big shoes to fill, but more than pulled it off in Rocketman.
About The Peetimes:As expected, this was a tough film to find Peetimes for, packed with iconic musical performances and hugely emotional scenes. The first 2 Peetimes are pretty good: I recommend the 2nd at 42 minutes — a nice long break. I avoided any major Elton John songs, as I assume these are what you came to see.
Co-Creator of RunPee, Chief of Operations, Content Director, and Managing Editor. RunPee Jilly likes galaxy-spanning sci fi, superhero sagas, fantasy films, YA dystopians, action thrillers, chick flicks, and zany comedies, in that order…and possesses an inspiringly small bladder. In fact, that little bladder sparked the creation of RunPee. (Good thing she’s learned to hold it.)
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It was an amazing expose that has reignited the media and informed the public about this company and its subsidiaries.
