Movie Review – Adrift

Adrift is both more and less than I expected. I expected long, languid scenes of a sailboat floating aimlessly at sea; I expected storms; I expected frequent stretches where Tami (Shailene Woodley) learns to sail. Those bits were in there. What I didn’t expect: the absence of any kind of compelling narrative in what should have been a gripping tale of survival, guts, and grit.

I’m not putting it down lightly. It looked like a fantastic movie from the trailers. I personally like  disaster stories, and will hang in there for extended stretches of silence if the action, plot, or characterization is good enough.

Or even if the scenery is good enough.

Making ocean scenes pretty should be an easy task, but everything in Adrift was fraught with glare. That might have been a creative choice to impart a sense of peril, but I feel it’s just a missed opportunity. Instead of offering a great cinematic experience, it comes across like a documentary. Worse, a cheap one.

I wondered previously if Woodley was seasoned enough to carry an entire movie — and in fact almost an entirely silent one — on her back. The answer shown here is: no, she can’t, at least not yet. Emily Blunt would have knocked it out of the park. (In fact, in the recently fantastic  A Quiet Place, Blunt did just that — with less dialog.)

I think the non-linear storytelling device hampers any attempt to build tension, stamping the movie with the cardinal sin of being boring. Adrift should have been told in a straightforward manner, starting with Tami meeting Richard, getting to know him, talking about their journey, and setting off towards disaster. Instead, we start in the immediate aftermath of the event. From then on, the story shuffles between three different timelines. Every time things start to build any emotional resonance, the direction cuts to somewhere else.

I’m not saying every movie has to follow a linear narrative, but what Adrift attempted to do didn’t work. If you are going for an artsy route, you need the right directorial experience, with high-caliber actors to pull it off.

In any case, it made finding Peetimes pretty easy: there really was only one scene where you can’t hop out to the bathroom.

This film is apparently based on a true story, and maybe there just wasn’t enough meat in the sandwich…but you know you’re in trouble when a short movie like this still feels too long.

Movie Grade: C-

SPOILER TO FOLLOW:

 

 

I think the choice of having there be a surprise twist felt cheap. I expected the character of Richard to be a co-starring role, not an almost silent phantom. All their lines together were probably in the trailers, leading me to think that they would work together to get out of their mess – him via talking her through it, her by learning from his commands. Instead, we have a sort of Life of Pi/Fight Club/The 6th Sense scenario going on. Those movies are top notch and earned their endings. This one just sort of…happened. Since I had no investment in anything onscreen by then, the big reveal felt pointless.

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Here are links to the true-life book Adrift was based on, plus A Quiet Place, which we can’t say enough good things about: 

RunPee Review of A Quiet Place (with Spoilers)

RunPee Review of A Quiet Place, No Spoilers

Adrift Movie Trailers

I’m interested to see this take on yet another survival story – I always enjoy those. This time, the setting is somewhere at sea, with the added complication of the only experienced sailor incapacitated, and possibly dying.  The word is that this movie is based on a true story – I would guess loosely based, for dramatic reasons, or to compress a long accounting of perhaps endless days drifting lost the ocean. I would guess already that any ‘time passing’ at sea montages will make great Peetimes. We’re never actually sure until we see the movie and make our notes, so you’ll want to load up the RunPee app and keep it ready for when you see Adrift.

An early Adrift Trailer:

The final Adrift Trailer:

We think it looks good from this side of things. Shailene Woodley is turning into a versatile actress. I hope her performance is up to this one…it looks like she will have to carry the entire film, with probably very little dialog. I know someone experienced like Emily Blunt could do it (Blunt can do anything), but Woodley is still comparatively untested.

Other Movies Featuring Shailene Woodley:

Movie Review – Geostorm

The only reason I would give this movie a C- is because the production values are decent; otherwise this movie falls flat in every respect.

The acting is forgettable. It’s hard to completely fault the actors, because the script they had to work with just doesn’t have any zing to it.

The plot was ridiculous. I guess the only good thing to say about the plot is that it’s easy to follow. But then again, why bother with a plot at all? This movie is the *Sharknado* of weather movies, but it tries to come off as something plausible, which is an insult to anyone with a brain.

As for the CGI: that was really good. There just wasn’t enough of it. If you saw the trailer for this movie then you got all the best parts.

Okay, now I’m going to be a little nit picky here. I understand that most science fiction films require at least a little bit of a suspension of disbelief. For instance, there’s no way to freeze an ocean wave just as it breaks, because, you know, ocean water is salty and so it doesn’t work that way. But whatever; it looks cool, so let’s go with it. What really annoys me is when they do stupid things that they don’t need to. Right in the beginning of the movie we see our main character in a space shuttle. At one point he unbuckles his seat belt and floats up to the window to look at the space station. The only problem is we can hear, and see, that the shuttle engines are still firing. So, the shuttle would be accelerating, and therefore he wouldn’t be able to float. He would still be pressed back into his seat. That sort of mistake is tiny, but it’s like making a grammatical error on your resume. Common, it’s really simple: get the basic stuff right.

*Geostorm* is a low-rent *Armageddon* without the humor, and *Deep Impact* without any impact. Wait for the DVD on this one.

Rating: C-