“Azrael,” a film that aims to deliver a haunting experience, unfortunately falls short on multiple fronts. One of the most glaring issues is the absence of dialogue, which may have been intended to create an atmospheric silence but instead renders the narrative dull and unengaging. The lack of communication leaves viewers grasping for context and connection with the characters, leading to a frustrating experience.
Additionally, the acting in “Azrael” is subpar, failing to convey the emotional depth that the storyline requires. The performances come off as wooden and uninspired, making it difficult to empathize with the characters or invest in their journeys. Instead of evoking fear or intrigue, the actors’ attempts at conveying tension often result in awkward moments that only add to the film’s overall lethargy.
With its slow pacing and repetitive scenes, “Azrael” struggles to maintain viewer interest . The prolonged sequences, devoid of action or meaningful development, contribute to a sense of boredom that is difficult to shake off. Overall, “Azrael” feels like a missed opportunity, muddled by poor execution and a lack of engaging content, leaving audiences wishing for more substance in both dialogue and performance.
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Grade: F
About The Peetimes: There are 2 Peetimes to choose from. They were pretty easy to sum up since there is no dialogue in this movie.
There are no extra scenes during, or after, the end credits of Azrael.
| Rated: | (R) Gore | Strong Bloody Violence |
| Genres: | Action, Horror |
| Starring: | Samara Weaving, Vic Carmen Sonne, Nathan Stewart-Jarrett |
| Director: | E.L. Katz |
| Writer(s): | Simon Barrett |
| Language: | English |
| Country: | Estonia, United States |
Plot
In a world where no one speaks, a devout female hunts down a young woman who has escaped her imprisonment. Recaptured by its ruthless leaders, Azrael is due to be sacrificed to pacify an ancient evil deep within the surrounding wi…
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