Frozen Adventures You May Have Missed

Disney has finally given in to the demands of countless children, and made a sequel to their hit film Frozen.  I already have my tickets and will be seeing it opening weekend with my girlfriend, the world’s biggest Olaf fan.  (No, seriously.  I can’t sleep at night anymore because of all the stuffed snowmen staring at me.)  In-between the two films, Anna, Elsa, and Olaf have had a few adventures you may not know about.  So in case you’re a completist like me, here’s some Frozen adventures you may have missed.

Frozen Fever

This seven minute short debuted in theaters in front of Disney’s live-action Cinderella in 2015.  Elsa tries to give Anna a surprise birthday party.  However, Elsa has caught a cold, and with every sneeze she produces a bunch of “Snowgies” — adorable snowball-like creatures — who begin dismantling the decorations.  The cartoon features a catchy new song: “Making Today a Perfect Day.”

Frozen Fever can be found here:

  • Available for purchase on most major streaming sites like Amazon and iTunes.
  • Available as an extra on the Cinderella Blu-ray and DVD.
  • Available as part of the Walt Disney Animation Studios Short Films Collection on DVD/Blu-ray combo pack or streaming.  (There’s also a funny Tangled short in that collection.)

Lego Frozen Northern Lights

Frozen gets the Lego treatment in this four-episode TV miniseries.  Elsa and Anna journey to find the Northern Lights, which are invisible from their home of Arendelle.

  • This appears to be available for free on YouTube, with each of the four episodes running about 6 minutes.

Olaf’s Frozen Adventure

This twenty-one minute cartoon debuted in theaters in front of Pixar’s Coco.

Unfortunately, many audience members didn’t come prepared to see Olaf, and didn’t like waiting nearly half an hour for their Coco feature to start.

The cartoon was eventually moved to play after the feature, and then removed completely and made available on streaming sites.

During the first Christmas since the gates reopened, Olaf tries to help Elsa and Anna start some new holiday traditions, by finding out how the residents of Arendelle celebrate.

  • This is available on Blu-ray, DVD, or from major streaming sites like Amazon and iTunes.  It comes with six classic Disney winter/holiday-themed shorts.

Don’t hold it in.  Let it go.  With the RunPee app, you don’t have to wait for the credits to go to the bathroom.  We’ll tell you the best times to go so you won’t miss the best parts of the movie.  And we always have Peetimes for the latest movies like Playing With Fire, Arctic Dogs, and Maleficent: Mistress of Evil.  You can also keep up with the latest movie news and reviews by following us on Twitter @RunPee and liking us on Facebook (www.facebook.com/RunPee/).

Movie Review – Doctor Sleep

Movie Review - Doctor SleepI’ll admit to being a bit dubious about coming to see this. Be honest… Did you think The Shining needed a sequel? Or worse still, something that just seemed to be using the name to attract bums on seats? In my defense, I know nothing about the alternative comic book universes so ‘Joker’ may be more relevant than I found it.

I guess the argument runs that the original source novel got a sequel, so why shouldn’t the film? The thing is that ‘The Shining’ wasn’t liked by Stephen King. Mind you it could have been a Kubrick thing; he did fall out with Anthony Burgess after making A Clockwork Orange.

The Shining was, undoubtedly, a top-notch horror film, and is more impressive for being shot entirely in-camera, being made before the age of “computer this and digital that”. However, the fact that special effects are ubiquitous shouldn’t be held against ‘Doctor Sleep’. They are used sparingly but appropriately, and I do wonder what Stanley would have done if he’d had the same access to them.

To be honest, they could have got away with using effects a lot more… Iconic Shining scenes were shot using similar actors — rather than lookalikes or digital overlays — and I think that is fair enough, given the almost forty years between the two. Most reasonable people will agree that getting someone who looks a bit like Shelley Duvall, rather than trying to shoot a digitized scene which ends up looking like a fiberglass model, is the best way ahead.

But what of the story? I enjoyed it! Ewan McGregor is always watchable and Rebecca Ferguson is excellent as the scary villain, Rose the Hat, and they are ably supported by new talent and more established faces.

I suppose the last question is: do I need to see The Shining first? As I can’t go and see it as a Shining virgin, I have to think quite carefully, and my answer would be “No.” You don’t have to see it, but there are references you’ll appreciate if you have.

Grade: B

About The Peetimes: There are 4 Peetimes for you, including an early one for those of you who don’t like to miss the trailers. Please note that the 2nd Peetime features torture, which some may find disturbing.

There are no extra scenes during, or after, the end credits of Doctor Sleep. (What we mean by Anything Extra.)

Rated (R) for disturbing and violent content, some bloody images, language, nudity and drug use
Genres: Horror, Sequel

A Buffy Revival – Vampires Spike and Angel Could Absolutely Do a Movie

buffy-vampire-slayer-title
You can’t keep a good slayer down.

Note the following: David Boreanaz says he’s done playing Angel. Joss Whedon (creator, writer, editor, director, minor deity) has also said he’d make a Buffy movie if the heavens willed it so.

We think David would return with the right offer. With Bones finished, isn’t he free now? And I don’t think James Marsters (Spike) or Sarah Michelle Geller (Buffy) would require too much arm twisting, even though Marsters said he’d aged out of the role of a young-looking immortal. To which I, a fanatic disciple of Whedon, say ” pish-posh.”

A Buffy Movie? Why the Hell (Mouth) Not?

It’s a known quantity: once you’re killed off in a Whedon production, it only means your character will return with a vengeance (or at least a reprise).

So, if Angel and Spike look 14 years older, a creative team of writers could not only make it work, but turn a bug into a benefit.

While Buffy loved both vampires, the best chemistry onscreen was arguably between Spike and Angel. Season Five of Angel just beat the pants off its parent show. I hate to admit that, since I adore Buffy, in every season. (Except that one year, with Riley…)

We Don’t Even Need to De-Age Those Pesky Vampires with a Soul

On the surface, it seems too bad that any kind of revival would have to explain the vampire aging thing or do a (please NO!) recast. But we know Whedon could spin the aging any which way,  and even turn it into a plot point. Kinda like plotting around Terminator flesh aging in the Salvation film. Or was that in Genisys? (Not to mention Dark Fate.) #OldButNotObsolete

Maybe vampires will have some kind of undead plague spreading around and Buffy will have to save her Champions, even though the rest of humanity would be happy to see all vampires eliminated forever.

Perfect moral ambiguity! The Scoobies/Team Angel (what’s left of them) could be sharply divided on this matter; they could get Giles out of his tweedy retirement…and oh, don’t forget that we have a metric ton of Slayers now, ready to stake the undead. I bet there aren’t many demons and vampires left to fight anymore.

Who knows what Willow and her fellow witches are even up to these days? They could try to be neutral, like Switzerland, with torn loyalties. The newly risen First Order Watcher’s Council could be bogged down, once again, in bureaucracy…with Master Watcher Andrew leaving with a few followers, in collaboration with a new breed of re-souled vampires committed to fighting the forces of darkness.

And the Main Plot of a New Buffy Show?

It could be set up that only Buffy and Faith (with Andrew, Dawn, and Illyria) want to save Angel, Spike, and the other re-souled undead, while every other Slayer on the planet is against helping vampires, even ones who saved the world. (Several times. What is the plural of Apocalypse?)

So Buffy and gang would have to both find a cure, and hide from/fight hundreds of cheesed off Slayers…all while asking themselves what the right thing to do is. There could be betrayals, unexpected allies (like Wolfram and Hart — such uneasy bedfellows), clever patented Buffy misdirection…adding a siege mentality at the end, and…of course…. sacrifice.

Because there is no Joss Whedon production without tear-jerking sacrifice to balance his trademark humor and sparkling dialog.

That could be a hell of a movie.

 

 

Terminator TV Series: The Carlenator

Ahoy there. Spoilers for Terminator: Dark Fate ahead!

Terminator: Dark Fate isn’t blowing the doors off the box office. It opened with a slightly disappointing weekend of $29 million: $1 million below expectations. In fact, the past three Terminator movies (Salvation, Genisys, and Dark Fate) all failed to meet box office expectations, throwing the future of the franchise in doubt.

Personally, I can’t get enough Terminator. I say keep them coming.

Terminator Dark Fate - Carl

But you know what I would love, Love, LOVE to see? A Terminator TV series that chronicles the adventures of the T-800 (Carl/Arnold Schwarzenegger) meeting Alicia and her son Mateo. It wouldn’t need to be a badass action drama. It would work fine as an comedy, with a sprinkle of action here and there. I would imagine the plot would focus around Carl coming to grips with his existence and searching for purpose, with a little bit of a one man A-Team theme where he occasionally helps out people who are in trouble.

If you’re thinking that Arnold is too old for this, then remember that they de-aged him for Dark Fate. The de-aging technology is getting better and better. It’s getting to the point that they wouldn’t even need Arnold to participate. They could use a double on-set and replace him in post production, along with a synthesized Arnold voice.

What do you think? Would you watch a show like this?

Official Movie Review – Terminator: Dark Fate

Movie Review - Terminator: Dark FateAll things considered, I’d say Terminator: Dark Fate is a worthy successor to the 1991 Terminator 2. After 28 years, 3 other Terminator movies — plus a TV show — it’s hard to think of Dark Fate as the 3rd movie in a trilogy, but that’s where it belongs.

Dark Fate had the potential to be an A, even A+ movie. The bones are there, but the flesh has a few too many blemishes. However, I think it earned a good B+ grade.

The action scenes won’t disappoint; they come early and often, and really pack a punch. If anything, there was too much action early, because by the end it feels a little anticlimactic.

Hands down, the best thing about this movie is Mackenzie Davis as Grace. She steals every scene she’s in — which is most of the movie. Her action scenes are creative, and she has the physique to make her character believable.

Kudos to the writers for giving Sarah Connor’s character a great return. Her character arc from the end of T2 to now works, and Linda Hamilton rocks the gritty, sarcastic attitude of her aged character.

My single biggest complaint is that the new character of Dani Ramos has some problems. After seeing the movie with my wife and mother, we all agreed she was the weak link. Upon further consideration, I don’t think it’s the actress’s (Natalia Reyes) fault. The writing for her character was caught in a conflict that just wasn’t going to work well. I’ll get to that in more depth below in the spoilers section.

Spoilers For Terminator Dark Fate Below
I’m including this in the spoilers section because I’m not 100% sure everyone knows Arnold Schwarzenegger is in this movie. First, I want to point out that I love the direction the writers took Arnold’s Terminator character. I was expecting something fresh and got it. Arnold’s scenes with Sarah were pure gold. It’s really cool to see them come full circle.

Here’s the conundrum the writers created for the character Dani: as the story develops, the audience is lead to believe, mainly due to dialog by Sarah Connor, that Dani is the “new Sarah” and that she’ll give birth to the leader of the resistance. However, as we later discover, Dani is the leader of the resistance herself.

In a perfect world, when the twist is revealed, the writers want the audience to think: Gee, I didn’t see that coming, but now that you think about it, the clues were right there.

That’s a tricky plot twist to pull off, and quite a challenge for the writers to undertake. I think they at least deserve kudos for trying. And I’m not saying they failed miserably. They just didn’t do a great job.

The problem: if they make Dani’s character appear strong and competent,  it will be obvious she’s the resistance leader. Therefore, they have to hide those attributes. At the same time, if they don’t make Dani appear strong and confident, then when the twist is revealed, it feels unrealistic.

Early in the movie we see Dani as the leader of her household, inspiring her brother, giving her father chores to do. It’s simple, but it shows she knows how to manage. When she and her brother arrive at the factory where they work and discover that her brother’s job has been replaced by a robot, she tells her brother to do her job…while she goes and complains to the manager. She ignores her superiors along the way, who advise her it’s not her place to question management. That’s another subtle nod to her confidence and “take charge” style.

After that point, she does nothing but cry over the loved ones she lost, and continually puts herself at needless risk as she questions (and sometimes ignores) Grace’s  guidance.

But it could have gone another way. The writers could have chosen to skip the twist at the end, in favor of jumping all over it from the very start. Make it obvious that Dani is a natural leader right from the beginning and never let up.

When Sarah Connor shows up and assumes — because Dani is a woman and the resistance sent her a protector back in time — that Dani is the womb of the future, then Dani can turn the tables on Sarah, and point out that times have changed, and women don’t need to just be vessels anymore.

I get it; writers like to be subtle — especially good writers — but it’s not always the best choice. I think on this occasion, setting up a conflict between Dani and Sarah as the same (but different) would have worked better.

One twist I did like about this story is that Judgement Day isn’t caused by Skynet.  It’s a completely different AI — created for the same basic objective — that becomes the downfall of civilization.

Essentially…saying that one way or another, an AI apocalypse is inevitable. 

Grade: B+

About The Peetimes: This movie is really packed with action, but I made sure none of the Peetimes contained action scenes. Of the 3 Peetimes, I would recommend the 2nd one. It’s near the middle of the movie and nothing important happens. The 3rd Peetime isn’t bad, but it’s definitely the worst of the bunch. There are a few good one-liners that you’ll miss.

There are no extra scenes during, or after, the end credits of Terminator: Dark Fate. (What we mean by Anything Extra.)

Rated (R) for violence throughout, language and brief nudity
Genres: Action, Adventure, Sci-Fi

Read Rob Williams’ Terminator review: Grade A.

Ranking the Terminator Movies

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No fate but what we make. (Man, does Linda Hamilton look young!)

Well, cool, I just rewatched the entire run of Terminator movies and realized it will be easier to rank them in order of greatness than I thought. For each movie (I’ll get to the TV show later), the best to worst go in order of first to last created. That made it easy!  How often does that happen? Here we go, and YES THERE ARE TERMINATOR SPOILERS through Genisys, but not through Dark Fate:

The Terminator Movies, ranked from best movie to worst:

    1. The Original movie (1984) — I realize that T2: Judgment Day is most people’s favorite Terminator outing, but for me it lacks the excitement and character building — and pure 80s fun — of the classic first time. Here’s my enthusiastic rewatch review of the classic film where Arnold first promised he’d “be back.”
    2. T2: Judgment Day (1991) — Although I wasn’t fond of the young John Connor portrayal, this was the movie that made me ugly cry when Sarah was about to shoot Miles Dyson, before backing off when realizing he was a good man. I was glad she couldn’t do it. When Dyson sacrificed himself, I kept on crying. There’s a lot of humor in T2 (some of it a bit silly), and it’s a very exciting sequel. There’s still just nothing like the first thrill ride in 1984. Linda Hamilton and Arnold really sold Judgment Day, but the whole Hasta La Vista attitude and focus on a young John trying to teach an AI to be ‘cute’ was…well… a bit too cute. This wasn’t as thoughtful as the original, and the move of focus from Sarah/Kyle to a juvenile delinquent John was less gripping. I’m not sure why T2 is most people’s favorite, but feel free to tell me why I’m wrong in the comments below.
    3. T3: Rise of the Machines (2003) — I remember thinking this wasn’t as cool as the first two, but I think it was the lack of Linda Hamilton here, back in the early millennium. In my recent watch (all of them in one week, right after another), I now realize a few things: this is the best John Connor portrayal ever (TV show aside), Claire Danes was just lovely in the part, Arnold did a fine job in his three-quel, and the story ended up with an actual Judgment Day. All good stuff, as Golden Man wrote in his Defense of T3. If Hamilton had to bow out, I’m not going to complain about going after John’s best soldiers. My main problem is with the female Terminator. She was…fine. Not awesome, like Robert Patrick in T2. I’d have loved to see some of the sneaky wry moments Patrick imbued his T-1000 with. And he was a LOT scarier. Kristanna Loken as the third Terminator was frankly a bit dull. Sure, it was cool to have a female Terminator, but Summer Glau, in the Terminator TV series, showed that we could have had a lot more. Still, T3 felt like a Terminator film.
    4. T4: Salvation (2009) — I liked Salvation but it didn’t FEEL like the previous movies. There were nods to the previous fioms, but the tone was off. I think they should have added a half hour of character development & ensemble moments (like in Aliens, as a perfect example), added some more humor, and it would have been just lovely. Another issue: it almost looked like T4 was filmed in black and white, which didn’t work for me. Everything was washed out or too dim. And a lot of great actors amassed for T4 were kind of wasted. For example: why get someone like Michael Ironside if you don’t write him some good lines? No wonder he didn’t even try to make anything of his part. I liked the film, I liked it….it just should have been a lot better. It did pick up with the character Kate from T3, which I appreciated, but most of the character writing felt lazy. One thing that does stand out now was how sad it to see a super young Anton Yelchin as Kyle Reese. I didn’t realize he was in Salvation. Awwww. 🙁  Yelchin did do a nice job coming across as a young scared-but-resolute soldier who John needed to train up. I could see the producers were going for a Terminator/Aliens/Matrix look, but it really didn’t go beyond moments of homage to better material.
    5. T5: Genisys (2015)  Well, this one hits the bottom of the Terminator barrel. I didn’t hate it, or even dislike it, but I can’t say it was good. I’m not sure it fit within the timeline cannon the others all followed so nicely, Dyson dad and son revisititations aside. And where was Kate, John’s wife? Going back to another timeline to follow Han Solo’s girlfriend was fine (ha! I only understand this reference from my re-watch), and ‘Pops’ was cool and all, but what the writers did with John Connor was inexcusable. Hello, WTF? The John actor didn’t look right, didn’t act the part, and his existence as a Terminator was a kick in the gut to anyone who cared about the franchise. I didn’t enjoy this one at all, although it wasn’t a ‘bad’ movie. It just didn’t sit well and made me a little angry. What were the writers thinking, crapping on the John Connor character? This was a misfire on so many levels, even though Arnold and Co gave it a good shot. Like I said, this wasn’t a bad sci fi film, and it was an okay “alternate timeline” for Sarah Connor, but it was too moody and…well, weird. I really hope the soft reboot of Terminator: Dark Fate returns to the adventurous tone and epic storytelling we saw in T1 and T2. 

Bonus extra: The TV Show: The Sarah Connor Chronicles (2008-09) —

The TV show used an alternate timeline, with yet other Sarah and John actors, but was so damn great that it was a joy to watch as a serialized story on TV. Summer Glau made a wonderful Terminator. I wasn’t thrilled with Lena Headley’s Sarah, but everyone else knocked my socks off, and I was very excited to see how the narrative would progress.

Unfortunately, we never got to see that. When it was cancelled, I was sad. Not as sad, mind you, as when Firefly (another Summer Glau show) was cast aside before its time, but still a bit adrift. I wish I’d known where the John Henry/Cromartie story was headed…and what the final trip to the future was about, and where the loyalties of Shirley Manson’s Terminator were leading us…but we’ll never know.

So how to rank the TV show?

Honestly, it had so much potential. I’d rank it after T2, personally, although it really only got exciting in the second season and left us hanging for the third. I’d watch it again, absolutely. At least this time I’d be prepared for the looming permanent hiatus status, and could appreciate what we did get.

Terminator: Dark Fate Well, howdy ho; I’m excited. I’ll be seeing this one shortly, and understand the story picks up right after T2, creating cannon waste to everything that came after 1991. I’m okay with this, since Sarah, in the timeline from T3 and on, is dead.

And now what?

I won’t hide that I dislike reboots in general (Ron Moore’s Battlestar Galactica aside), but if Linda Hamilton and Arnold himself are co-signing this new edition, I’m totally on-board. Where it will fit in the overall rankings remains to be seen. Soon, soon…

A bit older, a lot wiser.

 

Movie Review by RunPee Rob – Terminator: Dark Fate

Movie Review - Terminator: Dark FateI went into this film with mixed feelings. The original landed in the mid 80s with barely a ripple. A relatively small budget film by a new director, with not a well known cast. But it took off.

The early 90s saw T2 launched with a lot of ballyhoo and fuss — and it worked! The new cinematic technology really helped drive the story — apparently James Cameron was considering using a claymation technique for the T-1000. (Can you imagine Arnie vs Wallace and Gromit?)

The current millennium’s offerings seemed to be less successful, maybe due to the absence of James Cameron. Who knows, but personally, I wasn’t sold on the third installment, and still haven’t seen the fourth and fifth ones!

Then the latest episode was announced. Cameron is writing and producing. Arnie is back. As is Linda Hamilton. (Maybe it’s because we’re a similar age, but I think she still looks stunning!).

There are some new faces to keep things fresh. Gabriel Luna is easily a match for Robert Patrick as a soulless automaton. The big problem was always going to be: does it work? James Cameron said it was the rightful third episode and the others could be ignored…so will it slot into the world created in the first two films?

The answer is a resounding “Yes!” Not only does it fit in, but it does so very smoothly. It is a matter of a few minutes worth of exposition, and you can sit back and enjoy the new story without worrying about loose ends.

And what a story it is! It rattles along at a fair old clip pretty much from the first few frames. There are slower sections where characters new and old are explored, their relationships examined, with even a few laughs, but this is undoubtedly an action movie! Fights, chases, explosions, all over the place.

In short, a well thought out and executed thrill ride.

Grade: A

About The Peetimes: I worked hard to avoid the amazing action scenes in any of these Peetimes. Anytime my pulse dropped below 100bpm felt like a good time to run and pee. Note from Dan Gardner (RunPee CEO) These Peetimes are from a newly christened Peep: Rob Williams, from the UK. Terminator: Dark Fate is released in the UK one week earlier than here in the USA, so Rob was able to get Peetimes for us. I’ve worked with Rob for a few weeks, training him on how we do things, but this is his first “live run.” From what I can tell he did a bang-up job. I hope you agree. 

There are no extra scenes during, or after, the end credits of Terminator: Dark Fate. (What we mean by Anything Extra.)

Rated (R) for violence throughout, language and brief nudity
Genres: Action, Adventure, Sci-Fi

In Defense of Terminator 3

Terminator: Dark Fate opens this week.  It’s the sixth movie in the Terminator franchise.  However, it is the official sequel to Terminator 2: Judgment Day…which basically invalidates Terminator 3: Rise of the Machines, one of my favorite entries in the entire franchise.

Billy Crystal once joked that Arnold Schwarzenegger signed on to make Terminator 3 in exchange for everything west of the Rockies.  Terminator 2 was so popular that such an outrageous payday almost seemed feasible at the time.  Expectations for the third film were extremely high.

Unfortunately, lightning usually doesn’t strike twice.  I’m the first to admit that T3 isn’t is as good as T2.  However, it’s still a movie I enjoy and I feel like it doesn’t deserve its poor reputation.  So here is my defense of Terminator 3: Rise of the Machines.

Before we begin…

Yes, it’s a flawed film and I understand the problems people may have with it.  James Cameron didn’t direct.  Edward Furlong was replaced by Nick Stahl.  And Linda Hamilton turned down the offer to reprise her role as Sarah Conner, and was subsequently written out of the series.  Setting those things aside, can we enjoy what there is to enjoy?  Because there’s a lot.

Nick Stahl makes a decent John Connor.

Christian Bale’s portrayal of an adult John Connor in Terminator: Salvation is too moody for my taste and turns the character into a jerk.  I honestly don’t remember how Jason Clarke played the role in Terminator: Genisys.  (I mainly remember a good movie being ruined halfway through by an unnecessary plot twist.)  Stahl is a good choice to play the disillusioned young man who is uncertain of the future and his place in it.  I buy into his character enough that when the final scene comes, I’m ready for another hour.

It has a strong prologue.

The movie has a great opening prologue that builds audience sympathy for John Connor.  He is saddled with the burden of knowledge, the burden of leadership, the burden of greatness, and the burden of unfulfilled prophecy hanging over his head.

The first female terminator.

Kristanna Loken plays the T-X, the first female terminator in the series.  She also plays a newer model than Ahnuld, so she’s extremely powerful and gets to show off some badass moves.  Plus she looks good in leather.

LGBT representation.

Although Kristanna Loken didn’t come out as bi until she did interviews with Curve in 2006 and The Advocate in 2007 (years after T3 came out), it’s still inspiring to myself (and others) that one of the terminators is bisexual.

You have to love Claire Danes.

Claire Danes adds humor and a dash of romance to the film as Kate Brewster, John’s future wife and a key figure in the resistance.  Any excuse to watch Claire Danes for two hours is a good one, but this performance is especially worthwhile.

It has a great twist.

The movie has a great twist.  SPOILER ALERT:  It’s actually Judgment Day!  What could be more exciting than that?!  You get to watch history in the making.  The long rumored apocalypse is finally here and you have a front row seat.

The showdowns are so satisfying.

The action scenes between Loken and Schwarzenegger, from the car chase to the final battle, are all so satisfying.  The sheer amount of destruction in this film is amazing.  So is the fight choreography.  Rewatching the movie this week, I was afraid I wouldn’t be able to defend it.  Instead, I was thoroughly entertained.

The ending is a great set-up.

The ending to this movie is a wonderful set-up to a fourth film that never happened and perhaps never will.  It’s Infinity War with no Endgame.  It’s Harry Potter and the Deathly Hallows Part One left hanging.  John and Kate are in a fallout shelter on Judgment Day.  How do you not want to know everything that happens from there?  It’s such a great set-up for a fourth film, a perfect place to resume the story, but no one ever picked up the ball and ran with it.  Not even in the comic books.  No one has gone back to the fallout shelter and told the story of how the resistance was born from there, how John Connor became a leader starting on Judgment Day.  (Terminator: Salvation shifts the storyline back to Kyle Reese.)  I’m still  hungry for that promised-but-never-delivered movie.

Don’t miss the best parts of your favorite sci-fi/action films.  Always use the RunPee app when you go to the movies.  We have Peetimes for all the latest movies including Joker, Zombieland: Double Tap, and Maleficent: Mistress of Evil.  You can also keep up with the latest movie news and reviews by following us on Twitter @RunPee and liking us on Facebook (www.facebook.com/RunPee/).

 

Movie Review – Maleficent: Mistress of Evil

Movie Review - Maleficent: Mistress of EvilThere really isn’t a lot to say about this Maleficent sequel. It’s gorgeous to look at. If you like fantasy movies, you’ll have a great time.

Angelina Jolie brings back that good/evil vibe she did so well in the original. She also doesn’t look a day older from way back when, so I assume there was some CGI de-aging and very smooth fairy-tale make-up going on. Good on her. And good on everyone involved. The story isn’t gripping or even worth discussing, but it’s still just a lovely film.

What was better about this movie than the first is that it’s a brand new story. The classic tale had to conform somewhat to the Disney Briar Rose/Aurora/Sleeping Beauty concept. More or less. From the ‘evil queen’ point of view, except totally not. Evil is relative.

Maleficent 2 got to be a fresh new movie with a totally different concept. It didn’t let anyone down. The audience laughed, gasped, and even applauded at the end. I had a great time, and it was clear everyone left with a smile on their face and a spring in their steps. It’s nice to see a sequel surpass the original.

If you like fantasy movies, see this in the theater on a good screen, and reserve a good seat location for your ticket money. It’s that pretty. There aren’t a lot of good fantasy films out there, not compared to the current plethora of action, thriller, or sci fi flicks. This one’s worth it (again, if you like high fantasy and tales of magic).

To be totally honest, you’ll be completely lost if you haven’t seen the original, since almost no time is spent on exposition.

Go see the original again, and then this, and if you liked the first, you’ll love the second.

Grade: A-

About The Peetimes: Here are 3 good Peetimes — I recommend the final one before the climax, but any will do. This is such a pretty movie, and I didn’t want to make Peetimes over the big fantasy scenes, so these are more like transitional sections with exposition I’ve summed up in the synopses.

There are no extra scenes during, or after, the end credits of Maleficent: Mistress of Evil. (What we mean by Anything Extra.)

Rated (PG) for intense sequences of fantasy action/violence and brief scary images
Genres: Adventure, Family, Fantasy, Sequel

Movie Review – Zombieland: Double Tap

Movie Review - Zombieland: Double TapZombieland: Double Tap wasn’t great, but it was better than I expected and certainly satisfying.

I’m happy to say that Double Tap avoids the typical disappointment from sequels that were added on to a successful movie as a money grab. #ZL2 has the same charm and wit as the original. I’m not saying it was as good as the original, but only because the original Zombieland had, well, originality. What can you say? Zombieland created the zomedy genre.

The introduction of new characters was, for the most part, fun. Without giving anything away, I think some were used just enough, while others fortunately only had a few short scenes.

Here’s what I really enjoyed: the plot for Double Tap is mostly about creating humor. However, in little pieces here and there small details are added about characters that really make a difference later. Double Tap isn’t a complex story by any means — that’s not the sort of story this aspires to be. Kudos to the writers (Dave Callaham, Rhett Reese, and Paul Wernick) for keeping the humor coming while weaving these new details into a great payoff, without resorting to cheap cliches.

Grade: B+

About The Peetimes: ZL2 is a short movie, but I have 2 good Peetimes. The 1st one is longer, but so is the synopsis. I’d recommend the 2nd Peetime. Neither has any action to speak of, but are immediately followed by action scenes, so don’t be late.

There are extra scenes during, or after, the end credits of Zombieland: Double Tap. (What we mean by Anything Extra.)

Rated (R) for bloody violence, language throughout, some drug and sexual content
Genres: Action, Comedy, Horror, Zombie