Where’d You Go, Bernadette opens this week. While it’s not Richard Linklater’s first commercial film (Bad News Bears, School of Rock), it does appear to be wholly unlike anything else he’s ever done.
I’ve been following Linklater for a while and he’s one of my favorite filmmakers. Below is a list of my favorite Linklater movies. (Note: This is not The Essential Richard Linklater. Because then I’d have to include Dazed and Confused. Sorry, that one’s just overrated to me.)
Linklater pulled off one of the most amazing feats in cinema history with this one. We get to watch a boy grow up over the course of the film. And he’s played by the same actor at every age! Linklater had the patience to shoot the scenes once a year or once every few years throughout Ellar Coltrane’s life.
The fact that he was able to do this with the same cast over a period of twelve years without the world finding out is amazing. (And without anyone dying, quitting, etc.) This movie was such a beautiful surprise when it came out and remains a gift to the world.
The Before Trilogy
In 1995, Linklater made one of the essential 90s romances, Before Sunrise. It features Ethan Hawke and Julie Delpy killing time together and falling in love, before having to part ways. If that was all he’d ever made, it would stand alone as a beautiful, unique, romantic film.
Instead, he made a sequel nearly a decade later called Before Sunset where the two meet up again in Paris while Hawke is on a book tour. They are each spoken for, but the spark is still there. Again, if these two bookends were all there is to the story, it would be enough.
But then the artists reunited to make Before Midnight. The final film in the trilogy deals with love and family at midlife, and all the complications that come with them.
Slacker was Linklater’s debut film. It’s a meandering piece where the camera follows an odd assortment of characters through a Texas town, moving from one interaction to the next, never returning to any of the storylines. It probably sits somewhere at the intersection of Robert Altman and David Lynch. One of the film’s most famous moments involves a woman being arrested as someone passes by, musing, “I know her. She was in my ethics class.”
Waking Life is a documentary where the film cells were painted over/animated. It features Wiley Wiggins trying to determine if he is awake or in a dream state as he encounters various talking heads. It’s a visually beautiful film that is philosophical and haunting.
School of Rock
This is probably Linklater’s most accessible film. A substitute teacher turns a classroom full of children into a rock band to try to win a local Battle of the Bands competition. Jack Black gives one of his best performances without going over the top. Writer Mike White who also cameos delivers a great story. So great in fact, that Andrew Lloyd Weber turned it into a stage musical. It works surprisingly well. This is a great feel-good movie.
Everybody Wants Some
This movie is about the members of a college baseball team bonding together at the start of the school year in the 1980s. It’s sort of an older cousin to Dazed and Confused. The main character, Jake (Blake Jenner), is figuring out who he wants to be. This comedy was the first movie I watched after my grandfather’s death and I remember it lifting my spirits with its goofy charm.
It’s a long way to the top if you wanna rock’n’roll. It’s also a long wait to go to the bathroom if you’re gonna white knuckle it until the end credits.
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Who knew classic, straight-laced, non-Pixar, Original Flavor Disney would start using Easter Eggs? It’s possible they’ve been doing this all along and I haven’t noticed, but usually there’s not a whiff of cross-pollination between, say, Princess properties. No nods to Snow White in Sleeping Beauty, for example, even though both feature winsome lasses in comas needing True Love’s Kiss. (Great plot resolution, folks. Sheesh.)
But then Pixar came around, relying on fresh humor often aimed squarely at adults. Pixar wasn’t afraid to mix up their universes with dozens of Easter Eggs for sharp-eyed fans to spot, especially on re-watches.
The Pixar Theory, and Beyond
In fact, there’s an entire Pixar Theory devoted to the notion that every Pixar film — with settings from the dawn of the dinosaurs, through to man’s diaspora through space — is one long, related story. Eagle-eyed viewers pour over every frame of Pixar films to spot connections between them. I’ve looked for, and found, Rex from Toy Story as a wood carving in Brave. This lends credence to the Boo (from Monsters, Inc) Theory. These things aren’t accidents.
The Carlin Brothers do a great job illustrating the Pixar Theory in their longish video (below). I think some of it’s too reachy, but the idea is fabulous and I’m willing to go all in.
It’s not just Pixar that does Easter Eggs now. Every genre franchise, including those of Star Wars, Marvel Studios, DC, Dreamworks, Sony, and “beyond” use Easter Eggs as a matter of principle.
Then…Disney bought Pixar (and Star Wars, and Marvel too).
Live Action Disney Does Easter Eggs
Easter Eggs are finally appearing in even the sacred Princess films, which were always the most straight-laced offerings in the Disney Vault. But since we’re seeing Eggs now in the live-action/CGI remakes, maybe this is where Disney decided to test the waters.
I’m going to mention a few Easter Eggs I spotted in Aladdin and The Lion King, the most recently remade Disney films, which both have Princesses.
(I’m counting Nala here. If Simba is a King, then Nala is a Queen.)
Note: I’m not going to even try to mention Easter Eggs in Ralph Breaks the Internet, which doesn’t qualify as a remake of a Disney Classic, and is honestly one long series of amusing Easter Eggs. Feel free to mention those in the comments below, along with any other Eggs you’ve spotted elsewhere.
Easter Eggs in 2019’s Aladdin and Lion King Remakes
Aladdin: This one is a self-contained movie reference. The Disney studio logo opens, showing a sailing ship on their river, then pulls back to see the Disney Castle. Then the movie itself opens on a sailing ship. I need to see this again now to determine if it’s the same boat.
When Genie is dressing Aladdin in the desert, the magic carpet plays in the sand in the background. Over a series of shots, we see Carpet making a sand castle. In the final shot of this, it’s clear the castle is a sand replica of the Disney Castle from the studio logo, and Carpet shoots a stream of sand over it that looks like the shooting star we see at the end of the logo sequence.
I didn’t even notice what Carpet was doing on my first watch. But it’s obvious now and very clever. (Logo sequence below is from 2011, but shows the castle and star.)
Aladdin: There’s a great nod to Shrek when he turns Abu into a donkey. Shrek is the tentpole of DreamWorks, a competitor, which is interesting. Genie utters a line like, “No, too obvious,” — pretty amusing, and only makes sense if it’s a subtle dig on Shrek.
Aladdin: My sister is an even bigger fan of Disney than I, and we went to see Aladdin together. She noticed Jafar had a lion sculpture on his desk that looked like Uncle Scar from The Lion King. I’d love to hear if anyone can confirm this.
Aladdin: I can’t say for certain if this was intentional, but when Iago (just Parrot in the remake) becomes Giant Parrot, there’s a sequence suspiciously like one in Jurassic World.
The Lion King: I only saw the remake once, but found one very obvious Easter Egg. It’s when Timon calls out to the hyenas to come and eat them (Timon and Pumbaa are acting as ‘bait’ for Simba and Nala) — it’s the beginning phrase of the big showstopping number Be Our Guest from Beauty and the Beast. I laughed out loud at that one. Timon even uses a mock French accent as he says dramatically, “Be…our…guest”: it looks like he’s about to burst into song, as the music swells. Then the chase begins. It’s a super fun moment.
Only a few other people in the audience laughed, though, so they clearly missed it. If I’d seen The Lion King opening night, you BET the die-hard fans would have exploded into wild appreciation. (Disney superfans are fanatic. These are the people that dressed in ballgowns during the remade Beauty and the Beast on opening night.)
That’s All, Folks
Unfortunately, that’s all I have right now from The Lion King. I’ll be looking for Eggs if I catch it again at the theater. On first viewings, it’s hard to notice background events. Naturally. Easter Eggs delight and reward us during subsequent watches.
I’m glad Disney’s decided to join the new century finally and break down their 4th wall here and there. (Maybe acquiring Deadpoolwas a good influence!)
Co-Creator of RunPee, Chief of Operations, Content Director, and Managing Editor. RunPee Jilly likes galaxy-spanning sci fi, superhero sagas, fantasy films, YA dystopians, action thrillers, chick flicks, and zany comedies, in that order…and possesses an inspiringly small bladder. In fact, that little bladder sparked the creation of RunPee. (Good thing she’s learned to hold it.)
Tarantino just released his ninth film, Once Upon a Time…In Hollywood. The movie follows the lives of fictional characters actor Rick Dalton (Leonardo DiCaprio) and his stunt double Cliff Booth (Brad Pitt), and real life actress Sharon Tate (Margot Robbie), in the days before the Manson Family murders. The movie debuted in second place behind The Lion King, and is receiving rave reviews. Now is the perfect time to review the director’s catalog and suss out the essential Tarantino films.
Tarantino’s first film premiered at Sundance in 1992, and was picked up by Miramax. The film also played at Cannes. The story concerns a group of bank robbers reconvening after a bank heist gone wrong, to figure out what happened. The movie introduced several staples of Tarantino’s work, including pop culture references (the Madonna debate in the opening scene), long scenes of dialogue (including the opening scene), profanity, extreme violence, a story told out of chronological order, and a hip soundtrack.
The movie features three actors Tarantino is fond of working with: Harvey Keitel, Michael Madsen, and Tim Roth. The title doesn’t have a specific meaning. It just sounds cool.
When Tarantino returned to Cannes in 1994, he was a star. He had a following, and anticipation was high for his new film Pulp Fiction. Inspired by pulp novels, the movie weaved together the tales of several criminal figures, including two hitmen (John Travolta and Samuel L. Jackson), a corrupt boxer and his girlfriend (Bruce Willis and Maria de Medeirios), a gangster’s girlfriend (Uma Thurman), and two robbers (Tim Roth and Amanda Plummer)….among others.
Pulp Fiction took Cannes by storm and won the Palme d’Or. It revived Travolta’s career! The movie was nominated for Best Picture, and Travolta, Jackson, and Thurman were all nominated for Oscars. Tarantino was nominated for Best Director. Tarantino and Roger Avary won Best Original Screenplay. The film also received a nomination for Best Editing.
This is the director’s most essential work, and the film against which all his other movies are judged.
The last quarter of Four Rooms
Four Rooms is kind of a “throw away” film. It was a fun anthology where four directors each got to direct a quarter of the flick. To illustrate how forgettable the movie is, I can only remember three of the four sections of the movie.
Tim Roth plays a bell boy who will break all of his mentor’s rules by the time one fateful New Year’s Eve is over. Tarantino directs the end of the flick — the last room that Roth has to deal with. This section of the movie is a remake of a classic “Alfred Hitchcock Presents” episode that originally featured Peter Lorre.
Bruce Willis, Quentin Tarantino, Jennifer Beals, and Paul Calderon play a game of poker, where the stakes go beyond money. This section of the movie is wicked fun…and if I were programming a QT film festival, I’d definitely include it.
Kill Bill Volumes 1 & 2
Volume 1 is Tarantino’s martial arts film. And Volume 2 is his first western. But together, they’re a compelling drama about revenge and its consequences. (Tarantino has gone on record saying that he recently talked to star Uma Thurman about making a part 3 featuring Vernita Green’s adult daughter seeking vengeance against her character.)
The House of Blue Leaves sequence in Volume One is probably one of the longest action scenes ever filmed.
The change of tone in Volume Two is daring. Thurman gives a tour de force performance as The Bride. These movies came out during a period in my twenties when I felt a lot of anger. There was something about them that was very special to me. A catharsis. Waiting for Volume Two to start was like waiting for The Lord of the Rings: Return of the King to begin.
I’ve only seen this one once, so it’s hard for me to speak of it eloquently or at length. There is something quite satisfying in Tarantino’s rewriting of history. Violence and revenge are major themes of this film as well. Christoph Waltz won his Oscar for this movie and he as cold blooded and terrifying here as he is lovable in Django. The tense opening scene is a breathtaking highlight. Our review is here.
Tarantino crossed the Western and the Blaxploitation film to create this controversial picture. Say what you will about it, but the image of the slaves’ abused ankles alone at the beginning of the film drove home the horror of slavery to me, in a way few things ever have. I have never forgotten it. The inhumanity of it. Whatever other parts of the movie may be over the top, that stuff really happened. Christoph Waltz’s retelling of the Broomhilda legend is a highlight.
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Hey, #Tarantino fans, are you ready for #OnceUponATimeInHollywood? #GoldenMan takes a look at QT’s #filmography with The Essential Tarantino. #ReservoirDogs #PulpFiction #Uma #TimRoth #Travolta #SamJackson #ChristophWaltz
I just watched the entire Fast and the Furious oeuvre, and here are my Top 10 Favorite F&F Action Scenes. It’s listed from top to bottom, with Number 1 being the BEST scene. Agree, disagree? Comment below which scenes you thought were most exciting after viewing the clips here. I could have easily added another half dozen scenes.
#10 — Fast Five: Opening Scene (1:13)
My only problem with this scene was seeing the bus rolling over, and over, and over, thinking: ummmmm, you know you might have just killed the guy you were trying to rescue, right? 🙂
#9 — Fate of the Furious: Havana Race Scene (5:18)
So ridiculously over the top. How can you not love it?
#8 — Fast and Furious 4: Gas Scene (7:00)
Driving under the tanker full of gas at the very end: that’s something Riddick would do.
#7 — Fast and Furious 4: Kidnapping Braga (Desert Escape) Scene (6:45)
Cars, crashes, humor, and video game level action.
#6 — Fast and Furious 6: Ending Plane Chase Scene (5:28)
Gisel sacrificing herself for Han. This was the first dramatic death in the franchise. Ouch! (No, Letty’s death scene doesn’t count, because we knew that wasn’t going to stick.)
#5 — Fast and Furious 7: Bus Rescue Scene (6:14)
Just another day at the office for these guys.
#4 — Fast Five: Stealing the Vault Scene (6:10)
This was the first scene in the franchise that my wife and I really reacted to. It was just fun to watch that much carnage, no matter how impossible it is for those cars to pull that vault that fast.
#3 — Fast and Furious 7: Car Jump Scene (3:45)
This scene was made all the better by setting up the “Dom, cars don’t fly,” line from Brian, earlier in the movie.
#2 — Fate of the Furious: Zombie Cars Scene (5:10)
OMG. This was brilliant. Forget the fact that it doesn’t work this way. This is F&F; go with it.
#1 — Fate of the Furious: Baby Rescue Scene (5:35)
This was such an adorable scene. No one could have pulled this off better than Jason Statham, other than maybe Dwayne Johnson. Yeah, he could have done it as good, or better. Hey, these two should make an action movie together. That would be the best! 😉
What do you think? What’s your Top 10 F& F chase scenes??
The preview for Hobbs & Shaw looks like an exciting action comedy, but these two characters have a long backstory from the Fast and The Furious franchise. If you haven’t seen all, or any, of the F&F movies, then you’re probably wondering what you need to know about Luke Hobbs (Dwayne Johnson/The Rock) and Deckard Shaw (Jason Statham) to make sense of this spinoff.
Hobbs and Shaw, in a nutshell
Hobbs, played by Dwayne “The Rock” Johnson, is a government agent tasked with capturing the worst of the worst. He was originally hunting Vin Diesel, who plays Dominic “Dom” Toretto, but in due course they become allies.
Shaw, played by Jason Statham, was a British Secret Agent – think James Bond with a bad attitude — but was “retired” by the agency six years ago, and now works freelance. Statham’s character is introduced in the end credit scene of F&F6 as a man out for revenge for what Dom’s team did to his brother. Of course, over time, he also becomes an ally.
We get to see Hobbs and Shaw fight a few times, but more often than not they simply fire epic and comical insults at each other.
Basically, Hobbs & Shaw is a action comedy version of The Odd Couple. That’s all you need to know before seeing their movie.
However, if you want to get caught up on the entire Fast and The Furious franchise, then read on.
I’ll give you advice on which F&F movies are worth seeing, and a detailed synopsis of the ones you could decide to skip over.
You can see from the table below, the franchise really starts to pick up with Fast And Furious 5. If you don’t have the time, or stomach, to watch all eight movies first, you could just cherry pick from the best of them. Then read my synopsis of what you missed in the ones you skip over.
Note: This article gets long after you view the chart below, but it’s chock full of details you need to be up to speed for Hobbs and Shaw. We helpfully also tell you in the chart if there are extra scenes over the end credits.
Complete list of F&F movies
The Fast and the Furious
Fast 2 Furious
The Fast and the Furious Tokyo Drift
Fast And Furious
Fast and Furious 6
The Fate of the Furious
Hobbs & Shaw
Fast & Furious 9 (May 22, 2020)
*Audience score from Rottentomatoes.com user rating.
Fast and The Furious franchise overview:
Every movie in the F&F franchise revolves around stories that create problems that can, seemingly, only be solved with fast cars and wildly fantastic action. This translates into paper-thin plots. They do so many completely impossible things that you don’t blink twice when they do something that’s just insanely improbable.
However, as much as each movie tries to amp up the action, the success of the franchise hinges on likable characters. Vin Diesel as Dominic “Dom” Toretto isn’t a good guy in the classic sense. In the first movie he’s nothing more than a thief with a code: Robin Hood from the hood.
Fortunately, F&F hit gold when they cast Vin Diesel as Dom. Vin has the gravitas, something many actors lack, to become the center of attraction in a franchise.
Dom is similar to the Star Wars character Han Solo. Solo isn’t exactly a good guy. He did in fact shoot first, and he’s only in it for the money. But when push comes to shove, he does the right thing, and he’s always there for his friends.
2001: The Fast and the Furious This is the movie that kicked off the franchise, and perhaps Vin Diesel’s career. (Along with a little-known, now cult favorite science fiction movie that came out the previous year called Pitch Black.) I would recommend watching the 2001 F&F; not because it’s any good, but because it’s the foundation upon which the franchise rests. Better yet, try to watch this movie and the 4th (F&F 2009) back to back. Together they make one complete story and really develop the characters and relationships.
What you need to know if you skip it:
Brian O’Conner (Paul Walker) is an undercover FBI agent trying to track down a gang of street racers stealing cargo off moving semi trucks. Brian befriends Dominic’s (Vin Diesel’s) sister, who works at a small cafe. The investigation leads Brian to believe a gang of Japanese bike racers is behind it, but ultimately he discovers that it is in fact Dom’s (Dominic’s) crew. The movie ends with Dom’s crew trying to rob a truck. The trucker has a gun and fights them off. Brian eventually has Dom trapped with the police moving in, but out of respect for Dom, Brian lets Dom get away.
Below is the full end scene of Fast and The Furious
where Brian lets Dom walk away.
Beyond the sloppy plot, the characters are well-defined. Dom commands a great deal of respect from everyone around him, including his adversaries. Brian is an FBI agent with complicated feelings about authority.
2003: Fast 2 Furious
By all means, you can skip this movie. It has no redeeming qualities. Vin Diesel doesn’t have so much as a cameo.
What you need to know if you skip it:
Brian has been kicked out of the FBI for letting Dom get away at the end of the previous movie. He’s in Miami when the FBI and DEA approach him to help with a case, by going undercover and bring down a drug cartel. Brian enlists the help of his longtime friend Roman (Tyrese Gibson). Roman is currently in prison, and blames Brian for it, but Brian convinces the FBI they have to pardon Roman if he helps with the investigation. Blah, blah, blah, car chase in the Florida Keys, and Brian and Roman capture the drug lord…and are BFFs again.
Below is the full “reunion scene/fight”
between Brian and Roman.
2006: The Fast and the Furious Tokyo Drift
On advice from my sister, I skipped this movie. This movie is somewhat controversial within the F&F fandom. Apparently the only thing you need to know is that the character Han is introduced, who comes back in F&F 5 and 6.
2009: Fast And Furious
Brian is back with the FBI, and needs Dom’s help to bring down a drug lord… Sorry, I nodded off a little bit there. Seriously, I just watched this movie last week, and I’m struggling to remember exactly what happened.
What you need to know if you skip it:
Dom is in hiding in Panama when he gets a call from his sister, Mia, who informs him that Letty (Michelle Rodriguez), who plays Dom’s girlfriend, has been murdered. Dom comes back to LA to help Brian (who’s back working with the FBI) to track down the mysterious drug lord who murdered his girlfriend. During the movie Mia, Dom’s sister, falls in love with Brian. Brian has loved her since the first movie.
The movie ends with Dom in custody. Brian pleads with the judge that Dom should be pardoned because he helped put a dangerous drug lord behind bars. The judge rules that one good deed doesn’t wipe out dozens of bad deeds, and sentences Dom to a minimum of 25 years in prison.
Cut to Dom on a bus, headed for a remote prison. Dom’s crew, including Brian, drive up on the bus. The movie ends.
New character: Gisele (Gal Gadot, who would go on to be cast as Wonder Woman) is introduced to the F&F franchise. She works for the drug lord, but turns out to have a soft spot for Dom.
2011: Fast 5
Hobbs is introduced in F&F5, a.k.a. Fast and Furious: The First Good One. He plays a government/military agent who is in charge of a team tasked with bringing in the worst of the worst criminals: he always gets his man. In F&F5 we get to see Dom (Vin) and Hobbs (Dwayne) go fist to fist. That’s worth the price of admission.
Below: (3:04) clip of the first Dom and Hobbs fight.
Prior to the final climactic action, Hobbs has captured Dom, Brian, and Letty and takes them to to the airport to bring them back to the USA. Suddenly, they are attacked by the antagonist’s men. Hobbs’ entire team is killed. Hobbs is wounded and, of course, Dom rescues him. Thus…setting up their mutual respect for each other in the movies to come.
Below: (4:08) “Dom rescues Hobbs” scene.
At the very end of the movie, Dom’s team has of course emerged victorious over the antagonist, but Hobbs “re-captured” Dom and Brian. Hobbs says, “You know I can’t let you two go. I ain’t made that way. The way I see it, you’ve earned yourself 24 hours… Come tomorrow, I will find you.” Dom smiles, “No, you won’t.”
Below: Hobbs re-captures Dom and Brian, but lets them go.
And thus begins the relationship between Hobbs and Dom. BTW, there’s a MUST see mid-extra credit scene in this movie.
Additionally, the character Elena is introduced in this movie. She is a police officer in Rio who acts as Hobbs’ local translator. She and Dom have a few scenes together that leads to her becoming Dom’s new girlfriend in the following movie. She plays a major role in the plot of The Fate of the Furious.
Below: (0:54) End credits scene in F&F 5.
2013: Fast and Furious 6
The Hobbs and Dom relationship builds in F&F6. Hobbs has a new assignment to bring in an international terrorist: Shaw. (No, not that Shaw. The younger brother of Deckard Shaw (Jason Statham)). Hobbs goes to Dom, who’s living in a non-extradition country, for help bringing in Shaw because they have a photo of Letty working for him.
Short aside: Letty “dies” in F&F4, or so we thought. Turns out she had amnesia and doesn’t remember anything about her past. Shaw, the younger, “rescued” her and now she works for him.
By movies’ end, Shaw is in critical condition in a hospital; Dom and Letty are back together, and the entire team has returned home to LA after getting pardoned for their help in bringing down Shaw.
In the extra credit scene we see Han, a member of Dom’s crew, racing in Tokyo. Suddenly, Han gets t-boned by another car, driven by Deckard Shaw (Jason Statham). Han’s car flips and lands upside down. Shaw gets out of his car and tosses a silver cross necklace on the street next to Han’s car then makes a phone call and says, ” Dominic Toretto, you don’t know me.” Han’s car explodes in the background. Shaw finishes, “But you’re about to.”
2015: Furious 7 <—-Read for our Review
That brings us to Furious 7 where… a lot of stuff happens. Let me explain… No, there is too much. Let me sum up. 😉 The movie opens with Shaw, the older brother played by Statham, visiting his younger brother in a hospital. Statham gives his comatose brother a speech about loyalty and brotherhood and revenge. Shortly afterward, we get to see a knockdown drag-out fight between Shaw (Statham) and Hobbs (The Rock). That ends with Shaw getting away, and Hobbs in a hospital room with a broken arm — he dove out of a 4th story window to save his partner.
Dom visits Hobbs in the hospital and gets the lowdown about Shaw: he’s a former British Special Agent that the powers that be decided to “retire” six years ago. He’s been a ghost ever since. Dom wants to find him and get revenge for Han, who died in the extra-credit scene of the previous movie. Oh yeah, and Shaw blew up Dom’s house in LA, almost killing the entire family. So yeah, there’s that.
At this point the story gets a little muddled.
Long story short: Dom’s crew ends up doing battle with a terrorist organization in LA, while Dom himself has a car fight with Shaw. During all this action Hobbs sees explosions from his hospital room and rips off his cast to join the fray. Dom nearly dies. Actually, he does die, but they bring him back. Shaw is captured and Hobbs delivers Shaw to a supermax prison.
Paul Walker Tribute
The actor Paul Walker, who plays Brian, tragically died in a car accident during the shooting of this movie — unrelated to the actual filming of the movie.
As far as the franchise is concerned, Brian has retired to family life.
Seriously, you should watch this one. It might be shorter than reading this labyrinthine synopsis. But in case you really can’t, here we go:
How do you turn a “bad guy” into a “good guy”? By introducing an even badder guy, or in this case, badder woman. Fate of the Furious introduces Charlize Theron as Cipher — a super secret pseudo-terrorist who has been behind the scenes, pulling strings, since F&F 2009.
The movie opens with Dom and Letty in Cuba. Cipher tries to recruit Dom to her team, but Dom turns her down. Cipher assures him that one way or another he’ll end up working for her.
Next we see Hobbs coaching his little girl’s soccer team. A government agent interrupts Hobbs, and tells him they have an important mission for him: to get a team together to take back a stolen EMP device that is in Berlin, Germany. But, this is all top-secret, hush hush stuff and if he, or any of his team, is captured, the US government will disavow any knowledge of his mission.
Of course, Hobbs makes a phone call to Dom and asks for his help. Dom says the team will meet him in Berlin. Cut directly to the team getting chased by terrorists, after stealing back the EMP device. Dom has the device strapped down in the back of his car. Everything seems to be going according to script, when Dom runs Hobbs off the road and takes off, alone, with the EMP. Everyone is like, WTF? 🙂
Dom drives his car onto a moving transport plane and delivers the device to Cipher.
Hobbs is captured and gets locked up in the very same prison where he locked Shaw up at the end of the previous movie. Oh, and they’re in neighboring cells, and do nothing but trash talk on how badly they’re going to whoop up on each other.
Of course the cell doors, all of them, open, and Hobbs and Shaw fight their way out of prison, to be met by the shadowy Mr. Nobody — the head of a super secret government agency, sort of like the IMF from Mission Impossible — played by Kurt Russell. (Mr. Nobody was introduced in Fast & Furious 7.)
Next we see Hobbs and Dom’s team in a conference room getting a briefing about Cipher from Mr. Nobody. No one has a clue why Dom double-crossed them in Berlin and stole the EMP, but they know something fishy is up, because that’s not Dom. Then Shaw walks into the room and everyone, especially Hobbs, is on high alert.
We learn Cipher came to Shaw first, to recruit him to her team. When he turned her down, she got his younger brother — and we all know how that turned out — see F&F6. Shaw wants to get revenge. Of course Hobbs and Shaw want nothing to do with each other, but Mr. Nobody reminds them that they are the only two people to ever track down Cipher so, like it or not, they’re going to work together.
There’s a very long blah, blah, blah about tracking down Cipher, when she and Dom blast their way into the building and steal the ultra powerful/secret computer program they used to track her.
Cipher and Dom are back on her plane, and this is where we find out the reason Dom is helping her is because Cipher has Elena: the police officer from Rio introduced back in F&F 5; she was Dom’s temporary love when he thought Letty was dead. Now, it turns out that Cipher not only has Elena but also… duh, Duh, DUH, their baby boy. (Ohhhhh, so that’s why Dom is helping Cipher. That makes sense now.)
The action jumps to New York City. Dom is there, seemingly alone, to steal a briefcase from a Russian ambassador. Dom’s team, plus Hobbs and Shaw, are there to stop him. What follows is a wickedly cool scene where Cipher uses her elite hacking skills to hack every car with automated driving capability in a 2 mile radius, essentially creating a zombified demolition derby.
Prior to the action getting started, Dom sneaks into a restaurant to meet with Shaw’s mother, played by none other than Dame Helen Mirren. Dom is there for help, but we don’t learn the details until later in the movie.
We also get treated to a bonding scene between Hobbs and Shaw, where Hobbs reads off a list of commendations Shaw received while working for British Intelligence, before he became a traitor. Of course their bonding scene ends with Hobbs saying to Shaw, “When this is all over I’m going to knock your teeth so far down your throat you’ll need to stick a toothbrush up your ass to brush ’em.” (This is how real men say to each other, “I love you, bro.”)
After Dom gets the Russian ambassador’s briefcase (Which contains the super secret recipe for an ancient Russian version of Coca Cola; just kidding, it has nuclear launch codes.)
Okay, wait just a second. Why would a Russian ambassador, in NYC, have a briefcase containing nuclear launch codes? Please, don’t ask. I already said, these movies have plots thinner than that cheap, see-through toilet paper you find in truck stops. Just roll with it and remember, these movies are about action and bad ass characters.
In the ensuing mess about 10,000 cars get destroyed. Dom gets away with the briefcase, and in the process kills Shaw. (Of course Shaw isn’t actually dead, but Cipher needs to think he is.)
Now Cipher has the ultimate hacking program and launch codes for nuclear missiles. Now all she needs is the submarine that contains the missiles and total world domination will be hers.
(Okay, we’re almost done here.)
Since Dom hesitated during one of his tasks, Cipher has to punish him by killing Elena right in front of him. Everyone converges on the Russian base where the nuclear sub is docked. Cipher hacks the sub and launches it, because sure, that’s possible.
Next: A chase scene on the ice between the Russian military and Dom’s team. Then the nuclear sub, hacked by Cipher, is able to plow through the ice and catch up with sports cars, because the nuclear sub has been upgraded with a NOX turbo injector. (It wasn’t, but I’m surprised the writers didn’t add that.)
But wait, what’s that? Two men wearing personal jetpacks flying through the air? Who could that be? It’s both Shaw brothers? But of course it is. They catch up to Cipher’s plane, remotely open the rear door, fly in and take over the plane. Elder Shaw goes forward to save Dom’s baby boy, while Younger Shaw goes for the cockpit. There’s a hilarious action scene of Elder Shaw fighting against Cipher’s men while he carries Dom’s baby boy in a basket.
Once Shaw(s) have rescued Dom’s baby, then Dom is able to rejoin his team. Dom saves the day in epic fashion.
Shaw has Cipher trapped, but she grabs a parachute and jumps out of the plane. (She was wearing a light jacket and jumped out of a plane, over the Arctic ice, at 10,000 feet. But I’m sure she’ll be fine. Bad guys/gals are immune to hypothermia.)
If there’s one thing more ubiquitous in a F&F movie than a NOX (Nitrous OXide) booster, it’s a long denouement, usually involving a dinner table. At the end of the movie Mr. Nobody offers Hobbs his old position back, but Hobbs turns him down to stay home with his daughter. Obviously, this will be resolved in the Hobbs & Shaw movie.
Did you follow all this? Maybe print it out and bring it along to see Hobbs & Shaw. 😉