Creator and developer of the RunPee app. When something doesn't work right in the app it's pretty much his fault. :-)
Aspiring author. Would like to finish his "Zombie Revelations" trilogy if he could break away for working on RunPee and the cottage he's building for RunPee Mom.
This is a crazy hard movie to give a rating to. I enjoyed it, but didn’t love it. I was engaged with the story from beginning to end, but wasn’t moved by the resolution.
The characters were well defined and the actors did a great job — every one of them. Obviously, Cate Blanchett is amazing as always, but a shout out has to be given to Kristen Wiig for her nuanced performance of Audrey. And Emma Nelson, the young girl who played Bee, shows great promise.
My problem with the movie lies in the character of Bernadette; namely that she was projected as an elite architect. The problems Bernadette faces aren’t unique, and aren’t limited to only the most talented individuals in the world.
By presenting her and her husband as highly accomplished, former prep-school-attending, wealthy individuals makes it hard for the audience to relate. She could have just as easily been presented an average architect. It isn’t about the talent — it’s about the drive to create: two things that are independent of each other.
In my college days I was an avid, but average, basketball player. I could have earned a master’s degree in physics had I traded in my gym time for lab time. But I loved basketball, and can confidently say I got as much enjoyment and self fulfillment out of playing as any elite basketball player.
An interesting choice the creators took is in giving us Bernadette’s backstory via documentary format. Exposition about a character’s past can be difficult to handle. If it’s too subtle, viewers might miss clues and become lost, wondering why a character is acting in such-and-such a manner. If it’s too obvious, it becomes heavy-handed and feels like a cheat. The documentary was creatively integrated into the story, and split up organically into two separate viewings. Kudos to the writers.
Perhaps this motivated the writers’ choice to create Bernadette as an elite architect, worthy of a documentary, so they could use this form of exposition. Personally, I’d say their choice wasn’t worth making Bernadette unrelatable, but that’s only my opinion.
Maybe I’m the only one who cares about these things. You tell me. Do you think the story would have been better if Bernadette were more relatable?
About The Peetimes:I would recommend the 2nd Peetime. It takes place in the middle of some serious stuff, but during the Peetime nothing much happens. The first Peetime is okay, but not as good as the 2nd.
Like too many all of life’s crucial questions, there’s no definitive answer to either the where or the how, but there are many theories, all of which have some a degree of truth to them.
The easiest one is the where. There is definitely a place that is officially “Googley” named Hell’s Kitchen, because you can see it labeled right there in Google Maps. (Anyplace that wants to be a place must first be placed on Google Maps.)
Hell’s Kitchen is generally considered to refer to the area from 34th to 59th Streets, starting west of Eighth Avenue and north of 43rd Street. City zoning regulations generally limit buildings to six stories; therefore most of the buildings are older walk-up apartments.
As for how this neighborhood came to be known as Hell’s Kitchen, according to the Irish Cultural Society of the Garden City Area:
When, in 1835, Davy Crockett said, “In my part of the country, when you meet an Irishman, you find a first-rate gentleman; but these are worse than savages; they are too mean to swab hell’s kitchen.” He was referring to the Five Points.
An article published by Mary Clark in 1994, published in the New York Times stated:
…first appeared in print on September 22, 1881 when a New York Times reporter went to the West 30s with a police guide to get details of a multiple murder there. He referred to a particularly infamous tenement at 39th Street and Tenth Avenue as “Hell’s Kitchen” and said that the entire section was “probably the lowest and filthiest in the city.” According to this version, 39th Street between 9th and 10th Avenues became known as Hell’s Kitchen and the name was later expanded to the surrounding streets. Another version ascribes the name’s origins to a German restaurant in the area known as Heil’s Kitchen, after its proprietors. But the most common version traces it to the story of “Dutch Fred the Cop”, a veteran policeman, who with his rookie partner, was watching a small riot on West 39th Street near Tenth Avenue. The rookie is supposed to have said, “This place is hell itself”, to which Fred replied, “Hell’s a mild climate. This is Hell’s Kitchen.”
Andrea Berloff did a fantastic job writing and directing the Kitchen. There are no wasted scenes in this tightly edited film. Everything follows from one step to the next. The characters are very well defined, and evolve during the movie for obvious reasons.
The three actors — Melissa McCarthy, Tiffany Haddish, and Elisabeth Moss — headlining this movie were fantastic. Each totally sold their characters as fearful timid women to begin with, that became powerful confident women later…and in McCarthy’s case oscillated back and forth a few times, all with good reason.
The plot isn’t as predictable as the trailers might suggest. There’s a few enjoyable twists and turns I didn’t expect.
About The Peetimes:This movie is very well edited. There were lots of Peetime options early in the movie to select from, but were all very short. I recommend the 2nd Peetime. It’s near the middle of the movie and doesn’t have much dialog. The 3rd Peetime is for Emergencies only. There’s a big plot development, but it’s the only describable scene in the last 3rd of the movie to pick from.
What’s the secret behind the popularity of sports? Any sport. Is the fame that is a part of the game? The money aspect? Or is the talent of the players and the physical aspect of it all? There’s a bit of everything in there. But most importantly, it is the myriad emotions that everyone goes through, whether they are watching or playing a sport that makes it such a beloved part of our lives.
Sport is an essential feature of human nature, and we tackle it on a day-to-day basis. We might wear the jersey of our favourite team to work regularly. Indulge in games, hang posters of our favourite stars, or watch movies that glorify sports on an entirely different level. Very much like sports betting, which can be quickly done online with surprise offers from bookmakers to give you the edge at the very beginning, sports films have for the longest of times been some of the best money-makers in the movie industry.
The connection most people feel with games like football, cricket, ice-hockey, American football, or tennis makes films based on these sports all the more entertaining and popular with the masses. Now, Hollywood has had a fair share of sport-based cinema over the years, so, here are three from across the world that should be on your must-watch list.
Bend It Like Beckham – UK
Packed with drama, comedy, and tons of heart-warming moments, Bend It Like Beckham is also the movie that made Kiera Knightly a household name. Following the trials and tribulations of an Asian girl who just wants to play football, the film is a light-hearted tale of friendship, family bonds, and battling societal norms for the love of the game. Bend It Like Beckham was also made into a musical and had a yearlong run on West End.
Iqbal – India
A coming-of-age film that revolves around a budding cricket player, Iqbal is different from the usual Bollywood fare. There are no dance and music sequences in this one, as a young deaf and mute bowler, living in a village, goes about making a name for himself in the hope of joining the Indian cricket team. Iqbal received critical fame both nationally and internationally, and is a film that the entire family can enjoy together. The most beautiful feature of the film is how the main protagonist gets help from an alcoholic ex-player and his sister along the way. In the end, everyone comes together to give him the support that takes Iqbal to the top.
Shaolin Soccer – Hong Kong
Sports does not always have to be taken seriously, and Shaolin Soccer is one film that proves that. A merry band of former Shaolin monks get together in this eccentric film that sees them take on soccer to promote martial arts. What we get is physics-defying stunts and goals, with dollops of over-the-top comedy, and several charming characters to root for along the way. Shaolin Soccer was a massive hit in Asia and went on to win quite a few film awards for its special effects.
IMDb categorizes Hobbs & Shaw as: “action, adventure”. I think they should add “comedy” to that as well. The odd couple relationship between Hobbs & Shaw has been building since their “relationship” began in Fast and the Furious 7, and they milk it to great effect in this movie while simultaneously letting their relationship grow.
Hobbs & Shaw also elevates the over-the-top action sequences expected of any movie in the Fast and Furious franchise. There’s definitely a few, “Oh wow, that was cool. I haven’t seen that before,” scenes — mostly by Brixton on his motorcycle.
If there’s one gripe I had going into Hobbs & Shaw, it’s that the ubiquitous trailers appeared to have already spoiled the best action and funniest scenes, but now I can assure you that isn’t the case. There are plenty of funny scenes never hinted at in the trailers and a few — exactly two — “special moments” that will leave you looking to your friends around you in surprised awe. (Note: If you’re a fan, then avoid any Hobbs & Shaw news on social media, or anywhere else, until after you see the movie. You don’t want to get spoiled.)
A special mention has to be given to the rising star Vanessa Kirby. The action movie genre isn’t exactly littered with great acting performances, but Vanessa Kirby, as Hattie Shaw, delivers in every scene — whether it calls for humor, drama, or action. And as unbelievable as some of the action scenes can be, the relationship between Hobbs and Shaw that Dwayne Johnson and Jason Statham deliver is perfectly believable.
The casting of Idris Elba was perfect. Few actors have the physicality and gravitas to be such an outstanding villain.
None of this would be possible without the outstanding writing skills of Chris Morgan, who also penned the screenplays for all the F&F movies, going back to Tokyo Drift.
I’m not saying that this script, and his others, are examples of high literature. There are too many instances of unrealistic conveniences that keep the story going, like the main characters just happening to run across the right people at the right time to keep them on their mission. However, this also isn’t the sort of movie that needs to get bogged down in the the nuances of logistics. One of the best tricks Chris Morgan employs in his scripts is to introduce those convenient characters in a surprising and enjoyable manner.
Basically, if Chris Morgan were a chef he would make peanut butter and jelly sandwiches. But not just any old PB&J sandwich. He’d use the good stuff, on really good bread, and maybe sneak an in Oreo cookie — or two — there as a surprise.
About The Peetimes:It was difficult finding decent Peetimes in the 1st half of this movie. There’s a lot going on: action, character development, etc. The 3rd and 4th Peetimes are the best. Try to use one of those if you must. None of the Peetimes have any action scenes, because that’s what we’re here to watch! Am I right? 🙂 However, there is just a little bit of humor in a few of the Peetimes, but nothing like the best humor.
I just watched the entire Fast and the Furious oeuvre, and here are my Top 10 Favorite F&F Action Scenes. It’s listed from top to bottom, with Number 1 being the BEST scene. Agree, disagree? Comment below which scenes you thought were most exciting after viewing the clips here. I could have easily added another half dozen scenes.
#10 — Fast Five: Opening Scene (1:13)
My only problem with this scene was seeing the bus rolling over, and over, and over, thinking: ummmmm, you know you might have just killed the guy you were trying to rescue, right? 🙂
#9 — Fate of the Furious: Havana Race Scene (5:18)
So ridiculously over the top. How can you not love it?
#8 — Fast and Furious 4: Gas Scene (7:00)
Driving under the tanker full of gas at the very end: that’s something Riddick would do.
#7 — Fast and Furious 4: Kidnapping Braga (Desert Escape) Scene (6:45)
Cars, crashes, humor, and video game level action.
#6 — Fast and Furious 6: Ending Plane Chase Scene (5:28)
Gisel sacrificing herself for Han. This was the first dramatic death in the franchise. Ouch! (No, Letty’s death scene doesn’t count, because we knew that wasn’t going to stick.)
#5 — Fast and Furious 7: Bus Rescue Scene (6:14)
Just another day at the office for these guys.
#4 — Fast Five: Stealing the Vault Scene (6:10)
This was the first scene in the franchise that my wife and I really reacted to. It was just fun to watch that much carnage, no matter how impossible it is for those cars to pull that vault that fast.
#3 — Fast and Furious 7: Car Jump Scene (3:45)
This scene was made all the better by setting up the “Dom, cars don’t fly,” line from Brian, earlier in the movie.
#2 — Fate of the Furious: Zombie Cars Scene (5:10)
OMG. This was brilliant. Forget the fact that it doesn’t work this way. This is F&F; go with it.
#1 — Fate of the Furious: Baby Rescue Scene (5:35)
This was such an adorable scene. No one could have pulled this off better than Jason Statham, other than maybe Dwayne Johnson. Yeah, he could have done it as good, or better. Hey, these two should make an action movie together. That would be the best! 😉
What do you think? What’s your Top 10 F& F chase scenes??
The preview for Hobbs & Shaw looks like an exciting action comedy, but these two characters have a long backstory from the Fast and The Furious franchise. If you haven’t seen all, or any, of the F&F movies, then you’re probably wondering what you need to know about Luke Hobbs (Dwayne Johnson/The Rock) and Deckard Shaw (Jason Statham) to make sense of this spinoff.
Hobbs and Shaw, in a nutshell
Hobbs, played by Dwayne “The Rock” Johnson, is a government agent tasked with capturing the worst of the worst. He was originally hunting Vin Diesel, who plays Dominic “Dom” Toretto, but in due course they become allies.
Shaw, played by Jason Statham, was a British Secret Agent – think James Bond with a bad attitude — but was “retired” by the agency six years ago, and now works freelance. Statham’s character is introduced in the end credit scene of F&F6 as a man out for revenge for what Dom’s team did to his brother. Of course, over time, he also becomes an ally.
We get to see Hobbs and Shaw fight a few times, but more often than not they simply fire epic and comical insults at each other.
Basically, Hobbs & Shaw is a action comedy version of The Odd Couple. That’s all you need to know before seeing their movie.
However, if you want to get caught up on the entire Fast and The Furious franchise, then read on.
I’ll give you advice on which F&F movies are worth seeing, and a detailed synopsis of the ones you could decide to skip over.
You can see from the table below, the franchise really starts to pick up with Fast And Furious 5. If you don’t have the time, or stomach, to watch all eight movies first, you could just cherry pick from the best of them. Then read my synopsis of what you missed in the ones you skip over.
Note: This article gets long after you view the chart below, but it’s chock full of details you need to be up to speed for Hobbs and Shaw. We helpfully also tell you in the chart if there are extra scenes over the end credits.
Complete list of F&F movies
The Fast and the Furious
Fast 2 Furious
The Fast and the Furious Tokyo Drift
Fast And Furious
Fast and Furious 6
The Fate of the Furious
Hobbs & Shaw
Fast & Furious 9 (May 22, 2020)
*Audience score from Rottentomatoes.com user rating.
Fast and The Furious franchise overview:
Every movie in the F&F franchise revolves around stories that create problems that can, seemingly, only be solved with fast cars and wildly fantastic action. This translates into paper-thin plots. They do so many completely impossible things that you don’t blink twice when they do something that’s just insanely improbable.
However, as much as each movie tries to amp up the action, the success of the franchise hinges on likable characters. Vin Diesel as Dominic “Dom” Toretto isn’t a good guy in the classic sense. In the first movie he’s nothing more than a thief with a code: Robin Hood from the hood.
Fortunately, F&F hit gold when they cast Vin Diesel as Dom. Vin has the gravitas, something many actors lack, to become the center of attraction in a franchise.
Dom is similar to the Star Wars character Han Solo. Solo isn’t exactly a good guy. He did in fact shoot first, and he’s only in it for the money. But when push comes to shove, he does the right thing, and he’s always there for his friends.
2001: The Fast and the Furious This is the movie that kicked off the franchise, and perhaps Vin Diesel’s career. (Along with a little-known, now cult favorite science fiction movie that came out the previous year called Pitch Black.) I would recommend watching the 2001 F&F; not because it’s any good, but because it’s the foundation upon which the franchise rests. Better yet, try to watch this movie and the 4th (F&F 2009) back to back. Together they make one complete story and really develop the characters and relationships.
What you need to know if you skip it:
Brian O’Conner (Paul Walker) is an undercover FBI agent trying to track down a gang of street racers stealing cargo off moving semi trucks. Brian befriends Dominic’s (Vin Diesel’s) sister, who works at a small cafe. The investigation leads Brian to believe a gang of Japanese bike racers is behind it, but ultimately he discovers that it is in fact Dom’s (Dominic’s) crew. The movie ends with Dom’s crew trying to rob a truck. The trucker has a gun and fights them off. Brian eventually has Dom trapped with the police moving in, but out of respect for Dom, Brian lets Dom get away.
Below is the full end scene of Fast and The Furious
where Brian lets Dom walk away.
Beyond the sloppy plot, the characters are well-defined. Dom commands a great deal of respect from everyone around him, including his adversaries. Brian is an FBI agent with complicated feelings about authority.
2003: Fast 2 Furious
By all means, you can skip this movie. It has no redeeming qualities. Vin Diesel doesn’t have so much as a cameo.
What you need to know if you skip it:
Brian has been kicked out of the FBI for letting Dom get away at the end of the previous movie. He’s in Miami when the FBI and DEA approach him to help with a case, by going undercover and bring down a drug cartel. Brian enlists the help of his longtime friend Roman (Tyrese Gibson). Roman is currently in prison, and blames Brian for it, but Brian convinces the FBI they have to pardon Roman if he helps with the investigation. Blah, blah, blah, car chase in the Florida Keys, and Brian and Roman capture the drug lord…and are BFFs again.
Below is the full “reunion scene/fight”
between Brian and Roman.
2006: The Fast and the Furious Tokyo Drift
On advice from my sister, I skipped this movie. This movie is somewhat controversial within the F&F fandom. Apparently the only thing you need to know is that the character Han is introduced, who comes back in F&F 5 and 6.
2009: Fast And Furious
Brian is back with the FBI, and needs Dom’s help to bring down a drug lord… Sorry, I nodded off a little bit there. Seriously, I just watched this movie last week, and I’m struggling to remember exactly what happened.
What you need to know if you skip it:
Dom is in hiding in Panama when he gets a call from his sister, Mia, who informs him that Letty (Michelle Rodriguez), who plays Dom’s girlfriend, has been murdered. Dom comes back to LA to help Brian (who’s back working with the FBI) to track down the mysterious drug lord who murdered his girlfriend. During the movie Mia, Dom’s sister, falls in love with Brian. Brian has loved her since the first movie.
The movie ends with Dom in custody. Brian pleads with the judge that Dom should be pardoned because he helped put a dangerous drug lord behind bars. The judge rules that one good deed doesn’t wipe out dozens of bad deeds, and sentences Dom to a minimum of 25 years in prison.
Cut to Dom on a bus, headed for a remote prison. Dom’s crew, including Brian, drive up on the bus. The movie ends.
New character: Gisele (Gal Gadot, who would go on to be cast as Wonder Woman) is introduced to the F&F franchise. She works for the drug lord, but turns out to have a soft spot for Dom.
2011: Fast 5
Hobbs is introduced in F&F5, a.k.a. Fast and Furious: The First Good One. He plays a government/military agent who is in charge of a team tasked with bringing in the worst of the worst criminals: he always gets his man. In F&F5 we get to see Dom (Vin) and Hobbs (Dwayne) go fist to fist. That’s worth the price of admission.
Below: (3:04) clip of the first Dom and Hobbs fight.
Prior to the final climactic action, Hobbs has captured Dom, Brian, and Letty and takes them to to the airport to bring them back to the USA. Suddenly, they are attacked by the antagonist’s men. Hobbs’ entire team is killed. Hobbs is wounded and, of course, Dom rescues him. Thus…setting up their mutual respect for each other in the movies to come.
Below: (4:08) “Dom rescues Hobbs” scene.
At the very end of the movie, Dom’s team has of course emerged victorious over the antagonist, but Hobbs “re-captured” Dom and Brian. Hobbs says, “You know I can’t let you two go. I ain’t made that way. The way I see it, you’ve earned yourself 24 hours… Come tomorrow, I will find you.” Dom smiles, “No, you won’t.”
Below: Hobbs re-captures Dom and Brian, but lets them go.
And thus begins the relationship between Hobbs and Dom. BTW, there’s a MUST see mid-extra credit scene in this movie.
Additionally, the character Elena is introduced in this movie. She is a police officer in Rio who acts as Hobbs’ local translator. She and Dom have a few scenes together that leads to her becoming Dom’s new girlfriend in the following movie. She plays a major role in the plot of The Fate of the Furious.
Below: (0:54) End credits scene in F&F 5.
2013: Fast and Furious 6
The Hobbs and Dom relationship builds in F&F6. Hobbs has a new assignment to bring in an international terrorist: Shaw. (No, not that Shaw. The younger brother of Deckard Shaw (Jason Statham)). Hobbs goes to Dom, who’s living in a non-extradition country, for help bringing in Shaw because they have a photo of Letty working for him.
Short aside: Letty “dies” in F&F4, or so we thought. Turns out she had amnesia and doesn’t remember anything about her past. Shaw, the younger, “rescued” her and now she works for him.
By movies’ end, Shaw is in critical condition in a hospital; Dom and Letty are back together, and the entire team has returned home to LA after getting pardoned for their help in bringing down Shaw.
In the extra credit scene we see Han, a member of Dom’s crew, racing in Tokyo. Suddenly, Han gets t-boned by another car, driven by Deckard Shaw (Jason Statham). Han’s car flips and lands upside down. Shaw gets out of his car and tosses a silver cross necklace on the street next to Han’s car then makes a phone call and says, ” Dominic Toretto, you don’t know me.” Han’s car explodes in the background. Shaw finishes, “But you’re about to.”
2015: Furious 7 <—-Read for our Review
That brings us to Furious 7 where… a lot of stuff happens. Let me explain… No, there is too much. Let me sum up. 😉 The movie opens with Shaw, the older brother played by Statham, visiting his younger brother in a hospital. Statham gives his comatose brother a speech about loyalty and brotherhood and revenge. Shortly afterward, we get to see a knockdown drag-out fight between Shaw (Statham) and Hobbs (The Rock). That ends with Shaw getting away, and Hobbs in a hospital room with a broken arm — he dove out of a 4th story window to save his partner.
Dom visits Hobbs in the hospital and gets the lowdown about Shaw: he’s a former British Special Agent that the powers that be decided to “retire” six years ago. He’s been a ghost ever since. Dom wants to find him and get revenge for Han, who died in the extra-credit scene of the previous movie. Oh yeah, and Shaw blew up Dom’s house in LA, almost killing the entire family. So yeah, there’s that.
At this point the story gets a little muddled.
Long story short: Dom’s crew ends up doing battle with a terrorist organization in LA, while Dom himself has a car fight with Shaw. During all this action Hobbs sees explosions from his hospital room and rips off his cast to join the fray. Dom nearly dies. Actually, he does die, but they bring him back. Shaw is captured and Hobbs delivers Shaw to a supermax prison.
Paul Walker Tribute
The actor Paul Walker, who plays Brian, tragically died in a car accident during the shooting of this movie — unrelated to the actual filming of the movie.
As far as the franchise is concerned, Brian has retired to family life.
Seriously, you should watch this one. It might be shorter than reading this labyrinthine synopsis. But in case you really can’t, here we go:
How do you turn a “bad guy” into a “good guy”? By introducing an even badder guy, or in this case, badder woman. Fate of the Furious introduces Charlize Theron as Cipher — a super secret pseudo-terrorist who has been behind the scenes, pulling strings, since F&F 2009.
The movie opens with Dom and Letty in Cuba. Cipher tries to recruit Dom to her team, but Dom turns her down. Cipher assures him that one way or another he’ll end up working for her.
Next we see Hobbs coaching his little girl’s soccer team. A government agent interrupts Hobbs, and tells him they have an important mission for him: to get a team together to take back a stolen EMP device that is in Berlin, Germany. But, this is all top-secret, hush hush stuff and if he, or any of his team, is captured, the US government will disavow any knowledge of his mission.
Of course, Hobbs makes a phone call to Dom and asks for his help. Dom says the team will meet him in Berlin. Cut directly to the team getting chased by terrorists, after stealing back the EMP device. Dom has the device strapped down in the back of his car. Everything seems to be going according to script, when Dom runs Hobbs off the road and takes off, alone, with the EMP. Everyone is like, WTF? 🙂
Dom drives his car onto a moving transport plane and delivers the device to Cipher.
Hobbs is captured and gets locked up in the very same prison where he locked Shaw up at the end of the previous movie. Oh, and they’re in neighboring cells, and do nothing but trash talk on how badly they’re going to whoop up on each other.
Of course the cell doors, all of them, open, and Hobbs and Shaw fight their way out of prison, to be met by the shadowy Mr. Nobody — the head of a super secret government agency, sort of like the IMF from Mission Impossible — played by Kurt Russell. (Mr. Nobody was introduced in Fast & Furious 7.)
Next we see Hobbs and Dom’s team in a conference room getting a briefing about Cipher from Mr. Nobody. No one has a clue why Dom double-crossed them in Berlin and stole the EMP, but they know something fishy is up, because that’s not Dom. Then Shaw walks into the room and everyone, especially Hobbs, is on high alert.
We learn Cipher came to Shaw first, to recruit him to her team. When he turned her down, she got his younger brother — and we all know how that turned out — see F&F6. Shaw wants to get revenge. Of course Hobbs and Shaw want nothing to do with each other, but Mr. Nobody reminds them that they are the only two people to ever track down Cipher so, like it or not, they’re going to work together.
There’s a very long blah, blah, blah about tracking down Cipher, when she and Dom blast their way into the building and steal the ultra powerful/secret computer program they used to track her.
Cipher and Dom are back on her plane, and this is where we find out the reason Dom is helping her is because Cipher has Elena: the police officer from Rio introduced back in F&F 5; she was Dom’s temporary love when he thought Letty was dead. Now, it turns out that Cipher not only has Elena but also… duh, Duh, DUH, their baby boy. (Ohhhhh, so that’s why Dom is helping Cipher. That makes sense now.)
The action jumps to New York City. Dom is there, seemingly alone, to steal a briefcase from a Russian ambassador. Dom’s team, plus Hobbs and Shaw, are there to stop him. What follows is a wickedly cool scene where Cipher uses her elite hacking skills to hack every car with automated driving capability in a 2 mile radius, essentially creating a zombified demolition derby.
Prior to the action getting started, Dom sneaks into a restaurant to meet with Shaw’s mother, played by none other than Dame Helen Mirren. Dom is there for help, but we don’t learn the details until later in the movie.
We also get treated to a bonding scene between Hobbs and Shaw, where Hobbs reads off a list of commendations Shaw received while working for British Intelligence, before he became a traitor. Of course their bonding scene ends with Hobbs saying to Shaw, “When this is all over I’m going to knock your teeth so far down your throat you’ll need to stick a toothbrush up your ass to brush ’em.” (This is how real men say to each other, “I love you, bro.”)
After Dom gets the Russian ambassador’s briefcase (Which contains the super secret recipe for an ancient Russian version of Coca Cola; just kidding, it has nuclear launch codes.)
Okay, wait just a second. Why would a Russian ambassador, in NYC, have a briefcase containing nuclear launch codes? Please, don’t ask. I already said, these movies have plots thinner than that cheap, see-through toilet paper you find in truck stops. Just roll with it and remember, these movies are about action and bad ass characters.
In the ensuing mess about 10,000 cars get destroyed. Dom gets away with the briefcase, and in the process kills Shaw. (Of course Shaw isn’t actually dead, but Cipher needs to think he is.)
Now Cipher has the ultimate hacking program and launch codes for nuclear missiles. Now all she needs is the submarine that contains the missiles and total world domination will be hers.
(Okay, we’re almost done here.)
Since Dom hesitated during one of his tasks, Cipher has to punish him by killing Elena right in front of him. Everyone converges on the Russian base where the nuclear sub is docked. Cipher hacks the sub and launches it, because sure, that’s possible.
Next: A chase scene on the ice between the Russian military and Dom’s team. Then the nuclear sub, hacked by Cipher, is able to plow through the ice and catch up with sports cars, because the nuclear sub has been upgraded with a NOX turbo injector. (It wasn’t, but I’m surprised the writers didn’t add that.)
But wait, what’s that? Two men wearing personal jetpacks flying through the air? Who could that be? It’s both Shaw brothers? But of course it is. They catch up to Cipher’s plane, remotely open the rear door, fly in and take over the plane. Elder Shaw goes forward to save Dom’s baby boy, while Younger Shaw goes for the cockpit. There’s a hilarious action scene of Elder Shaw fighting against Cipher’s men while he carries Dom’s baby boy in a basket.
Once Shaw(s) have rescued Dom’s baby, then Dom is able to rejoin his team. Dom saves the day in epic fashion.
Shaw has Cipher trapped, but she grabs a parachute and jumps out of the plane. (She was wearing a light jacket and jumped out of a plane, over the Arctic ice, at 10,000 feet. But I’m sure she’ll be fine. Bad guys/gals are immune to hypothermia.)
If there’s one thing more ubiquitous in a F&F movie than a NOX (Nitrous OXide) booster, it’s a long denouement, usually involving a dinner table. At the end of the movie Mr. Nobody offers Hobbs his old position back, but Hobbs turns him down to stay home with his daughter. Obviously, this will be resolved in the Hobbs & Shaw movie.
Did you follow all this? Maybe print it out and bring it along to see Hobbs & Shaw. 😉
Once Upon a Time… in Hollywood is, without question, the least enjoyable movie I’ve ever given an A+ to.
The writing and directing are some of Tarantino’s best. The acting was as good as you’ll see. Leonardo DiCaprio was at his best, which let’s face it: is the best ever. Brad Pitt was fantastic. My only mark against Pitt in this movie is that his character isn’t much of a stretch from many other roles he’s played.
To be fair, there were a few scenes, here and there, where I saw DiCaprio’s character from Wolf of Wall Street.
However, even though the movie gets high marks all around, I didn’t love it. I’m certainly impressed by the acting and craftsmanship on display. I just found the setting disinteresting. It’s the 70s, for crying out loud. They thought neon was amazing. If there’s a decade that needs to be flushed down a time toilet, it’s that one.
However, I can hardly knock a movie for that, now can I?
Spoilers to come if you want them:
Click to read spoilers.
Going into the movie, all I knew about Manson was that he lead a cult, or something like that, and his followers killed some people. I didn’t know who, or why.
By the end of the movie I understood the reason for the movie title: Once Upon a Time… in Hollywood. Tarantino winds the story around two characters Rick and Cliff, played by DiCaprio and Pitt, with Sharon Tate and the Manson clan in the background. He does this so well I didn’t realize the ending was fictitious until the credits were about to roll.
“Wait, they killed someone, right? … Ohhh, ‘Once Upon a Time…'” I get it now. That much was brilliant. This is how Hollywood wishes things had turned out.
I guess I should go read up on the real events of the story, but I don’t think it ends well in reality. Maybe it’s best to just roll with Tarantino’s fictitious version. I’m pretty sure I’ll sleep better.
About The Peetimes: There are 4 good Peetimes, nicely spaced out through the movie. Any one of the 3 will work for you, but I suggest the 2nd one, since it is the longest and has a very short synopsis.
Spoilers follow for Avengers: Infinity War and Endgame. Make sure you’ve seen these before reading further!
The question is: how did Dr. Strange know Tony Stark/Iron Man would not be dusted?
The simple answer: Dr. Strange watched the outcome and knew Tony survived after a certain chain of events occurred.
Right? Then the snap itself does not randomly select lifeforms to dust. If an event — Tony surviving The Snap — always follows a chain of previous events, then it is a determined event, and not random.
If the snap itself randomly selects, then each snap will select a different set of lifeforms to dust. Therefore, all Dr. Strange could know is there’s one chain of events that ends well for the Avengers, as long as Tony doesn’t get dusted.
Remember, based on the outcome of Avengers: Endgame, the only solution Dr. Strange saw was for Tony to be the one, and the ONLY one, to reverse The Snap.
If you’re not a Lion King fan, then I think you’ll find the 2019 live action (CGI, really) version more enjoyable than the animated one, based on more humor and the outstanding cinematography.
For my part, I feel a little numb because I effectively watched the movie three times today working on the Peetimes. And, until two nights ago, I hadn’t seen the animated Lion King since it first came out in the 90s.
The CGI is outstanding. There wasn’t a single moment where I could tell that something wasn’t real. Of course, the animal talking is unavoidably clumsy because animals don’t have the anatomy to actually talk. But I didn’t find it distracting.
Speaking of humor: Seth Rogen, as the voice for Pumbaa and Billy Eichner as the voice for Timon, absolutely carried the movie. John Oliver as Zazu was a perfect choice; I just wish the writers had given him one five second rant to enjoy.
I’m bummed they didn’t bring back Whoopi Goldberg for Shenzi the hyena, but at least they had “the voice” as Mufasa: James Earl Jones.